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Issue Section Title File
Vol 10, No 4 (2018) CHRONICLE IN DETAIL | CURRENT EVENTS “VGIK DAYS”: FOREIGN ROUTES PDF
(Rus)
Vol 10, No 4 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker PDF
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PDF
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PDF
(Rus)
Vol 10, No 3 (2018) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK. Raznoobrazie graney mezhdunarodnogo sotrudnichestva PDF
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Vol 10, No 3 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? PDF
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Vol 10, No 3 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Sound as a Sign and Artistic Symbol in Film PDF
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Vol 10, No 3 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Way of Genre in Cinema Documentary PDF
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Vol 10, No 3 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein PDF
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PDF
(Rus)
Vol 10, No 3 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS Mythologeme of Asceticism in the National Cinema the 1930s PDF
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Vol 10, No 3 (2018) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 10, No 3 (2018) PERFORMANCE | ART OF PRESENTATION Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries PDF
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Vol 10, No 3 (2018) PERFORMANCE | ART OF PRESENTATION Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness PDF
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Vol 10, No 3 (2018) PERFORMANCE | ART OF PRESENTATION The Doppelgänger Motif in the “New Sincerity” Cinema PDF
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Vol 10, No 3 (2018) WORLD CINEMA | ANALYSIS The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal PDF
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Vol 10, No 3 (2018) WORLD CINEMA | ANALYSIS Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? PDF
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Vol 10, No 2 (2018) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK celebrates its 100th anniversary. Visit to the Republic of Kazakhstan PDF
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Vol 10, No 3 (2018) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА BIBLIOTEKA VGIK PDF
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Vol 10, No 2 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Film Art Against Avant-Garde? On the Onthology of Artistic Means PDF
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Vol 10, No 3 (2018) TELEVISION | DIGITAL ENVIRONMENT Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country PDF
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Vol 10, No 2 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Product of Film Industry - a Cultural Good in Commodity Form PDF
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Vol 10, No 3 (2018) TELEVISION | DIGITAL ENVIRONMENT Film Viewing of the Russians on TV Channels: Sociological Analysis PDF
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Vol 10, No 2 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS Screen Metamorphoses of Ivan Pyryev PDF
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Vol 10, No 4 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS Contemporary Russian Cinema and Its World Contexts PDF
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Vol 10, No 2 (2018) PERFORMANCE | ART OF PRESENTATION Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? PDF
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Vol 10, No 4 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity PDF
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Vol 10, No 2 (2018) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Mind-Body Dialectics in the Latest Science Fiction TV-Series PDF
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Vol 10, No 4 (2018) PERFORMANCE | ART OF PRESENTATION Involuntary Behavior of Gogol’s Heroes PDF
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Vol 10, No 2 (2018) READING-ROOM | BOOK SHELF BOOKSHELF PDF
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Vol 10, No 4 (2018) PERFORMANCE | ART OF PRESENTATION Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” PDF
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Vol 10, No 2 (2018) WORLD CINEMA | ANALYSIS The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause PDF
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Vol 10, No 4 (2018) PERFORMANCE | ART OF PRESENTATION Composition as a Method of Communication in the Teaching of Fine Arts PDF
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Vol 10, No 2 (2018) WORLD CINEMA | ANALYSIS Screen Self-Reflection: Classification of Species PDF
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Vol 10, No 4 (2018) PERFORMANCE | ART OF PRESENTATION Riddle as a Structural Element of the Quest Genre PDF
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Vol 10, No 2 (2018) WORLD CINEMA | ANALYSIS Psychological Insight in Asgar Farhadi’s Early Films PDF
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Vol 10, No 4 (2018) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Culture of the XVIIIth Century and the Return to the Human Being PDF
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Vol 10, No 2 (2018) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Financing Cinema Production as a High-Risk Activity PDF
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Vol 10, No 4 (2018) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines PDF
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Vol 10, No 2 (2018) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia PDF
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Vol 10, No 4 (2018) WORLD CINEMA | ANALYSIS The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century PDF
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Vol 10, No 2 (2018) TELEVISION | DIGITAL ENVIRONMENT “New Drama” in the Context of the Historical Film PDF
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Vol 10, No 4 (2018) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia PDF
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Vol 10, No 2 (2018) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 10, No 4 (2018) TELEVISION | DIGITAL ENVIRONMENT Visual Picture of the World in the Reflection of Modern Media PDF
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Vol 10, No 1 (2018) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK in the Dynamics of Creative Life PDF
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Vol 10, No 1 (2018) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Birth of Cinema in the Russian Empire and Film Censorship PDF
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Vol 10, No 1 (2018) TEOPИЯ И ИСТОРИЯ КИНО | АРХИВНЫЕ МАТЕРИАЛЫ On «Pretty Young Lady», Dos Passos and the Textology of «Art» PDF
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Vol 10, No 1 (2018) FILM LANGUAGE AND TIME | IMAGE GENESIS Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years PDF
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Vol 10, No 1 (2018) PERFORMANCE | ART OF PRESENTATION Grief as a Cognitive Metaphore in “Manchester by the Sea” PDF
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Vol 10, No 1 (2018) PERFORMANCE | ART OF PRESENTATION Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? PDF
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Vol 10, No 1 (2018) PERFORMANCE | ART OF PRESENTATION Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century PDF
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Vol 10, No 3 (2018) TELEVISION | DIGITAL ENVIRONMENT Multivariance of Reality in the Digital Paradigm PDF
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PDF
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Vol 10, No 3 (2018) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM PDF
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Vol 10, No 1 (2018) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Maurice Maeterlinck’s Philosophy of Art PDF
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Vol 10, No 1 (2018) WORLD CINEMA | ANALYSIS The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music PDF
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Vol 10, No 1 (2018) WORLD CINEMA | ANALYSIS The Transformation of the Jesse James’ Myth in Contemporary American Cinema PDF
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Vol 10, No 1 (2018) WORLD CINEMA | ANALYSIS The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers PDF
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Vol 10, No 1 (2018) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 10, No 1 (2018) TELEVISION | DIGITAL ENVIRONMENT The Science of the History of Media: Approaches and Concepts PDF
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Vol 9, No 4 (2017) CHRONICLE IN DETAIL | CURRENT EVENTS Educational project Triumph on Bothe Sides of the Ocean To the 75th Anniversary of the Oscar’s awarding for the Soviet film PDF
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Vol 9, No 4 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Birth of Cinema in the Russian Empire and Film Censorship PDF
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Vol 9, No 4 (2017) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 9, No 4 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS The Storming of the Winter Palace as a Mythmaking of National Screen Culture PDF
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Vol 9, No 4 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS Contemporary Hero in the Wartime Chronotope PDF
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Vol 9, No 4 (2017) PERFORMANCE | ART OF PRESENTATION Film Reconstruction of the Past as a Method of Understanding Reality PDF
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Vol 9, No 4 (2017) PERFORMANCE | ART OF PRESENTATION Metaphor in Cinema: Specifics of its Creation and Perception PDF
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Vol 9, No 4 (2017) PERFORMANCE | ART OF PRESENTATION Criteria of Composition of Documentaries about Nature PDF
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Vol 9, No 4 (2017) PERFORMANCE | ART OF PRESENTATION Hearing and Speech Voice Expressiveness of the Actor PDF
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Vol 9, No 4 (2017) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 9, No 4 (2017) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Synthesis of Arts in Vasily Kandinsky's Creative Work PDF
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Vol 10, No 1 (2018) TELEVISION | DIGITAL ENVIRONMENT The Media Image as a Motivator for the Humanization of Society PDF
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Vol 10, No 1 (2018) XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ Sergey Eisenstein. A Look into Eternity PDF
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Vol 10, No 1 (2018) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 9, No 3 (2017) CHRONICLE IN DETAIL | CURRENT EVENTS Summer Time is a Time Creativity PDF
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Vol 9, No 3 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Ethnographic Cinema: the Image of the Other PDF
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Vol 9, No 3 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s PDF
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Vol 9, No 3 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films PDF
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Vol 9, No 3 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS Voice in the Metadiegetic Space of the Motion Picture PDF
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Vol 9, No 3 (2017) PERFORMANCE | ART OF PRESENTATION Screen Imagery as Reflected through Mythologems PDF
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Vol 9, No 3 (2017) PERFORMANCE | ART OF PRESENTATION Keynote Narration and Theory of Distance: Analysis of the Seasons PDF
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Vol 9, No 3 (2017) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Contextual Argumentation in the Humanities PDF
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Vol 9, No 3 (2017) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Mediatext Language Practices as a Factor in Representation of Reality PDF
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Vol 9, No 3 (2017) WORLD CINEMA | ANALYSIS Chinese Animation in Wan brothers’ Creative Work PDF
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Vol 9, No 3 (2017) WORLD CINEMA | ANALYSIS India and England in the Mirror of Screen PDF
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Vol 9, No 4 (2017) WORLD CINEMA | ANALYSIS Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s PDF
