| Issue |
Title |
File |
| Vol 13, No 3(49), 2021 |
The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work |
(Rus)
|
|
Kirillova N.
|
| Vol 13, No 3(49), 2021 |
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera” |
(Rus)
|
|
Goryachok K.
|
| Vol 13, No 2(48), 2021 |
A Stunt as a Plastic Metaphor in Epic Series “Liberation” |
(Rus)
|
|
Danilov D.
|
| Vol 13, No 2(48), 2021 |
Historical Trauma as a Source of Grotesque in Cinema |
(Rus)
|
|
Babina A.
|
| Vol 13, No 1, 2021 |
Screenlife vs. Classic Cinema |
(Rus)
|
|
Shimokhin B.
|
| Vol 13, No 1, 2021 |
Drama Features оf Documentary: Movie, TV Film, Streaming Platform |
(Rus)
|
|
Trusevich E.
|
| Vol 12, No 4, 2020 |
The Image of War in the Cinema of the 60s. Knights without Past and Future |
(Rus)
|
|
Ianushko A.V.
|
| Vol 12, No 4, 2020 |
Initiation by Fear as a Model of Soviet Film Tales of the 1960s |
(Rus)
|
|
Zernova P.
|
| Vol 12, No 3, 2020 |
Short Film: Genre Originality of Debuts |
(Rus)
|
|
ZHdankina G., SHipulina N.
|
| Vol 12, No 3, 2020 |
The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook |
(Rus)
|
|
Park Young Eun ..
|
| Vol 12, No 3, 2020 |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
(Rus)
|
|
Vinogradov V.
|
| Vol 12, No 2, 2020 |
Reconstruction of the Past in the Reality of Screen Imagery |
(Rus)
|
|
Marusenkov V.
|
| Vol 12, No 2, 2020 |
A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite |
(Rus)
|
|
Park Young Eun (.
|
| Vol 12, No 1, 2020 |
Russian Сinema: Modest Charm of a Hollow Character? |
(Rus)
|
|
Maryevskaya N.E.
|
| Vol 12, No 1, 2020 |
Historical time and the image of the house in A. Sokurov’s work |
(Rus)
|
|
Klimenko N.V.
|
| Vol 11, No 4, 2019 |
Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel |
(Rus)
|
|
Ryabokon’ A.
|
| Vol 11, No 4, 2019 |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
(Rus)
|
|
Vinogradov V.
|
| Vol 11, No 4, 2019 |
On the Problem of the Discourse Analysis of Literary Texts |
(Rus)
|
|
Klyueva L.
|
| Vol 11, No 3, 2019 |
The evolution of visual instruments of VR cinema |
(Rus)
|
|
Matkin A.V.
|
| Vol 11, No 3, 2019 |
The canons of capturing reality in the documentary cinema of the 1960s |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 11, No 2, 2019 |
Viktor Turin's Turksib as an ecological message |
(Rus)
|
|
Berkova N.N.
|
| Vol 11, No 2, 2019 |
VR Cinema. Virtual Spectacle as a Dream |
(Rus)
|
|
Novikov V.N.
|
| Vol 11, No 1, 2019 |
Contemporary Russian cinema and its world contexts |
(Rus)
|
|
Reisen O.K.
|
| Vol 11, No 1, 2019 |
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype |
(Rus)
|
|
Karavaev D.L.
|
| Vol 10, No 4, 2018 |
Contemporary Russian Cinema and Its World Contexts |
(Rus)
|
|
Reisen O.K.
|
| Vol 10, No 4, 2018 |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 10, No 3, 2018 |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
|
Song J.I.
|
| Vol 10, No 3, 2018 |
Mythologeme of Asceticism in the National Cinema the 1930s |
(Rus)
|
|
Zubkina Y.V.
|
| Vol 10, No 2, 2018 |
Screen Metamorphoses of Ivan Pyryev |
(Rus)
|
|
Kirillova N.B.
