Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

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Abstract

Using archive material and comparative tools, the article examines the representation of the mythological and fairytale view of the world in fantasy films as exemplified by pictures about Sadkos sea wanderings in Soviet films and those of Sinbad in the American ones. The characters, the narrative, the eastern and antique theme contamination, the technologic, aesthetic and ideological aspects of the films are analyzed.

About the authors

N Yu Sputnitskaya

Institute of Film Art, VGIK

Author for correspondence.
Email: editor@vestnik-vgik.com

андидат искусствоведения, старший научный сотрудник Отдела современного экранного искусства

References

  1. Птушко А., Ренков Н. Комбинированные и трюковые киносъемки. - М.: Госкиноиздат, 1941. - 262 с.
  2. Спутницкая Н.Ю. Особенности масштабирования протагониста в фильме А. Птушко «Новый Гулливер» и проблема идентичности в советском детском кино второй половины 1930-х гг. // Вестник РГГУ. Серия «Философия. Социология. Искусствоведение». 2015. - № 1. - С. 73-83.
  3. Bellin J.D. Framing Monsters: Fantasy Film and Social Alienation. Carbondale: Southern Illinois University Press, 2005. - 256p.

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