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Vol 9, No 4 (2017) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Development of Culture: Methodological Basis of State Regulation PDF
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Vol 9, No 4 (2017) TELEVISION | DIGITAL ENVIRONMENT Information Requirements of Society and Expressivity of Audiovisual Media PDF
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Vol 9, No 2 (2017) CHRONICLE IN DETAIL | CURRENT EVENTS Tarkovsky in a Changing Time PDF
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Vol 9, No 4 (2017) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА BIBLIOTEKA VGIK PDF
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Vol 9, No 2 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Demand for Russian Cinema PDF
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Vol 9, No 4 (2017) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА BIBLIOTEKA VGIK PDF
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Vol 9, No 4 (2017) НИИ КИНОИСКУССТВА ВГИК | МЕЖДУНАРОДНАЯ КОНФЕРЕНЦИЯ The Un-Gone Past in the Context of Research PDF
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Vol 9, No 2 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Gender Analysis of the Film “The Poet and the Fallen Soul” PDF
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Vol 9, No 2 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries PDF
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Vol 9, No 4 (2017) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 9, No 2 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Censorship Machine in the Soviet Cinema of the 1920s PDF
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Vol 9, No 2 (2017) READING-ROOM | BOOK SHELF Biblioteka VGIK PDF
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Vol 9, No 2 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” PDF
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Vol 9, No 2 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS The Problem of Adaptation of Utopias in Russian Cinema PDF
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Vol 9, No 2 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS Music in the Metadigetic Space of the Motion Picture PDF
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Vol 9, No 2 (2017) READING-ROOM | BOOK SHELF Biblioteka VGIK PDF
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Vol 9, No 2 (2017) PERFORMANCE | ART OF PRESENTATION Compensatory Happy Ending as a Typological Group of a Film Finale PDF
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Vol 9, No 2 (2017) READING-ROOM | BOOK SHELF Biblioteka VGIK PDF
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Vol 9, No 2 (2017) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Desktop Films. To Read or to Watch? PDF
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Vol 9, No 3 (2017) WORLD CINEMA | ANALYSIS The Aspects of Body in American Film Noir (1941-1955) PDF
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Vol 9, No 3 (2017) TELEVISION | DIGITAL ENVIRONMENT Russia's Contribution to Digital TV Broadcasting PDF
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Vol 9, No 3 (2017) READING-ROOM | BOOK SHELF BOOKSHELF PDF
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Vol 9, No 3 (2017) RECOMMENDATIONS AUTHORS PRAVILA DLYa AVTOROV PDF
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Vol 9, No 1 (2017) CHRONICLE IN DETAIL | CURRENT EVENTS School of mastership PDF
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Vol 9, No 1 (2017) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Cinema and Globalization PDF
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Vol 9, No 1 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture PDF
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Vol 9, No 1 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema PDF
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Vol 9, No 1 (2017) FILM LANGUAGE AND TIME | IMAGE GENESIS Kinoteatr.doc in Search of the «Real» Movies PDF
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Vol 9, No 1 (2017) PERFORMANCE | ART OF PRESENTATION Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy PDF
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Vol 9, No 1 (2017) PERFORMANCE | ART OF PRESENTATION Music as a Part of the Theatrical Game of the Movie PDF
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Vol 9, No 1 (2017) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL | KNIZhNAYa POLKA PDF
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Vol 9, No 1 (2017) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror PDF
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Vol 9, No 2 (2017) WORLD CINEMA | ANALYSIS Individualism as a Cultural Syndrome in Recent American Cinema PDF
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Vol 9, No 2 (2017) WORLD CINEMA | ANALYSIS Cinema of Arabic East: the Problem of Radical Islam PDF
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Vol 9, No 2 (2017) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Culture-Bound Items in the Formation of the Cinema Audiences PDF
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Vol 9, No 1 (2017) WORLD CINEMA | ANALYSIS Screen Image and the System of expressive Means in American Documentary of the 1960s PDF
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Vol 8, No 4 (2016) CHRONICLE IN DETAIL | CURRENT EVENTS Student Creativity Festival PDF
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Vol 8, No 4 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Newsreel: Is Its Revival Possible? PDF
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Vol 8, No 4 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years PDF
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Vol 8, No 4 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Education Genres Animated Poster in the Second Half of the 20th Century PDF
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Vol 8, No 4 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Historical Potential of Newsreel and Its Interpretation PDF
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Vol 8, No 4 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Patterns of Behavior in the Great Patriotic War’s Soviet Cinema PDF
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Vol 8, No 4 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Destiny of Indian Cinema in Russia PDF
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Vol 8, No 4 (2016) PERFORMANCE | ART OF PRESENTATION Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film PDF
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Vol 8, No 4 (2016) PERFORMANCE | ART OF PRESENTATION “Provincial” Cinema on Global Orbits PDF
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Vol 8, No 4 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy PDF
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Vol 8, No 4 (2016) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 8, No 3 (2016) CHRONICLE IN DETAIL | CURRENT EVENTS Convocation. Freshies' Day PDF
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Vol 8, No 4 (2016) WORLD CINEMA | ANALYSIS Travesty of the Sacred in Postmodernist Westerns PDF
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Vol 8, No 3 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream PDF
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Vol 8, No 4 (2016) WORLD CINEMA | ANALYSIS Two Peoples, Two Worlds PDF
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Vol 8, No 3 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Development of the Animated Poster in the First Half of the XX century PDF
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Vol 8, No 4 (2016) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS «Pulsating Organizations» in Culture PDF
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Vol 8, No 3 (2016) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 8, No 4 (2016) TELEVISION | DIGITAL ENVIRONMENT TV Moves into Virtual Reality as a Projection of Development PDF
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Vol 8, No 3 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Documentaries, 21st Century: Time to Sum Up PDF
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Vol 8, No 4 (2016) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 9, No 1 (2017) WORLD CINEMA | ANALYSIS Style “Noir” in Classical and Contemporary Art History PDF
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Vol 9, No 1 (2017) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL | KNIZhNAYa POLKA PDF
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Vol 9, No 1 (2017) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Innovations in the Financial Regulation of Culture and Art Institutions PDF
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Vol 9, No 1 (2017) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS “Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016) PDF
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Vol 9, No 1 (2017) TELEVISION | DIGITAL ENVIRONMENT Evergreen Theories of Mass Communication: Uses and Gratifications Approach PDF
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Vol 9, No 1 (2017) READING-ROOM | BOOK SHELF READING ROOM | BOOKSHELF PDF
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Vol 8, No 3 (2016) PERFORMANCE | ART OF PRESENTATION Kaleidoscope Aesthetics in Visual Media PDF
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Vol 8, No 2 (2016) CHRONICLE IN DETAIL | CURRENT EVENTS Tribute to the Teacher PDF
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Vol 8, No 2 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Animated Poster: Its Origins, Specificity and Peculiarity PDF
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Vol 8, No 2 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Structural Analysis of Film Characters PDF
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Vol 8, No 2 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch PDF
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Vol 8, No 2 (2016) PERFORMANCE | ART OF PRESENTATION Modernist Cinema of Andrey Tarkovsky PDF
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Vol 8, No 2 (2016) PERFORMANCE | ART OF PRESENTATION Kaleidoscope Aesthetics in Visual Media PDF
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Vol 8, No 2 (2016) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL | KNIZhNAYa POLKA PDF
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Vol 8, No 2 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Moral Law of Love Conservation PDF
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Vol 8, No 2 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Violence in Films: Three Preconditions for the Mimetic Effect PDF
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Vol 8, No 2 (2016) WORLD CINEMA | ANALYSIS Isao Takahata’s Nostalgia PDF
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Vol 8, No 2 (2016) WORLD CINEMA | ANALYSIS Primary Cinema Sources of American Noir PDF
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Vol 8, No 3 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism PDF
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Vol 8, No 3 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy PDF
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Vol 8, No 3 (2016) WORLD CINEMA | ANALYSIS The Influence of the Painting Tradition on Derek Jarman’s Films PDF
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Vol 8, No 3 (2016) WORLD CINEMA | ANALYSIS Specifics of Imaginative Approach in the US Documentary of 1960-2000s PDF
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Vol 8, No 3 (2016) WORLD CINEMA | ANALYSIS Indian Cinema: Past and Present PDF
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Vol 8, No 3 (2016) WORLD CINEMA | ANALYSIS A Criminal as the Main Movie Character, or Old Themes and New Solutions PDF
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Vol 8, No 3 (2016) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 8, No 3 (2016) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS On The Matter of Market in Cinema PDF
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Vol 8, No 1 (2016) CHRONICLE IN DETAIL | CURRENT EVENTS The Year of Russian Cinema PDF
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Vol 8, No 3 (2016) TELEVISION | DIGITAL ENVIRONMENT The Visualization as a Way of Involvement in TV Commercials PDF
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Vol 8, No 1 (2016) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The 60s. Half a Century Later. Nostalgia PDF
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Vol 8, No 3 (2016) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 8, No 1 (2016) FILM LANGUAGE AND TIME | IMAGE GENESIS Love in the Soviet Qnema as the Stereotype of Gender Relations PDF
