Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy

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Abstract

The article analyzes the mechanism of building the conflict in screenwriting within confrontation “alive / dead” by means of dynamic of corporeality - from an “alive” corporeal world of the protagonist to a “dead” static model of the antagonist's world. The scheme of their interaction is based on examples of thriller films, as well as indie films which use the elements of this genre.

About the authors

Svetlana S Kozlova

VGIK; G. Dadamian’s Higher School of Theatre Workers

Author for correspondence.
Email: semenkirov@gmail.com

Post-Graduate student; Teacher

References

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