|
| Vol 10, No 1, 2018 |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
(Rus)
|
|
Parfentyeva E.N.
|
| Vol 9, No 4, 2017 |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 9, No 4, 2017 |
Contemporary Hero in the Wartime Chronotope |
(Rus)
|
|
Muradov A.B., Shergova K.A.
|
| Vol 9, No 3, 2017 |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
(Rus)
|
|
Klyueva L.B.
|
| Vol 9, No 3, 2017 |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 9, No 2, 2017 |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
|
Fedotkin S.V.
|
| Vol 9, No 2, 2017 |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
|
Shesteric O.V.
|
| Vol 9, No 2, 2017 |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 9, No 1, 2017 |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 9, No 1, 2017 |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
(Rus)
|
|
Arysheva A.S.
|
| Vol 9, No 1, 2017 |
Kinoteatr.doc in Search of the «Real» Movies |
(Rus)
|
|
Kuzmina L.V.
|
| Vol 8, No 4, 2016 |
Destiny of Indian Cinema in Russia |
(Rus)
|
|
Nefedova D.N.
|
| Vol 8, No 4, 2016 |
Historical Potential of Newsreel and Its Interpretation |
(Rus)
|
|
Belyakov V.K.
|
| Vol 8, No 4, 2016 |
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 8, No 3, 2016 |
Documentaries, 21st Century: Time to Sum Up |
(Rus)
|
|
Poznin V.F.
|
| Vol 8, No 2, 2016 |
Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch |
(Rus)
|
|
Fanina M.A.
|
| Vol 8, No 1, 2016 |
Love in the Soviet Qnema as the Stereotype of Gender Relations |
(Rus)
|
|
Fanina M.A.
|
| Vol 7, No 4, 2015 |
Countercommunicative Mechanisms in the Artistic Practice of Cinema |
(Rus)
|
|
Klyueva L.B.
|
| Vol 7, No 4, 2015 |
Reconstruction as the Character Depiction Method in Documentary |
(Rus)
|
|
Troukhina A.V.
|
| Vol 7, No 3, 2015 |
Evolution of Dramaturgy of Fiction Popular Science Films |
(Rus)
|
|
Kolodinskiy M.N.
|
| Vol 7, No 3, 2015 |
Representation of Youth in Soviet Cinema of the 1950s |
(Rus)
|
|
Zharikova V.V.
|
| Vol 7, No 2, 2015 |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
(Rus)
|
|
Kiselev A.O.
|
| Vol 7, No 2, 2015 |
Stylistic Features Of Russian Arthouse |
(Rus)
|
|
Poznin V.F.
|
| Vol 7, No 2, 2015 |
Synthesis of National and Transnational in A. Konchalovsky's American Movies |
(Rus)
|
|
Kurdiaev G.I.
|
| Vol 7, No 1, 2015 |
“Deus ex Machina” as a Method of Constructing a Happy End in Film Art |
(Rus)
|
|
Shevtsov V.A.
|
| Vol 7, No 1, 2015 |
Evolution of Mythological Narrative in Sergey Bodrov's Work |
(Rus)
|
|
Kurdiayev G.I.
|
| Vol 6, No 4, 2014 |
Time - Backwards: Mayakovsky Quotes Vertov |
(Rus)
|
|
Pronin A.A.
|
| Vol 6, No 4, 2014 |
Time and Essence. Study of Cinema Product Temporal Analysis |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 6, No 3, 2014 |
Points of Disequilibrium in Narrative Dynamics and Their Structure |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 6, No 2, 2014 |
Screenplay as a Dynamic Process Model |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 6, No 1, 2014 |
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov |
(Rus)
|
|
Khrenov N.A.
|
| Vol 6, No 1, 2014 |
On prerequisites for developing artistic time theory |
(Rus)
|
|
Marievskaja N.E.
|
| Vol 5, No 4, 2013 |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
(Rus)
|
|
Khrenov N.A.