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Vol 8, No 1 (2016) PERFORMANCE | ART OF PRESENTATION Lost in Translation: Songs in Foreign Films PDF
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Vol 8, No 1 (2016) PERFORMANCE | ART OF PRESENTATION Landscape as a Leitmotif of a Film PDF
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Vol 8, No 1 (2016) PERFORMANCE | ART OF PRESENTATION Directing “Mixed” Forms. Dialogue of Classical Traditions and Modern Creative Practice PDF
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Vol 8, No 1 (2016) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance PDF
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Vol 8, No 1 (2016) WORLD CINEMA | ANALYSIS The Birth of Identity in the Finnish Cinema PDF
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Vol 8, No 2 (2016) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Development of the Financial Relations in the Cultural Sphere PDF
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Vol 8, No 2 (2016) TELEVISION | DIGITAL ENVIRONMENT Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering PDF
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Vol 8, No 2 (2016) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL | KNIZhNAYa POLKA PDF
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Vol 8, No 2 (2016) ХРОНИКА В ДЕТАЛЯХ | МЕРОПРИЯТИЯ ВГИК The Aesthetics of Filming in the Format of Scientific Conferences PDF
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Vol 8, No 2 (2016) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM PDF
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Vol 7, No 4 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS Focus - on Young Cinema PDF
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Vol 7, No 4 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Toward the Sociological Rationalization of State Film Policy PDF
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Vol 8, No 1 (2016) WORLD CINEMA | ANALYSIS Emotional Influence on the Viewer in Contemporary American Cinema PDF
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Vol 8, No 1 (2016) WORLD CINEMA | ANALYSIS American Biopic in Contemporary Cinema PDF
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Vol 8, No 1 (2016) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems PDF
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Vol 8, No 1 (2016) TELEVISION | DIGITAL ENVIRONMENT TV Project as a Specimen of Social Engineering PDF
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Vol 8, No 1 (2016) TELEVISION | DIGITAL ENVIRONMENT Media Concentration as the Structuring Process of Screen Communications PDF
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Vol 8, No 1 (2016) ХРОНИКА В ДЕТАЛЯХ | МЕРОПРИЯТИЯ ВГИК EVENTS IN THE DETAILS | EVENTS VGIK PDF
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Vol 7, No 4 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The 60s. Half a Century Later. Nostalgia PDF
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Vol 7, No 3 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS Freshman Day. At the crossroads of history and modernity PDF
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Vol 7, No 3 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation PDF
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Vol 7, No 3 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Functional Duality of Cinema PDF
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Vol 7, No 3 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Evolution of Dramaturgy of Fiction Popular Science Films PDF
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Vol 7, No 3 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Representation of Youth in Soviet Cinema of the 1950s PDF
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Vol 7, No 3 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS II Scientific-Practical Conference “Innovative technologies in film and education”. VII International Children's Painting Competition “Cinema in children's drawings” PDF
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Vol 7, No 3 (2015) PERFORMANCE | ART OF PRESENTATION Conversation Direction in Russian Contemporary Documentaries PDF
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Vol 7, No 3 (2015) PERFORMANCE | ART OF PRESENTATION Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect PDF
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Vol 7, No 3 (2015) PERFORMANCE | ART OF PRESENTATION Video Art: Significant Absence of Editing as an Artistic Tool PDF
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Vol 7, No 3 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS 35th International Student Festival PDF
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Vol 7, No 3 (2015) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Creative Process as an Aesthetic Entity PDF
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Vol 7, No 3 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS VIII International scientific-practical conference “Animation as a Cultural Phenomenon. Preservation of cultural traditions in the context of globalization” PDF
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Vol 7, No 3 (2015) WORLD CINEMA | ANALYSIS Iran in Contemporary Russian Cinema (Film’s Visual Formula) PDF
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Vol 7, No 3 (2015) WORLD CINEMA | ANALYSIS Video Aesthetics in Cinema and Video Art PDF
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Vol 7, No 4 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Countercommunicative Mechanisms in the Artistic Practice of Cinema PDF
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Vol 7, No 3 (2015) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Branding as a Factor of Competitiveness of the “Lenfilm” Studio PDF
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Vol 7, No 3 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS 7th International Summer Film School VGIK PDF
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Vol 7, No 3 (2015) TELEVISION | DIGITAL ENVIRONMENT Visualization Techniques on Business TV PDF
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Vol 7, No 3 (2015) TELEVISION | DIGITAL ENVIRONMENT Media Evolution Emulation PDF
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Vol 7, No 4 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Reconstruction as the Character Depiction Method in Documentary PDF
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Vol 7, No 1 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS «Student Taffy» - an innovative project PDF
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Vol 7, No 1 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS S.M. Eisenstein’s Aesthetics in Semiotic Perspective PDF
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Vol 7, No 1 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS From Theory to Methodology of Cinema PDF
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Vol 7, No 1 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s PDF
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Vol 7, No 1 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS “Deus ex Machina” as a Method of Constructing a Happy End in Film Art PDF
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Vol 7, No 1 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Evolution of Mythological Narrative in Sergey Bodrov's Work PDF
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Vol 7, No 1 (2015) PERFORMANCE | ART OF PRESENTATION Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work PDF
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Vol 7, No 1 (2015) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art PDF
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Vol 7, No 1 (2015) WORLD CINEMA | ANALYSIS European Film Avant-Garde: Poetics of Objectiveness PDF
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Vol 7, No 1 (2015) Articles Biblioteka VGIK PDF
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Vol 7, No 1 (2015) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS 1992-2012. Attempts at Privatization of Film Studios PDF
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Vol 7, No 1 (2015) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Movie Distribution Categories in Russia: Sample of Statistical Analysis PDF
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Vol 7, No 1 (2015) TELEVISION | DIGITAL ENVIRONMENT Split Screen as a Method of Film Editing PDF
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Vol 7, No 1 (2015) TELEVISION | DIGITAL ENVIRONMENT «We» and «Others» - Their Actions and Our Reactions PDF
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Vol 7, No 1 (2015) READING-ROOM | REVIEW Escaping Aesthetics, or What Film Theory Should Do? PDF
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Vol 7, No 4 (2015) PERFORMANCE | ART OF PRESENTATION Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema PDF
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Vol 7, No 4 (2015) PERFORMANCE | ART OF PRESENTATION Screening Zurbagan: On Use of Animation in Russian Feature Cinema PDF
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Vol 7, No 4 (2015) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Faith as One of the Universal Existential Categories PDF
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Vol 7, No 2 (2015) CHRONICLE IN DETAIL | CURRENT EVENTS Roads of the War. On the 70th anniversary of the Great Victory PDF
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Vol 7, No 4 (2015) WORLD CINEMA | ANALYSIS European Avant-guard: Dialectics of “Feature” and “Non-feature” Films PDF
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Vol 7, No 2 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Eisenstein’s Aesthetics in Semiotic Perspective PDF
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Vol 7, No 4 (2015) WORLD CINEMA | ANALYSIS The Theme of Apocalypse in Australian Cinema PDF
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Vol 7, No 2 (2015) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS From Theory to Methodology of Cinema PDF
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Vol 7, No 4 (2015) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Naomi Kawase: the Eternal and the Transitory PDF
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Vol 7, No 2 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film PDF
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Vol 7, No 4 (2015) TELEVISION | DIGITAL ENVIRONMENT TV Dramaturgy: Format Approach PDF
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Vol 7, No 2 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Stylistic Features Of Russian Arthouse PDF
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Vol 7, No 4 (2015) TELEVISION | DIGITAL ENVIRONMENT Media Evolution Emulation: Development Perspectives PDF
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Vol 7, No 2 (2015) FILM LANGUAGE AND TIME | IMAGE GENESIS Synthesis of National and Transnational in A. Konchalovsky's American Movies PDF
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Vol 7, No 2 (2015) PERFORMANCE | ART OF PRESENTATION From Greek Tragedy To Opera-Film PDF
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Vol 7, No 2 (2015) PERFORMANCE | ART OF PRESENTATION Sound Editing in Screen Works PDF
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Vol 7, No 2 (2015) READING-ROOM | BOOK SHELF READING ROOM | BOOKSHELF PDF
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Vol 7, No 2 (2015) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY L.S. Vygotsky On Psychological Properties of Art Form Organization PDF
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Vol 7, No 2 (2015) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries PDF
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Vol 7, No 2 (2015) WORLD CINEMA | ANALYSIS World War II in the Cinema of Green Continent PDF
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Vol 7, No 2 (2015) WORLD CINEMA | ANALYSIS Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis PDF
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Vol 7, No 2 (2015) TELEVISION | DIGITAL ENVIRONMENT Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV PDF
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Vol 6, No 4 (2014) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK: The Scientific Life in the Anniversary Year PDF
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Vol 6, No 4 (2014) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Film Studies As a Normative Academic Discipline PDF
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Vol 6, No 4 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS Time - Backwards: Mayakovsky Quotes Vertov PDF
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Vol 6, No 4 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS Time and Essence. Study of Cinema Product Temporal Analysis PDF
