WORLD CINEMA | ANALYSIS

Issue Title File
Vol 13, No 3(49), 2021 The Victimizer-Victim Conflict as Represented in the Foreign Post-War Cinematograph PDF
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Chirkina M.
Vol 13, No 2(48), 2021 Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema PDF
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Makarova M.
Vol 13, No 1, 2021 “The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films PDF
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Shevchenko-Rosliakova A.
Vol 12, No 4, 2020 Sound Space of M.Garrone’s Films: from Fiction to Reality PDF
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Sorokina J.
Vol 12, No 4, 2020 The Concept of Latent Dramaturgy in Contemporary Iranian Cinema PDF
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Chirkina M.
Vol 12, No 2, 2020 Palestine in Foreign Cinema PDF
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Nassar A.
Vol 12, No 2, 2020 A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen PDF
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Grigoreva N.
Vol 12, No 1, 2020 A screen version of the story of Salinger translated into Farsi PDF
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Grigoreva N.G.
Vol 11, No 4, 2019 Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers PDF
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Solovyeva M.V.
Vol 11, No 3, 2019 Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics PDF
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Mikheeva J.V.
Vol 11, No 3, 2019 The story of one crime: in life, in literature and in cinema PDF
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Zvegintseva I.A.
Vol 11, No 2, 2019 Existential problematics in the films of Pedro Costa PDF
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Sandu V.O.
Vol 11, No 1, 2019 Australian cinema: transforming youth issues over time PDF
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Zvegintseva I.A.
Vol 10, No 4, 2018 The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century PDF
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Smagina S.A.
Vol 10, No 3, 2018 The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal PDF
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Smagina S.A.
Vol 10, No 3, 2018 Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? PDF
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Khokhlova D.E.
Vol 10, No 2, 2018 The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause PDF
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Rusinova E.A., Khabchuk E.M.
Vol 10, No 2, 2018 Screen Self-Reflection: Classification of Species PDF
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Solovyova M.V.
Vol 10, No 2, 2018 Psychological Insight in Asgar Farhadi’s Early Films PDF
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Grigorieva N.G.
Vol 10, No 1, 2018 The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music PDF
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Rusinova E.A., Habchuk E.M.
Vol 10, No 1, 2018 The Transformation of the Jesse James’ Myth in Contemporary American Cinema PDF
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Zakharov D.V.
Vol 10, No 1, 2018 The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers PDF
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Krivulya N.G.
Vol 9, No 4, 2017 Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s PDF
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Kazyuchits M.F.
Vol 9, No 3, 2017 Chinese Animation in Wan brothers’ Creative Work PDF
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PDF
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Gu Qijun -.
Vol 9, No 3, 2017 India and England in the Mirror of Screen PDF
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Zvegintseva I.A.
Vol 9, No 3, 2017 The Aspects of Body in American Film Noir (1941-1955) PDF
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Orozbaev K.N.
Vol 9, No 2, 2017 Individualism as a Cultural Syndrome in Recent American Cinema PDF
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Tsyrkun N.A.
Vol 9, No 2, 2017 Cinema of Arabic East: the Problem of Radical Islam PDF
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Shakhov A.S.
Vol 9, No 1, 2017 Screen Image and the System of expressive Means in American Documentary of the 1960s PDF
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Kazyutchits M.F.
Vol 9, No 1, 2017 Style “Noir” in Classical and Contemporary Art History PDF
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Orozbaev K.N.
Vol 8, No 4, 2016 Travesty of the Sacred in Postmodernist Westerns PDF
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Tsyrkun N.A.
Vol 8, No 4, 2016 Two Peoples, Two Worlds PDF
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Zvegintseva I.A.
Vol 8, No 3, 2016 The Influence of the Painting Tradition on Derek Jarman’s Films PDF
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Denisova I.V.
Vol 8, No 3, 2016 Specifics of Imaginative Approach in the US Documentary of 1960-2000s PDF
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Kazyutchits M.F.
Vol 8, No 3, 2016 Indian Cinema: Past and Present PDF
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Nefedova D.N.
