Cinematic Nature of English Pre-Raphaelites’ Painting

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Abstract

The article analyses the peculiarities of the Pre-Raphaelite style from the viewpoint of its cinematic imagery. The work of Millais, Rossetti and Hunt is described in terms of film language (close-ups, the subdivision of the picture’s composition into individual narratives, the creation of a particular mood by using details, the background as a long shot, etc.) explaining the hyper-realism of the Pre-Raphaelites.

About the authors

Ada Vilisovna Bernatonite

Tomsk State Pedagogical University

Author for correspondence.
Email: ada_bernaton@inbox.ru

Phd in Art, assistant professor, Russian Film Histroy and Cultural Studies

References

  1. Де Кар Л. Прерафаэлиты: Модернизм по-английски. - М.: Астрель, 2002. - 128 с.
  2. Никитина И.И. Художественное пространство как категория современной эстетики // Вестник ВГИК, май. - 2013. - №16. - С. 66-81.
  3. Поэтический мир прерафаэлитов / The poetic world of the Pre-Raphaelites. - М., 2013.-368 с.
  4. Рескин Д. Лекции об искусстве. - М.: Б.С.Г.-ПРЕСС, 2011. - 319 с.
  5. Светлов И. Прерафаэлиты. - М.: Белый город, 2007. - 48 с.

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