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Vol 6, No 4 (2014) PERFORMANCE | ART OF PRESENTATION Strategies of Audiovisual Translation PDF
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Vol 6, No 4 (2014) PERFORMANCE | ART OF PRESENTATION Character’s Imagery in Russian Animation of 1990s PDF
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Vol 6, No 4 (2014) PERFORMANCE | ART OF PRESENTATION The Art of Opera: Variability of Artistic Languages of Screen Forms PDF
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Vol 6, No 4 (2014) Articles BIBLIOTEKA VGIK PDF
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Vol 6, No 4 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Silver Age. Interference of the Russian and German Cultures PDF
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Vol 6, No 4 (2014) Articles BIBLIOTEKA VGIK PDF
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Vol 6, No 4 (2014) WORLD CINEMA | ANALYSIS Phenomenon of Political Biopic in the English-Language Cinema PDF
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Vol 6, No 4 (2014) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT James Mangold is “a jewel of a man” in American Cinema PDF
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Vol 6, No 4 (2014) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Video Art: “A White Cube” or “A Black Box”? PDF
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Vol 6, No 4 (2014) Articles BIBLIOTEKA NII KINOISKUSSTVA PDF
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Vol 6, No 4 (2014) TELEVISION | DIGITAL ENVIRONMENT TV- Show: From the Audience Habits To Principles of Dramaturgy PDF
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Vol 7, No 2 (2015) TELEVISION | DIGITAL ENVIRONMENT Screen Communications As a Form of Socialization and Individualization PDF
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Vol 7, No 2 (2015) RECOMMENDATIONS AUTHORS RECOMMENDATIONS AUTHORS PDF
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Vol 6, No 4 (2014) TELEVISION | DIGITAL ENVIRONMENT Reconstruction As a Show In Contemporary Historical TV-research PDF
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Vol 6, No 3 (2014) CHRONICLE IN DETAIL | CURRENT EVENTS Mission Possible: We are shooting Russia! PDF
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Vol 6, No 3 (2014) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS State Guardianship of Cinema: The Issue of Goal-Setting PDF
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Vol 6, No 3 (2014) Articles BIBLIOTEKA VGIK PDF
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Vol 6, No 3 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS Points of Disequilibrium in Narrative Dynamics and Their Structure PDF
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Vol 6, No 3 (2014) PERFORMANCE | ART OF PRESENTATION Theatre and Document: Opposition or Integration? PDF
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Vol 6, No 4 (2014) Articles BIBLIOTEKA NII KINOISKUSSTVA PDF
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Vol 6, No 4 (2014) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK: The Scientific Life in the Anniversary Year PDF
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Vol 6, No 4 (2014) Articles VGIK: Who are you, the future filmmaker? PDF
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Vol 6, No 3 (2014) PERFORMANCE | ART OF PRESENTATION Dynamics of Opera Screen Forms: Theoretical Aspects PDF
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Vol 6, No 2 (2014) CHRONICLE IN DETAIL | CURRENT EVENTS Hot summer MMKF'2014 PDF
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Vol 6, No 2 (2014) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Cinema Policy of Simple Solutions PDF
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Vol 6, No 2 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS Screenplay as a Dynamic Process Model PDF
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Vol 6, No 2 (2014) PERFORMANCE | ART OF PRESENTATION Impact of Technology on Screen Aesthetics PDF
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Vol 6, No 2 (2014) PERFORMANCE | ART OF PRESENTATION Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization PDF
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Vol 6, No 2 (2014) PERFORMANCE | ART OF PRESENTATION Graphic Trends in New Russian Cinema PDF
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Vol 6, No 2 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Free Will and Existentialism of Death PDF
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Vol 6, No 2 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19) PDF
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Vol 6, No 2 (2014) WORLD CINEMA | ANALYSIS Superhero Cinema Comics: Gender Transposition PDF
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Vol 6, No 2 (2014) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Both Screenwriter and Director PDF
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Vol 6, No 2 (2014) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Methodology of Factoring's Implementation in Leasing's Scheme PDF
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Vol 6, No 3 (2014) PERFORMANCE | ART OF PRESENTATION Cinematic Nature of English Pre-Raphaelites’ Painting PDF
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Vol 6, No 3 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Artistic Thinking as a Characteristic Property of Creative Intellect PDF
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Vol 6, No 3 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Impressionism as an Expression of Social Consciousness PDF
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Vol 6, No 3 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Silence of the Author: Semantics of Muting in Cinema PDF
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Vol 6, No 3 (2014) WORLD CINEMA | ANALYSIS Crime Teenpic as a Subgenre of American Cinema PDF
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Vol 6, No 3 (2014) Articles BIBLIOTEKA NII KINOISKUSSTVA PDF
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Vol 6, No 3 (2014) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Co-production in Current International Film Industry. Major Trends PDF
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Vol 6, No 3 (2014) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries PDF
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Vol 6, No 1 (2014) Articles Culture Year in Russia PDF
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Vol 6, No 3 (2014) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Collage Methods in Russian Animation Under Market Conditions PDF
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Vol 6, No 1 (2014) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Soviet cinema as a state budget’s contributor. Distribution in the 1930s PDF
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Vol 6, No 3 (2014) TELEVISION | DIGITAL ENVIRONMENT Creative Thinking as a Prelude to Creativity in Producing a Screen Product PDF
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Vol 6, No 1 (2014) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS “Moscow text” in Russian cinema in the 1920s-1940s PDF
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Vol 6, No 1 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov PDF
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Vol 6, No 1 (2014) FILM LANGUAGE AND TIME | IMAGE GENESIS On prerequisites for developing artistic time theory PDF
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Vol 6, No 1 (2014) PERFORMANCE | ART OF PRESENTATION «The White Guard» on TV: fascinated by masscult mythology PDF
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Vol 6, No 1 (2014) PERFORMANCE | ART OF PRESENTATION Fractal graphic as digital objectless art PDF
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Vol 6, No 1 (2014) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY On representation and typology of the demoniac and monstrous characters PDF
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Vol 6, No 1 (2014) WORLD CINEMA | ANALYSIS The Silent Era in Australian Cinema PDF
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Vol 6, No 2 (2014) TELEVISION | DIGITAL ENVIRONMENT Television Impact on Children's Development: Experience of Positive Modeling PDF
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Vol 6, No 2 (2014) Articles Lighting a new generation form the lightscript PDF
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Vol 6, No 2 (2014) READING-ROOM | REVIEW TV - always and everywhere, for all and for everyone PDF
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Vol 6, No 2 (2014) CHRONICLE IN DETAIL | CURRENT EVENTS Hands say (exhibition in the Museum Yermolova) PDF
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Vol 6, No 1 (2014) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Mir Mamoru Osii: illyuziya ili real'nost'? PDF
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Vol 5, No 4 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's PDF
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Vol 6, No 1 (2014) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Global criterion formation in producer’s decisions PDF
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Vol 6, No 1 (2014) TELEVISION | DIGITAL ENVIRONMENT Game on TV as a form of effective communication PDF
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Vol 6, No 1 (2014) TELEVISION | DIGITAL ENVIRONMENT Visualization of advertising media text on TV channels’ websites: creative technologies PDF
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Vol 6, No 1 (2014) READING-ROOM | REVIEW Absurd KING SIZE PDF
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Vol 6, No 1 (2014) Articles I am - caricaturist PDF
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Vol 5, No 3 (2013) Articles Prazdnik ekrannogo iskusstva PDF
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Vol 5, No 3 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) PDF
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Vol 5, No 3 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Myth of the Authenticity of the Wartime Newsreels PDF
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Vol 5, No 4 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants PDF
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Vol 5, No 4 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy PDF
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Vol 5, No 4 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound PDF
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Vol 5, No 4 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze PDF
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Vol 5, No 4 (2013) PERFORMANCE | ART OF PRESENTATION C.G. Jung on the Nature of Artistic Image PDF
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Vol 5, No 4 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Hoffmann’s Dual World in “Hoffmaniada” PDF
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Vol 5, No 4 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Hellenistic Period and Its Cultural Significance PDF
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Vol 5, No 4 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Images of China on Russian Screen. A Glance from the Audience PDF
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Vol 5, No 4 (2013) WORLD CINEMA | ANALYSIS The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” PDF
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Vol 5, No 4 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Travel with Walter Salles PDF
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Vol 5, No 4 (2013) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Computer Graphics Efficiency Criteria PDF
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Vol 5, No 4 (2013) TELEVISION | DIGITAL ENVIRONMENT On media conflict and new forms of screen product PDF
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Vol 5, No 4 (2013) Articles At this point, close to the river... PDF
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Vol 5, No 4 (2013) Articles Now we have forty... PDF
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Vol 5, No 2 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Film as Text. Some Aspects of Text Analysis PDF
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Vol 5, No 2 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS American cinema of the Great Depression. The «Social Restlessness Phase» PDF
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Vol 5, No 2 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» PDF
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Vol 5, No 2 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Representation and Reconstruction of the Time in Non-Fiction Films PDF
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Vol 5, No 3 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem PDF
