| Issue |
Title |
File |
| Vol 13, No 3(49), 2021 |
Alexander Dovzhenko. Poetic Space of Immortality |
(Rus)
|
|
Vinogradov V.
|
| Vol 13, No 3(49), 2021 |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
(Rus)
|
|
Klyueva L.
|
| Vol 13, No 2(48), 2021 |
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama |
(Rus)
|
|
Kasmynin A.
|
| Vol 13, No 2(48), 2021 |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
(Rus)
|
|
Klyueva L.
|
| Vol 13, No 1, 2021 |
The Evolution of the Concept of the Victory in Russian Documentary Cinema |
(Rus)
|
|
Prozhiko G.
|
| Vol 12, No 4, 2020 |
From a Screen Document to a Poetic Image. Making Sense |
(Rus)
|
|
Prozhiko G.
|
| Vol 12, No 3, 2020 |
Cinema Magic: Mask and Myth |
(Rus)
|
|
Kirillova N.
|
| Vol 12, No 3, 2020 |
S.Eisenstein. Aggression of Discourse: Theoretical Justification |
(Rus)
|
|
Klyueva L.
|
| Vol 12, No 2, 2020 |
The Image and Sound of War in the Films “The Ascent” and “Come and See” |
(Rus)
|
|
Prozorovskaya I.
|
| Vol 12, No 2, 2020 |
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema |
(Rus)
|
|
Malyshev V.
|
| Vol 12, No 1, 2020 |
Stopover? Non-fiction movies in the first decade after the millennium |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 12, No 1, 2020 |
The struggle for the Far East in the interpretation of the Vasilyev brothers |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 11, No 4, 2019 |
CILECT as the Project of a World Film School: Origins, Specifics, Development |
(Rus)
|
|
Malyshev V.
|
| Vol 11, No 4, 2019 |
Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound |
(Rus)
|
|
Rusinova E.
|
| Vol 11, No 3, 2019 |
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint |
(Rus)
|
|
Rusinova E.A.
|
| Vol 11, No 3, 2019 |
Methodological aspects of studying the history of Soviet cinema in the 1930s |
(Rus)
|
|
Usuvaliev S.I.
|
| Vol 11, No 2, 2019 |
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters |
(Rus)
|
|
Anisimov A.V.
|
| Vol 11, No 2, 2019 |
Russian Documentary at the Turn of the 21st Century |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 11, No 1, 2019 |
Cinematic media in digital culture |
(Rus)
|
|
Bakulev G.P.
|
| Vol 11, No 1, 2019 |
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero |
(Eng)
(Rus)
|
|
Rusinova E.A.
|
| Vol 11, No 1, 2019 |
Between ideology and literature: the discussion of screenplays in the USSR in the 1930s |
(Rus)
|
|
Goncharenko A.A.
|
| Vol 10, No 4, 2018 |
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker |
(Eng)
(简体中)
(Rus)
|
|
Malyshev V.S.
|
| Vol 10, No 3, 2018 |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
(Rus)
|
|
Pronin A.A.
|
| Vol 10, No 3, 2018 |
Sound as a Sign and Artistic Symbol in Film |
(Rus)
|
|
Rusinova E.A.
|
| Vol 10, No 3, 2018 |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
|
Prozhiko G.S.
|
| Vol 10, No 2, 2018 |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
(Rus)
|
|
Yakimovich A.K.
|
| Vol 10, No 2, 2018 |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 10, No 1, 2018 |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| Vol 9, No 4, 2017 |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| Vol 9, No 3, 2017 |
Ethnographic Cinema: the Image of the Other |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 9, No 3, 2017 |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 9, No 2, 2017 |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
(Rus)
|
|
Smagina S.A.
|
| Vol 9, No 2, 2017 |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
(Rus)
|
|
Mylnikov D.Y.
|
| Vol 9, No 2, 2017 |
Censorship Machine in the Soviet Cinema of the 1920s |
(Rus)
|
|
Nasrtdinova A.R.
|
| Vol 9, No 2, 2017 |
The Demand for Russian Cinema |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 9, No 1, 2017 |
Cinema and Globalization |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 8, No 4, 2016 |
Newsreel: Is Its Revival Possible? |
(Rus)
|
|
Malkova L.Y.
|
| Vol 8, No 4, 2016 |
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 8, No 4, 2016 |
Education Genres Animated Poster in the Second Half of the 20th Century |
(Rus)
|
|
Krivulya N.G.
|
| Vol 8, No 3, 2016 |
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 8, No 3, 2016 |
Development of the Animated Poster in the First Half of the XX century |
(Rus)
|
|
Krivulya N.G.
|
| Vol 8, No 2, 2016 |
Animated Poster: Its Origins, Specificity and Peculiarity |
(Rus)
|
|
Krivulya N.G.