Vol 8, No 3, 2016 A Criminal as the Main Movie Character, or Old Themes and New Solutions PDF
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Zvegintseva I.A.
Vol 8, No 2, 2016 Isao Takahata’s Nostalgia PDF
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Karchava L.L.
Vol 8, No 2, 2016 Primary Cinema Sources of American Noir PDF
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Orozbaev K.N.
Vol 8, No 1, 2016 The Birth of Identity in the Finnish Cinema PDF
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Ivannikova C.O.
Vol 8, No 1, 2016 Emotional Influence on the Viewer in Contemporary American Cinema PDF
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Vital F.Y.
Vol 8, No 1, 2016 American Biopic in Contemporary Cinema PDF
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Morozova I.V.
Vol 7, No 4, 2015 The Theme of Apocalypse in Australian Cinema PDF
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Zvegintseva I.A.
Vol 7, No 4, 2015 European Avant-guard: Dialectics of “Feature” and “Non-feature” Films PDF
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Lyubovich M.V.
Vol 7, No 3, 2015 Iran in Contemporary Russian Cinema (Film’s Visual Formula) PDF
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Akhmad Mir Akhorli -.
Vol 7, No 3, 2015 Video Aesthetics in Cinema and Video Art PDF
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Smolev D.D.
Vol 7, No 2, 2015 World War II in the Cinema of Green Continent PDF
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Zvegintseva I.A.
Vol 7, No 2, 2015 Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis PDF
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Ivannikova K.O.
Vol 7, No 1, 2015 European Film Avant-Garde: Poetics of Objectiveness PDF
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Lyubovich M.V.
Vol 6, No 4, 2014 Phenomenon of Political Biopic in the English-Language Cinema PDF
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Morozova I.V.
Vol 6, No 3, 2014 Crime Teenpic as a Subgenre of American Cinema PDF
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Zharikova V.V.
Vol 6, No 2, 2014 Superhero Cinema Comics: Gender Transposition PDF
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Tsyrkun N.A.
Vol 6, No 1, 2014 The Silent Era in Australian Cinema PDF
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Zvegintseva I.A.
Vol 5, No 4, 2013 The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” PDF
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Perelshtein R.M.
Vol 5, No 3, 2013 Camp Aesthetics and Movie Mix PDF
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Tsyrkun N.A.
Vol 5, No 2, 2013 Algeria: Birth of Cinema PDF
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Shakhov A.S.
Vol 5, No 1, 2013 «Drowning by Numbers» by Peter Greenaway in light of surrealism PDF
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Perelshtein R.M.
Vol 4, No 4, 2012 Scenic birth of “Waiting for Godot” by Samuel Beckett PDF
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Anishchenko M.G.
Vol 4, No 2-3, 2012 «Terra Incognita» Cinema PDF
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Zvegintseva I.A.
Vol 4, No 2-3, 2012 Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema PDF
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Reizen O.K.
Vol 3, No 3, 2011 Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization PDF
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Ilchenko S.N.
Vol 3, No 2, 2011 The Parable in the Work of World Film Masters PDF
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Tugushi S.A.
Vol 3, No 2, 2011 The Iranian Cinema of the 20th Century (1900-1980) PDF
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Mirakhorli A.
Vol 3, No 1, 2011 New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc PDF
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Vinogradov V.V.
Vol 2, No 4, 2010 The Phenomenon of the French NewWave. Technology or Ideology? PDF
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Vinogradov V.V., Vinogradov V.V.
Vol 2, No 3, 2010 Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo PDF
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Vinogradov V.V., Kokto Z.
Vol 2, No 2, 2010 Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte" PDF
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Vinogradov V.V., Vinogradov V.V.
Vol 2, No 1, 2010 Swedish Cinematograph at the beginning of the XXI century. The problem of national style PDF
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Koblenkova D.V., Koblenkova D.V.
Vol 1, No 1, 2009 Cinema of Bulgaria at the turn of century PDF
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Utilov V.A.
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