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Vol 5, No 3 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound PDF
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Vol 5, No 3 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS The Analysis of Artistic Time in the Theory of Film Dramaturgy PDF
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Vol 5, No 3 (2013) PERFORMANCE | ART OF PRESENTATION “Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice PDF
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Vol 5, No 3 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Aesthetic Analysis of the Show as a Concept PDF
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Vol 5, No 3 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Problem Field of Modern Information Space PDF
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Vol 5, No 3 (2013) READING-ROOM | REVIEW Opyt estetiko-sotsiologicheskogo analiza kinoiskusstva PDF
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Vol 5, No 3 (2013) WORLD CINEMA | ANALYSIS Camp Aesthetics and Movie Mix PDF
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Vol 5, No 3 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Baz Luhrmann’s creative manner PDF
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Vol 5, No 3 (2013) Articles BIBLIOTEKA VGIK PDF
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Vol 5, No 3 (2013) Articles BIBLIOTEKA NII KINOISKUSSTVA PDF
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Vol 5, No 3 (2013) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Regional Aspects of the State Policy in Culture and Art PDF
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Vol 5, No 3 (2013) Articles BIBLIOTEKA NII KINOISKUSSTVA PDF
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Vol 5, No 3 (2013) TELEVISION | DIGITAL ENVIRONMENT Evolution of the TV documentary genres and the principles of its classification PDF
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Vol 5, No 3 (2013) TELEVISION | DIGITAL ENVIRONMENT Social and cultural effects of the fragmentation of the audience PDF
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Vol 5, No 3 (2013) Articles Khudozhestvennye resheniya ekrannogo prostranstva v istoricheskom fil'me PDF
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Vol 5, No 2 (2013) PERFORMANCE | ART OF PRESENTATION Screen image. Aftereffect PDF
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Vol 5, No 1 (2013) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Does cinema remain the driving force of screen culture? PDF
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Vol 5, No 2 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Artistic Space as a Modern Aesthetical Category PDF
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Vol 5, No 1 (2013) FILM LANGUAGE AND TIME | IMAGE GENESIS The Great Kamchatka Expedition PDF
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Vol 5, No 2 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Role of the Information Space in the Culture of the Young Generation PDF
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Vol 5, No 1 (2013) PERFORMANCE | ART OF PRESENTATION Peculiarities of flash Animation PDF
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Vol 5, No 2 (2013) WORLD CINEMA | ANALYSIS Algeria: Birth of Cinema PDF
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Vol 5, No 1 (2013) Articles Biblioteka VGIK PDF
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Vol 5, No 2 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Shadi Abdel Salam, «the Pharaoh of Egyptian Cinema» PDF
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Vol 5, No 1 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Art and politics PDF
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Vol 5, No 2 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT M.Night Shyamalan’s Ups and Downs PDF
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Vol 5, No 1 (2013) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY About eternity concepts in the film structure PDF
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Vol 5, No 2 (2013) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Can “Native” Cinema Be Marketable PDF
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Vol 5, No 1 (2013) WORLD CINEMA | ANALYSIS «Drowning by Numbers» by Peter Greenaway in light of surrealism PDF
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Vol 5, No 2 (2013) TELEVISION | DIGITAL ENVIRONMENT On modeling TV programs PDF
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Vol 5, No 1 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Rolf de Heer, one of the most unpredictable film directors PDF
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Vol 5, No 2 (2013) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Magic Realism of André Delvaux PDF
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Vol 5, No 1 (2013) PERSONIFICATION IN FOREIGN FILM | CREATIVE PORTRAIT Kiki de Montparnasse and Ivan Mozzhukhin PDF
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Vol 5, No 2 (2013) CHRONICLE IN DETAIL | CURRENT EVENTS Golden Eagle-2013. Inpressions PDF
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Vol 5, No 1 (2013) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS State backing of non-fiction film PDF
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Vol 5, No 2 (2013) CHRONICLE IN DETAIL | CURRENT EVENTS Izobrazitel'noe reshenie v fil'me «Muzhchina i zhenshchina» PDF
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Vol 5, No 1 (2013) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Can “Native” Cinema Be Marketable PDF
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Vol 5, No 2 (2013) READING-ROOM | REVIEW Medialogiya kak nauchnaya distsiplina PDF
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Vol 5, No 1 (2013) Articles Biblioteka VGIK PDF
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Vol 5, No 1 (2013) TELEVISION | DIGITAL ENVIRONMENT On modeling TV programs PDF
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Vol 5, No 1 (2013) STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG European Film Avant-Garde: phenomenological interpretation of reality PDF
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Vol 5, No 1 (2013) READING-ROOM | REVIEW Vzdyblennaya real'nost' PDF
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Vol 5, No 3 (2013) RECOMMENDATIONS AUTHORS Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» PDF
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Vol 5, No 1 (2013) RECOMMENDATIONS AUTHORS Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» PDF
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Vol 4, No 4 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory PDF
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Vol 4, No 2-3 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Sociocultural Functions of Film Libraries and Archives PDF
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Vol 4, No 2-3 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS World War Two in the Cinema of the Late 1950s PDF
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Vol 4, No 4 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS Golden Eagle-2012. Inpressions PDF
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Vol 4, No 4 (2012) PERFORMANCE | ART OF PRESENTATION A Hero and His Mask in Strip Cartoons PDF
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Vol 4, No 4 (2012) PERFORMANCE | ART OF PRESENTATION Phenomenon of the System Repetition in Photography as an Alternative to Film PDF
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Vol 4, No 4 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 4 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” PDF
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Vol 4, No 4 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 4 (2012) WORLD CINEMA | ANALYSIS Scenic birth of “Waiting for Godot” by Samuel Beckett PDF
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Vol 4, No 4 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 4 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS To the Issue of Modernization of the Cultural Sphere State Regulations PDF
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Vol 4, No 4 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Peculiarities of Financial Management of Cinema Houses PDF
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Vol 4, No 4 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Formula of Producer’s Happiness? PDF
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Vol 4, No 1 (2012) CHRONICLE IN DETAIL | CURRENT EVENTS Vekovoy yubiley otechestvennoy animatsii PDF
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Vol 4, No 4 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Social and Economic Aspects of Forming Film Audience PDF
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Vol 4, No 1 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov PDF
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Vol 4, No 4 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Can “Native” Cinema Be Marketable PDF
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Vol 4, No 1 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Mirror and its Semiotic Modifications in Culture PDF
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Vol 4, No 4 (2012) TELEVISION | DIGITAL ENVIRONMENT The Influence of the Marketability Factors on the TV Company PDF
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Vol 4, No 1 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS On the character transformation in the Russian Cinema PDF
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Vol 4, No 4 (2012) Articles Ekran i stsena. Dialog prostranstv PDF
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Vol 4, No 1 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS Essential Peculiarities of Time Representation in the post-perestroika cinema PDF
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Vol 4, No 1 (2012) PERFORMANCE | ART OF PRESENTATION On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting PDF
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Vol 4, No 2-3 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory PDF
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Vol 4, No 2-3 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films PDF
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Vol 4, No 2-3 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS The Paradoxes of the Thaw Period PDF
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Vol 4, No 2-3 (2012) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» PDF
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Vol 4, No 2-3 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century PDF
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Vol 4, No 2-3 (2012) FILM LANGUAGE AND TIME | IMAGE GENESIS The Image of Home in Cinema PDF
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Vol 4, No 2-3 (2012) PERFORMANCE | ART OF PRESENTATION The Role of Memory in the Perception of the Screen Image PDF
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Vol 4, No 2-3 (2012) PERFORMANCE | ART OF PRESENTATION The Actor’s Perception of the Partner’s Speech PDF
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Vol 4, No 2-3 (2012) PERFORMANCE | ART OF PRESENTATION The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road» PDF
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Vol 4, No 2-3 (2012) PERFORMANCE | ART OF PRESENTATION Cliplike Montage and Illusory World PDF
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Vol 4, No 2-3 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The Role of Memory in the Perception of the Screen Image PDF
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Vol 4, No 2-3 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Classic and Hellenistic Greece PDF
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Vol 4, No 2-3 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Who Is the Subject, and Who Is the Actor of Culture? PDF
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Vol 4, No 2-3 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) PDF
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Vol 4, No 2-3 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Problems of Animation Film Visual Anthropology PDF
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Vol 4, No 2-3 (2012) CHRONICLE IN DETAIL | CURRENT EVENTS Iyun'skaya kinomaniya PDF
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Vol 4, No 1 (2012) PERFORMANCE | ART OF PRESENTATION On Creating a Virtual Character (analysis of«Mouchette.org» site) PDF
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Vol 4, No 1 (2012) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Philosophic Foundations of an Audiovisual Counterpoint in a Film PDF
