The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Abstract

The article opening the cycle of publications Audiovisual Means of Creating Metadiegetic Space in Cinema’ systemizes means and technologies in sound direction that enable to create various spaces in a film as well as to convey the altered consciousness and the inner world of the character.

About the authors

Elena A Rusinova

VGIK

Author for correspondence.
Email: editor@vestnik-vgik.com

PhD in Art, Associate Professor, Vice-rector in charge of the Research Work

References

  1. Казарян Р. Эстетика кинофонографии. - М.: Эйзенштейн-центр, 2011. - 248 с.
  2. Bordwell D., Thompson K. Film Art: An Introduction 2nd. ed. - New York: Addison and Wesley, 1979. - 544 p.
  3. Chion M. Audio-Vision: Sound on Screen. - New York: Columbia University Press, 1994. - 270 p.
  4. Gorbman С. Unheard Melodies: Narrative Film Music. - Bloomington, Indiana: Indiana University Press, 1987. - 190 p.
  5. Schafer R.M. The New Soundscape. BMI Canada, 1969. - 67 p.

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