|
| Vol 8, No 2, 2016 |
Structural Analysis of Film Characters |
(Rus)
|
|
Boyko M.E.
|
| Vol 8, No 1, 2016 |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 7, No 4, 2015 |
Toward the Sociological Rationalization of State Film Policy |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 7, No 4, 2015 |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 7, No 3, 2015 |
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation |
(Rus)
|
|
Zhdanova V.A.
|
| Vol 7, No 3, 2015 |
Functional Duality of Cinema |
(Rus)
|
|
Ushkarev A.A.
|
| Vol 7, No 2, 2015 |
Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
|
Khrenov N.A.
|
| Vol 7, No 2, 2015 |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.Y.
|
| Vol 7, No 1, 2015 |
S.M. Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
|
Khrenov N.A.
|
| Vol 7, No 1, 2015 |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.Y.
|
| Vol 7, No 1, 2015 |
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 6, No 4, 2014 |
Film Studies As a Normative Academic Discipline |
(Rus)
|
|
Nikitina I.P., Ivin A.A.
|
| Vol 6, No 3, 2014 |
State Guardianship of Cinema: The Issue of Goal-Setting |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 6, No 2, 2014 |
Cinema Policy of Simple Solutions |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 6, No 1, 2014 |
Soviet cinema as a state budget’s contributor. Distribution in the 1930s |
(Rus)
|
|
Kosinova M.I.
|
| Vol 6, No 1, 2014 |
“Moscow text” in Russian cinema in the 1920s-1940s |
(Rus)
|
|
Boyarshinova N.A.
|
| Vol 5, No 4, 2013 |
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's |
(Rus)
|
|
Kosinova M.I.
|
| Vol 5, No 4, 2013 |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
(Rus)
|
|
Fyodorova A.A.
|
| Vol 5, No 3, 2013 |
Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) |
(Rus)
|
|
Kosinova M.I.
|
| Vol 5, No 3, 2013 |
The Myth of the Authenticity of the Wartime Newsreels |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 5, No 2, 2013 |
Film as Text. Some Aspects of Text Analysis |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 5, No 2, 2013 |
American cinema of the Great Depression. The «Social Restlessness Phase» |
(Rus)
|
|
Zakharov D.V.
|
| Vol 5, No 1, 2013 |
Does cinema remain the driving force of screen culture? |
(Rus)
|
|
Kirillova N.B.
|
| Vol 4, No 4, 2012 |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 2-3, 2012 |
Sociocultural Functions of Film Libraries and Archives |
(Rus)
|
|
Malyshev V.S.
|
| Vol 4, No 2-3, 2012 |
World War Two in the Cinema of the Late 1950s |
(Rus)
|
|
Zaitseva L.A.
|
| Vol 4, No 2-3, 2012 |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 2-3, 2012 |
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 4, No 1, 2012 |
Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 4, No 1, 2012 |
Mirror and its Semiotic Modifications in Culture |
(Rus)
|
|
Kljueva L.B.
|
| Vol 3, No 4, 2011 |
Moral Aspects of Russian PreRevolutionary Cinema |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 3, No 4, 2011 |
The Significance of Myth in the Work of Andrey Zvyagintsev |
(Rus)
|
|
Kljueva L.B.
|
| Vol 3, No 3, 2011 |
Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev |
(Rus)
|
|
Kljueva L.B.
|
| Vol 3, No 2, 2011 |
To the Semiotics of the Mirror and Reflectivity |
(Rus)
|
|
Kljueva L.B.
|
| Vol 3, No 1, 2011 |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
|
Kljueva L.B.
|
| Vol 2, No 4, 2010 |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
|
Klyueva L.B., Kljueva L.B.
|
| Vol 2, No 3, 2010 |
Film Art in the System of Forming a Stage Identity Model |
(Rus)
|
|
Kolotayev V.A.
|
| Vol 2, No 2, 2010 |
The Unknown Cinema of the War and Victory |
(Rus)
|
|
Grashchenkova I.N., Grashchenkova I.N.
|
| Vol 2, No 2, 2010 |
Second World War Film Chronicle |
(Rus)
|
|
Prozhiko G.S., Prozhiko G.S.
|
| Vol 2, No 2, 2010 |
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 |
(Rus)
|
|
Utilov V.A., Utilov V.
|
| Vol 2, No 1, 2010 |
Historical time in a film structure(end, beginning in № 1) |
(Rus)
|
|
Marievskaya N.E., Marievskaya N.
|
| Vol 2, No 1, 2010 |
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") |
(Rus)
|
|
Turitsyn V.N., Turitsyn V.N.
|
| Vol 1, No 1, 2009 |
Historical time in a film structure |
(Rus)
|
|
Marievskaya N.E.
|
| Vol 1, No 1, 2009 |
Postmodernism as Myths Generating Practice |
(Rus)
|
|
Mankovskaya N.B.
|
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