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Vol 4, No 1 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The factors of competitive ability of national film industries PDF
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Vol 4, No 1 (2012) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH The Reflection of Ethno-Cultural Stereotypes in Film Art PDF
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Vol 4, No 1 (2012) TELEVISION | DIGITAL ENVIRONMENT Sitcom Genre Features PDF
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Vol 4, No 1 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 1 (2012) Articles «Kino SShA na rubezhe vekov» PDF
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Vol 4, No 1 (2012) CHRONICLE IN DETAIL | CURRENT EVENTS A Competitive Model of Commercial TV Broadcasting PDF
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Vol 4, No 1 (2012) CHRONICLE IN DETAIL | CURRENT EVENTS Cable and Satellite: “Non-Fiction” Content PDF
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Vol 4, No 1 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 1 (2012) Articles Dom kino. Ekspozitsiya studentov VGIKa PDF
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Vol 4, No 1 (2012) Articles Khudozhnik dvukh kontinentov - Nikolay Feshin PDF
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Vol 4, No 2-3 (2012) WORLD CINEMA | ANALYSIS Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema PDF
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Vol 4, No 2-3 (2012) WORLD CINEMA | ANALYSIS «Terra Incognita» Cinema PDF
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Vol 4, No 2-3 (2012) DISCUSSION CLUB | UPDATED CONTEXT Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture» PDF
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Vol 4, No 2-3 (2012) DISCUSSION CLUB | UPDATED CONTEXT What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing» PDF
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Vol 4, No 2-3 (2012) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Cinema and Advertising: Enemies or Allies? PDF
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Vol 4, No 2-3 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 4, No 2-3 (2012) TELEVISION | DIGITAL ENVIRONMENT Television Civilization and Image of Reality PDF
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Vol 4, No 2-3 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 3, No 4 (2011) CHRONICLE IN DETAIL | CURRENT EVENTS Vserossiyskiy festival' nauki PDF
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Vol 3, No 4 (2011) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Moral Aspects of Russian PreRevolutionary Cinema PDF
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Vol 3, No 4 (2011) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Significance of Myth in the Work of Andrey Zvyagintsev PDF
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Vol 3, No 4 (2011) ХРОНИКА В ДЕТАЛЯХ | ДИСКУССИОННЫЙ КЛУБ Pervaya mezhdunarodnaya nauchnoprakticheskaya konferentsiya «Geroy v dramaturgii sovremennogo fil'ma» PDF
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Vol 3, No 4 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS The Poetic Cinema of the Post-Cultural Era PDF
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Vol 3, No 4 (2011) PERFORMANCE | ART OF PRESENTATION Basic Aspects of the Development of Systematic Repetition in Fine Art PDF
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Vol 3, No 4 (2011) PERFORMANCE | ART OF PRESENTATION Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev PDF
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Vol 3, No 4 (2011) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Liberty as a Cultural Value PDF
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Vol 4, No 2-3 (2012) WORKSHOP | LESSONS OF EXCELLENCE Television: Process and Phenomenon PDF
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Vol 4, No 2-3 (2012) STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG The Origins of Surrealism. Absolutizing the Unconscious PDF
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Vol 4, No 2-3 (2012) Articles [ biblioteka VGIK ] PDF
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Vol 3, No 4 (2011) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Alfred Schnittke and the End of Russian Classic Music PDF
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Vol 3, No 4 (2011) READING-ROOM | BOOK SHELF BIBLIOTEKA VGIK PDF
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Vol 3, No 4 (2011) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The factors of competitive ability of national film industries PDF
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Vol 3, No 4 (2011) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Search of New Distribution Patterns in Digital Media Environment PDF
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Vol 3, No 4 (2011) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА BIBLIOTEKA VGIK PDF
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Vol 3, No 4 (2011) TELEVISION | DIGITAL ENVIRONMENT Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen PDF
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Vol 3, No 4 (2011) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH To the problem of correlation between a screen adaptation and its literary source PDF
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Vol 3, No 4 (2011) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH “My Friend Ivan Lapshin” as a Screen Adaptation PDF
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Vol 3, No 4 (2011) DISCUSSION CLUB | UPDATED CONTEXT Sovremennaya estetika. Mezhdu naukoy i iskusstvom PDF
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Vol 3, No 4 (2011) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM PDF
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Vol 3, No 3 (2011) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev PDF
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Vol 3, No 3 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Cinema in the Phase of Private Interest PDF
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Vol 3, No 3 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS A Symbolic Visual Structures in A. Sokurov's cinema PDF
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Vol 3, No 3 (2011) PERFORMANCE | ART OF PRESENTATION The Line in Neo-Modernism Geometrical Abstraction PDF
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Vol 3, No 3 (2011) PERFORMANCE | ART OF PRESENTATION Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood PDF
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Vol 3, No 3 (2011) Articles BIBLIOTEKA VGIK PDF
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Vol 3, No 3 (2011) Articles Language, Speech and Image in Analysing Artistic Forms PDF
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Vol 3, No 2 (2011) FIESTA CINEMA PRAZDNIK KINO. 33 Moskovskiy mezhdunarodnyy kinofestival' 23.06 - 02.07.2011 PDF
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Vol 3, No 2 (2011) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS To the Semiotics of the Mirror and Reflectivity PDF
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Vol 3, No 2 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Giotto: Open Cubes, Shallow Depths and Specific Repetition PDF
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Vol 3, No 2 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Artistic Ambitions of Screen Document at the Turn of the Century PDF
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Vol 3, No 2 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Mythology and Conventions of American Pre-War Cinema PDF
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Vol 3, No 2 (2011) PERFORMANCE | ART OF PRESENTATION Space in Art and Cinema PDF
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Vol 3, No 2 (2011) PERFORMANCE | ART OF PRESENTATION Still Life in the Space of the Film PDF
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Vol 3, No 2 (2011) Articles Humanitarian Practices in Modern Audiovisual Technologies PDF
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Vol 3, No 2 (2011) Articles BIBLIOTEKA VGIK PDF
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Vol 3, No 3 (2011) Articles Human Being in Media Arts: Character and TV Series PDF
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Vol 3, No 3 (2011) WORLD CINEMA | ANALYSIS Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization PDF
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Vol 3, No 1 (2011) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
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Vol 3, No 3 (2011) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Commercial Value of an Audiovisual Product. A Film as a Commodity Item PDF
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Vol 3, No 1 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Hellenistic Reform. Epicureanism and Image Deviations PDF
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Vol 3, No 3 (2011) TELEVISION | DIGITAL ENVIRONMENT Russian Television: the Conflict of Matrices PDF
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Vol 3, No 1 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Artistic Ambitions of Screen Document at the Turn of the Century PDF
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Vol 3, No 3 (2011) TELEVISION | DIGITAL ENVIRONMENT Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen PDF
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Vol 3, No 1 (2011) FILM LANGUAGE AND TIME | IMAGE GENESIS Situations and Characters of American Pre-War Cinema PDF
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Vol 3, No 3 (2011) Articles VGIK: 3-ya MEZhDUNARODNAYa LETNYaYa KINOShKOLA PDF
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Vol 3, No 1 (2011) PERFORMANCE | ART OF PRESENTATION Maupassant's "Boule de Suif" in Soviet Translation PDF
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Vol 3, No 3 (2011) Articles BIBLIOTEKA VGIK PDF
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Vol 3, No 1 (2011) PERFORMANCE | ART OF PRESENTATION The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme PDF
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Vol 3, No 3 (2011) STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG The Individual and Contemporary in Yuliy Raizman's Late Work PDF
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Vol 3, No 1 (2011) Articles The Influence of Newest Audiovisual Technologies on the Audience PDF
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Vol 3, No 1 (2011) WORLD CINEMA | ANALYSIS New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc PDF
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Vol 3, No 1 (2011) TELEVISION | DIGITAL ENVIRONMENT Nature of Television as a Source ofDocumentary Genres Features PDF
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Vol 3, No 1 (2011) TELEVISION | DIGITAL ENVIRONMENT Real Television as a Factor of Socio- Cultural Globalization PDF
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Vol 3, No 1 (2011) SCIENTIFIC LABORATORY | COLOR IN MOVIE Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone" PDF
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Vol 3, No 1 (2011) Articles V Ermitazhe - Prado PDF
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Vol 3, No 1 (2011) SCIENCE ALGORITHM | DIVING METHODOLOGY To the Problem of Research Methods PDF
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Vol 3, No 1 (2011) Articles Rossiyskoe animatsionnoe kino PDF
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Vol 3, No 2 (2011) WORLD CINEMA | ANALYSIS The Parable in the Work of World Film Masters PDF
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Vol 2, No 4 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
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Vol 2, No 4 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent" PDF
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Vol 3, No 2 (2011) WORLD CINEMA | ANALYSIS The Iranian Cinema of the 20th Century (1900-1980) PDF
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Vol 3, No 2 (2011) TELEVISION | DIGITAL ENVIRONMENT Russian Television: the Conflict of Matrices PDF
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Vol 3, No 2 (2011) TELEVISION | DIGITAL ENVIRONMENT The Peculiarities of Modern Television Speech PDF
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Vol 3, No 2 (2011) WORKSHOP | LESSONS OF EXCELLENCE The Search for Visual PDF
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Vol 3, No 2 (2011) Articles BIBLIOTEKA VGIK PDF
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Vol 3, No 2 (2011) Articles VOZVRAShchENIE PDF
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Vol 2, No 4 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS The Development of Female Characters in Central Asian Cinema PDF