|
| Vol 5, No 4, 2013 |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 5, No 4, 2013 |
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 5, No 4, 2013 |
Hoffmann’s Dual World in “Hoffmaniada” |
(Rus)
|
|
Trapeznikova Y.V.
|
| Vol 5, No 3, 2013 |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
(Rus)
|
|
Khrenov N.A.
|
| Vol 5, No 3, 2013 |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 5, No 3, 2013 |
The Analysis of Artistic Time in the Theory of Film Dramaturgy |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 5, No 2, 2013 |
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 5, No 2, 2013 |
Representation and Reconstruction of the Time in Non-Fiction Films |
(Rus)
|
|
Razgon L.N.
|
| Vol 5, No 1, 2013 |
The Great Kamchatka Expedition |
(Rus)
|
|
Golovnyov I.A.
|
| Vol 4, No 4, 2012 |
Golden Eagle-2012. Inpressions |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 4, No 2-3, 2012 |
Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century |
(Rus)
|
|
Burov A.M.
|
| Vol 4, No 2-3, 2012 |
The Image of Home in Cinema |
(Rus)
|
|
Reizen O.K.
|
| Vol 4, No 2-3, 2012 |
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films |
(Rus)
|
|
Malyshev V.S.
|
| Vol 4, No 2-3, 2012 |
The Paradoxes of the Thaw Period |
(Rus)
|
|
Zaitseva L.A.
|
| Vol 4, No 1, 2012 |
On the character transformation in the Russian Cinema |
(Rus)
|
|
Sharapova M.A.
|
| Vol 4, No 1, 2012 |
Essential Peculiarities of Time Representation in the post-perestroika cinema |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 3, No 4, 2011 |
The Poetic Cinema of the Post-Cultural Era |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 3, No 3, 2011 |
Cinema in the Phase of Private Interest |
(Rus)
|
|
Zakharov D.V.
|
| Vol 3, No 3, 2011 |
A Symbolic Visual Structures in A. Sokurov's cinema |
(Rus)
|
|
Tikhonova M.Y.
|
| Vol 3, No 2, 2011 |
Giotto: Open Cubes, Shallow Depths and Specific Repetition |
(Rus)
|
|
Burov A.M.
|
| Vol 3, No 2, 2011 |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 3, No 2, 2011 |
Mythology and Conventions of American Pre-War Cinema |
(Rus)
|
|
Fomina V.A.
|
| Vol 3, No 1, 2011 |
Hellenistic Reform. Epicureanism and Image Deviations |
(Rus)
|
|
Burov A.M.
|
| Vol 3, No 1, 2011 |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 3, No 1, 2011 |
Situations and Characters of American Pre-War Cinema |
(Rus)
|
|
Fomina V.A.
|
| Vol 2, No 4, 2010 |
Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent" |
(Rus)
|
|
Burov A.M., Burov A.M.
|
| Vol 2, No 4, 2010 |
The Development of Female Characters in Central Asian Cinema |
(Rus)
|
|
Abikeeva G.O., Abikeeva G.O.
|
| Vol 2, No 3, 2010 |
Early Antique Imagery |
(Rus)
|
|
Burov A.M.
|
| Vol 2, No 3, 2010 |
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films |
(Rus)
|
|
Kljueva L.B.
|
| Vol 2, No 2, 2010 |
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate |
(Rus)
|
|
Il'chenko S.N., Ilchenko S.N.
|
| Vol 2, No 2, 2010 |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
(Rus)
|
|
Klyueva L.B., Kluyeva L.B.
|
| Vol 2, No 1, 2010 |
Aesthetic Features of the Modern TV-documentary |
(Rus)
|
|
Shergova K.A., Shergova K.
|
| Vol 2, No 1, 2010 |
Remakes. The Artistic and Aesthetic Principles |
(Rus)
|
|
Primakova N.V., Primakova N.V.
|
| Vol 1, No 1, 2009 |
Godmother of Alexander Askoldov |
(Rus)
|
|
Perelstein R.M.
|
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