Style “Noir” in Classical and Contemporary Art History

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Abstract

The article explores the key traits of classic ‘film noir’: its periods, criteria, filmography, as well as styles and genres. tte author also gives a concise survey of the most recent research in this area with reference to both classical and modern studies in ‘film noir. Most of the texts referred to in the article are analyzed in Russian academic practice for the first time.

About the authors

Kasym N Orozbaev

ВГИК

Author for correspondence.
Email: ilikenorah@gmail.com

Post-Graduate student, Department of Aesthetics and Cultural Studies

References

  1. Borde R., Chaumeton E. A Panorama of American Film Noir (1941-1953). San Francisco, CA. City Light Books, 2002. - 242 p.
  2. Film Noir Reader. New York. Limelight Editions, 1996. - 343 p.
  3. Women in Film Noir. London. British Film Institute Publishing, 1998. - 238 p.
  4. The Philosophy of Film Noir. Lexington, KY. The University Press of Kentucky, 2006. - 248 p.
  5. Film Noir Reader 2. New York. Limelight Editions, 1999. - 346p.
  6. Lyons Arthur. Death on the Cheap: the Lost B Movies of Film Noir. Da Capo Press, 2000. - 212 p.
  7. Сонтаг С. Против интерпретации и другие эссе. - М.: Ад Маргинем Пресс, 2014. - 352 c.
  8. Шредер П. Заметки о фильме нуар // SEANCE.RU// URL: http://seance.ru/blog/noir-notes/ (дата обращения: 13.05.2016).

Copyright (c) 2017 Orozbaev K.N.

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