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Vol 2, No 4 (2010) READING-ROOM | BOOK SHELF biblioteka VGIK PDF
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Vol 2, No 4 (2010) PERFORMANCE | ART OF PRESENTATION A Film Director in Search of the Genre PDF
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Vol 2, No 4 (2010) PERFORMANCE | ART OF PRESENTATION I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life" PDF
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Vol 2, No 4 (2010) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern Visual Culture: Psychological Space and Time in the Movies PDF
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Vol 2, No 4 (2010) WORLD CINEMA | ANALYSIS The Phenomenon of the French NewWave. Technology or Ideology? PDF
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Vol 2, No 4 (2010) READING-ROOM | BOOK SHELF biblioteka VGIK PDF
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Vol 2, No 4 (2010) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Pattern of Box-Office Receits PDF
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Vol 2, No 4 (2010) TELEVISION | DIGITAL ENVIRONMENT "The Karamazov Brothers" as intellectualgames PDF
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Vol 2, No 4 (2010) TELEVISION | DIGITAL ENVIRONMENT The Birth of a Personality from the Carnival Spirit PDF
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Vol 2, No 4 (2010) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH A Film as an "Unfinished Script": theProblem of Composition PDF
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Vol 2, No 4 (2010) STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s) PDF
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Vol 2, No 4 (2010) STUDENT CREATIVE CLUB | INFORMAL DISCOURSE The Mirror Shield: the Camera as anInstrument of Civil Defence PDF
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Vol 2, No 4 (2010) RECOMMENDATIONS AUTHORS Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» PDF
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Vol 2, No 1 (2010) ХРОНИКА В ДЕТАЛЯХ | ВЫСОКИЕ ТЕХНОЛОГИИ Screen in the new time PDF
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Vol 2, No 1 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Historical time in a film structure(end, beginning in № 1) PDF
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Vol 2, No 1 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") PDF
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Vol 2, No 1 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS Remakes. The Artistic and Aesthetic Principles PDF
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Vol 2, No 1 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS Aesthetic Features of the Modern TV-documentary PDF
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Vol 2, No 1 (2010) ORIGINAL SOURCE | DRAMATURGY OF GENRE Color and Sound in Balzac's Novels PDF
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Vol 2, No 1 (2010) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL/ KNIZhNAYa POLKA PDF
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Vol 2, No 1 (2010) PERFORMANCE | ART OF PRESENTATION When the Time Stops PDF
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Vol 2, No 1 (2010) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Films about filmmaking. Reality and game PDF
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Vol 2, No 1 (2010) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА ChITAL'NYY ZAL/ KNIZhNAYa POLKA PDF
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Vol 2, No 1 (2010) WORLD CINEMA | ANALYSIS Swedish Cinematograph at the beginning of the XXI century. The problem of national style PDF
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Vol 2, No 1 (2010) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The mediabrend is urgency of the development in new economicalconditions PDF
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Vol 2, No 3 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Film Art in the System of Forming a Stage Identity Model PDF
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Vol 2, No 3 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS Early Antique Imagery PDF
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Vol 2, No 3 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS On the importance of strategy changes of the discourse by the example of two Alexey Herman's films PDF
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Vol 2, No 3 (2010) PERFORMANCE | ART OF PRESENTATION Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4) PDF
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Vol 2, No 3 (2010) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY On the methodology of the study of ontology in the concept of cinema Andre Bazin PDF
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Vol 2, No 3 (2010) ARTISTIC FACULTY | EXPOSITION «Art. Proekt. Diplom 2010.», «Prostranstvo kino» PDF
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Vol 2, No 3 (2010) WORLD CINEMA | ANALYSIS Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo PDF
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Vol 2, No 1 (2010) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Digital Technologies in Cinema PDF
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Vol 2, No 1 (2010) WORKSHOP | LESSONS OF EXCELLENCE History of the Portrait PDF
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Vol 2, No 2 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Unknown Cinema of the War and Victory PDF
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Vol 2, No 1 (2010) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM
Vol 2, No 2 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Second World War Film Chronicle PDF
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Vol 2, No 2 (2010) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 PDF
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Vol 2, No 2 (2010) TO THE 65th ANNIVERSARY OF VICTORY | EXHIBITION NemenskiyBoris Mikhaylovich PDF
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Vol 2, No 2 (2010) TO THE 65th ANNIVERSARY OF VICTORY | EXHIBITION «Nasha pamyat' - nasha Pobeda». Vystavka studencheskikh rabot raznykh let,posvyashchennykh Velikoy Otechestvennoy voyne PDF
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Vol 2, No 2 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS "War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate PDF
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Vol 2, No 2 (2010) FILM LANGUAGE AND TIME | IMAGE GENESIS "I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy PDF
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Vol 2, No 2 (2010) PERFORMANCE | ART OF PRESENTATION Some Aspects of Film Color Semantics and Cultural Tradition PDF
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Vol 2, No 2 (2010) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) PDF
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Vol 2, No 2 (2010) WORLD CINEMA | ANALYSIS Dada on Screen. "The Bride Stripped Bare By Her Bachelors, Even" by M. Duchamp in R. Clair's "Entr'acte" PDF
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Vol 2, No 2 (2010) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Russian Cinema for Children and Adolescents. Unsolved Problems PDF
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Vol 2, No 2 (2010) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production PDF
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Vol 2, No 2 (2010) TELEVISION | DIGITAL ENVIRONMENT Screen reality in the context media milieu modernization PDF
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Vol 2, No 2 (2010) MULTIMEDIA | MODELING REALITY Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art? PDF
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Vol 2, No 2 (2010) DISCUSSION CLUB | UPDATED CONTEXT Gogol: Interpretational Paradoxes PDF
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Vol 2, No 3 (2010) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Artistic Merit as a Russian Film Competitiveness Factor PDF
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Vol 2, No 3 (2010) TELEVISION | DIGITAL ENVIRONMENT The Convergent and Integration Aspects of Mass Media Evolution in the Information Age PDF
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Vol 2, No 3 (2010) MULTIMEDIA | MODELING REALITY Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art? PDF
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Vol 2, No 3 (2010) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH Dramatic Peculiarities of Ecological film PDF
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Vol 2, No 3 (2010) SUMMARY | PRESENTATION OF AUTHORS SUMMARYPREZENTATsIYa AVTOROV PDF
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Vol 2, No 3 (2010) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM PDF
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Vol 2, No 2 (2010) DISCUSSION CLUB | UPDATED CONTEXT Some Aspects of Mythological Reality PDF
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Vol 2, No 2 (2010) ПРОБЛЕМЫ ОБРАЗОВАНИЯ | НОВЫЙ ВЗГЛЯД Traditions and Innovations in Film Education PDF
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Vol 2, No 2 (2010) STUDENT CREATIVE CLUB | INFORMAL DISCOURSE Artist and Repression: Reflections PDF
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Vol 1, No 1 (2009) ANNIVERSARY YEAR | 90 YEARS VGIK v rusle traditsiy i innovatsiy PDF
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Vol 1, No 1 (2009) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Historical time in a film structure PDF
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Vol 1, No 1 (2009) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Postmodernism as Myths Generating Practice PDF
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Vol 1, No 1 (2009) FILM LANGUAGE AND TIME | IMAGE GENESIS Godmother of Alexander Askoldov PDF
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Vol 1, No 1 (2009) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf PDF
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Vol 1, No 1 (2009) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Alteration of perception of the screen image - actual trend analysis PDF
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Vol 1, No 1 (2009) PERFORMANCE | ART OF PRESENTATION «Ty zastavlyaesh' zriteley smeyat'sya i pomogaesh' im luchshe ponimat' zhizn'. Mne eto nravitsya» PDF
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Vol 2, No 2 (2010) STUDENT SCIENTIFIC SCHOOL | RESEARCH YOUNG DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s PDF
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Vol 2, No 2 (2010) WORKSHOP | LESSONS OF EXCELLENCE A Long Story about a Big Set for a Short Episode PDF
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Vol 2, No 2 (2010) READING-ROOM | BOOK SHELF ChITAL'NYY ZAL PDF
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Vol 2, No 2 (2010) RECOMMENDATIONS AUTHORS Rekomendatsii avtoram.Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» PDF
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Vol 1, No 1 (2009) WORLD CINEMA | ANALYSIS Cinema of Bulgaria at the turn of century PDF
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Vol 1, No 1 (2009) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS System of audiovisual content distribution with application of digital technologies PDF
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Vol 1, No 1 (2009) SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH The creative work of Sergey Paradzhanov as an event of Postmodernism PDF
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Vol 1, No 1 (2009) WORKSHOP | LESSONS OF EXCELLENCE About dubbing foreign ilms PDF
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Vol 1, No 1 (2009) READING-ROOM | BOOK SHELF KNIGI RUKOPISI ZNANIYa PDF
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Vol 1, No 1 (2009) CHRONICLE IN DETAIL | CURRENT EVENTS Choice of profession: the bases of producer's workmanship PDF
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Vol 1, No 1 (2009) НАУЧНО-ПРАКТИЧЕСКАЯ КОНФЕРЕНЦИЯ Nauchno-prakticheskaya konferentsiya «Rossiyskiy kinobiznes: sovremennost' i perspektivy» k 90-letiyu VGIK i 100-letiyu professora B.N.Konopleva Rossiyskiy kinobiznes: sovremennost' i perspektivy PDF
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Vol 1, No 1 (2009) RECOMMENDATIONS AUTHORS REKOMENDATsII AVTORAM PDF
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Vol 11, No 1 (2019) CHRONICLE IN DETAIL | CURRENT EVENTS "VGIK days" in Tajikistan PDF
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Vol 11, No 1 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Cinematic media in digital culture PDF
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Vol 11, No 2 (2019) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK Days in the Republic of Serbia PDF
