The Aspects of Body in American Film Noir (1941-1955)

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Abstract

The article is devoted to the issue of a body and “body-ness” in the American film noir classics. It examines the stylistic role of “body-ness” implying substantivity and corporality of film images and explores the types of male and female human bodies in their specific semantic, structural and visual functions. The analysis is argued by references to different noirs.

About the authors

K N Orozbaev

VGIK

Author for correspondence.
Email: editor@vestnik-vgik.com

аспирант ВГИК (кафедра эстетики, истории и теории культуры).

References

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Copyright (c) 2017 Orozbaev K.N.



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