Toward the Sociological Rationalization of State Film Policy

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Abstract

The article encompasses the idea that the policy for the national cinema is reasonable due to its intelligence. To rationalize its current state means, above all, to strengthen its knowledge content, to make a profound use of the sociological and other scientific knowledge about the dynamic image of the film world and its hidden laws.

About the authors

Mikhail I Zhabskiy

VGIK; State Institute of Art Studies

Author for correspondence.
Email: m.zhabsky@gmail.com

Dr. in Sociology, Professor, head of Cinema Sociology Department, Institute of Film Art (VGIK), leading researcher (State Institute of Art Studies).

References

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  2. Жабский М.И., Тарасов К.А. Развитие киноведения в институциональноконтекстуальной перспективе // Культура и искусство. 2015, № 1 (25). - С. 16-31. doi: 10.7256/2222-1956.2015.1.13481.
  3. Лебедев Н. Внимание: кинематограф! - M., 1974. - 438 с.
  4. Тарасов К. Насилие в зеркале аудиовизуальной культуры. - М., 2005. - 380 с.
  5. Moeschler O. Der Schweizer Film. Kulturpolitik im Wandel: der Staat, die Filmschaffenden, das Publikum. - Marburg, 2013. - 138 p.

Copyright (c) 2015 Zhabskiy M.I.



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