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Vol 11, No 2 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The environment of the cinematic spectacle. The architecture of the early Russian movie theaters PDF
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Vol 11, No 2 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Russian Documentary at the Turn of the 21st Century PDF
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Vol 11, No 2 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS Viktor Turin's Turksib as an ecological message PDF
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Vol 11, No 2 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS VR Cinema. Virtual Spectacle as a Dream PDF
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Vol 11, No 2 (2019) PERFORMANCE | ART OF PRESENTATION The image of prince Myshkin in Russian cinema PDF
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Vol 11, No 2 (2019) PERFORMANCE | ART OF PRESENTATION The sound world of the alienated film character PDF
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Vol 11, No 2 (2019) PERFORMANCE | ART OF PRESENTATION Framing as a method of creating a film's metaphorical context PDF
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Vol 11, No 2 (2019) PERFORMANCE | ART OF PRESENTATION Actual problems of the composition of the artistic image PDF
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Vol 11, No 2 (2019) READING-ROOM | BOOK SHELF VGIK Library PDF
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Vol 11, No 2 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern art history as a human science in a situation of cultural turn PDF
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Vol 11, No 2 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY The ‘hero archetype’ in the neo-mythological context of contemporary screen culture PDF
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Vol 11, No 2 (2019) WORLD CINEMA | ANALYSIS Existential problematics in the films of Pedro Costa PDF
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Vol 11, No 2 (2019) TELEVISION | DIGITAL ENVIRONMENT Artistic features of Russian TV serials about the Great Patriotic War PDF
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Vol 11, No 1 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero PDF
(Eng)
PDF
(Rus)
Vol 11, No 1 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Between ideology and literature: the discussion of screenplays in the USSR in the 1930s PDF
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Vol 11, No 1 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS Contemporary Russian cinema and its world contexts PDF
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Vol 11, No 1 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype PDF
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Vol 11, No 1 (2019) PERFORMANCE | ART OF PRESENTATION Mass scenes as a way of manipulating the consciousness of the viewer PDF
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Vol 11, No 1 (2019) PERFORMANCE | ART OF PRESENTATION VR technologies in docudrama PDF
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Vol 11, No 1 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern art history as a human science in a situation of cultural turn PDF
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Vol 11, No 1 (2019) WORLD CINEMA | ANALYSIS Australian cinema: transforming youth issues over time PDF
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Vol 11, No 1 (2019) TELEVISION | DIGITAL ENVIRONMENT Visual picture of the world in the reflection of modern media PDF
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Vol 11, No 1 (2019) TELEVISION | DIGITAL ENVIRONMENT Attraction on TV: rules of communication game PDF
(简体中)
PDF
(Rus)
Vol 11, No 1 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS To academic film science PDF
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Vol 11, No 1 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Screenplay theory: cinema is born in script PDF
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Vol 11, No 1 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Economics of film production in science and education PDF
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Vol 11, No 1 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Faculty as a unique school of creative communication PDF
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Vol 11, No 3 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS The canons of capturing reality in the documentary cinema of the 1960s PDF
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Vol 1, No 1 (2009) SUMMARY | PRESENTATION OF AUTHORS preasentation of authors PDF
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Vol 11, No 2 (2019) SUMMARY | PRESENTATION OF AUTHORS SUMMARY | PRESENTATION OF AUTHORS PDF
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Vol 11, No 3 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint PDF
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Vol 11, No 3 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Methodological aspects of studying the history of Soviet cinema in the 1930s PDF
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Vol 11, No 3 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS The evolution of visual instruments of VR cinema PDF
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Vol 11, No 3 (2019) PERFORMANCE | ART OF PRESENTATION The film star — the phenomenon of a parasocial relation PDF
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Vol 11, No 3 (2019) PERFORMANCE | ART OF PRESENTATION Methods of using the type expressiveness of the actor in the cinema of “new sincerity” PDF
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Vol 11, No 3 (2019) PERFORMANCE | ART OF PRESENTATION The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema PDF
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Vol 11, No 3 (2019) PERFORMANCE | ART OF PRESENTATION Self-Media as a Model for Monetization of Knowledge Code PDF
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Vol 11, No 3 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern art history as a human science in a situation of cultural turn PDF
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Vol 11, No 3 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category PDF
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Vol 11, No 3 (2019) WORLD CINEMA | ANALYSIS Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics PDF
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Vol 11, No 3 (2019) WORLD CINEMA | ANALYSIS The story of one crime: in life, in literature and in cinema PDF
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Vol 11, No 3 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS 100th anniversary of the acting faculty of VGIK PDF
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Vol 11, No 3 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Worldview criteria for a profession in the bowels of VGIK PDF
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Vol 11, No 3 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS The profession of an artist-animator, or how to learn how to control the movement of a drawing PDF
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Vol 11, No 3 (2019) SUMMARY | PRESENTATION OF AUTHORS SUMMARY | PRESENTATION OF AUTHORS PDF
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Vol 11, No 3 (2019) CHRONICLE IN DETAIL | CURRENT EVENTS Centenary of the oldest film school PDF
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Vol 11, No 1 (2019) SUMMARY | PRESENTATION OF AUTHORS Editorial article PDF
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Vol 10, No 3 (2018) SUMMARY | PRESENTATION OF AUTHORS Editors article PDF
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Vol 10, No 2 (2018) SUMMARY | PRESENTATION OF AUTHORS Editorial article PDF
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Vol 10, No 1 (2018) SUMMARY | PRESENTATION OF AUTHORS Editorial article PDF
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Vol 9, No 4 (2017) SUMMARY | PRESENTATION OF AUTHORS Editorial article PDF
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Vol 12, No 1 (2020) WORLD CINEMA | ANALYSIS A screen version of the story of Salinger translated into Farsi PDF
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Vol 11, No 4 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS CILECT as the Project of a World Film School: Origins, Specifics, Development PDF
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Vol 11, No 4 (2019) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound PDF
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Vol 11, No 4 (2019) CHRONICLE IN DETAIL | CURRENT EVENTS In a holiday atmosphere PDF
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Vol 11, No 4 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel PDF
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Vol 11, No 4 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS The Russian Intelligentsia: Taming Nihilism in the Stalin Period PDF
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Vol 11, No 4 (2019) FILM LANGUAGE AND TIME | IMAGE GENESIS On the Problem of the Discourse Analysis of Literary Texts PDF
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Vol 11, No 4 (2019) PERFORMANCE | ART OF PRESENTATION The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam PDF
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Vol 12, No 1 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS Historical time and the image of the house in A. Sokurov’s work PDF
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Vol 11, No 4 (2019) PERFORMANCE | ART OF PRESENTATION The Existential World of Kira Muratova PDF
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Vol 12, No 1 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The struggle for the Far East in the interpretation of the Vasilyev brothers PDF
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Vol 11, No 4 (2019) PERFORMANCE | ART OF PRESENTATION Multimedia Learning Model: Adapting an Image in a Screen Work PDF
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Vol 11, No 4 (2019) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern Art History As a Human Science in a Situation of Cultural Turn PDF
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Vol 11, No 4 (2019) WORLD CINEMA | ANALYSIS Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers PDF
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Vol 11, No 4 (2019) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS Cooperation between the Russian Animation Industry and Asian Partners PDF
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Vol 11, No 4 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Directing Department: First Steps PDF
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Vol 11, No 4 (2019) 100 YEARS of VGIK | FACULTIES AND DEPARTMENTS Alma Mater of domestic cameramen PDF
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Vol 12, No 1 (2020) PERFORMANCE | ART OF PRESENTATION Modern Social Problems in the Works of Novice Documentary Filmmakers PDF
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Vol 12, No 1 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS Russian Сinema: Modest Charm of a Hollow Character? PDF
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Vol 11, No 4 (2019) SUMMARY | PRESENTATION OF AUTHORS Editorial article PDF
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Vol 12, No 2 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite PDF
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Vol 12, No 3 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook PDF
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Vol 12, No 3 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS Short Film: Genre Originality of Debuts PDF
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Vol 12, No 2 (2020) WORLD CINEMA | ANALYSIS A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen PDF
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Vol 12, No 2 (2020) PERFORMANCE | ART OF PRESENTATION Vlog: Literary Tradition and Political Strategies PDF
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Vol 12, No 2 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS Reconstruction of the Past in the Reality of Screen Imagery PDF
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Vol 13, No 1 (2021) WORLD CINEMA | ANALYSIS “The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films PDF
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Vol 12, No 2 (2020) PERFORMANCE | ART OF PRESENTATION Grotesque as a Formative Method in the Drama of a Feature Film PDF
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Vol 12, No 2 (2020) PERFORMANCE | ART OF PRESENTATION Conflict of Artificial and Living Body in Cinema the Theme of Fear and its Overcoming PDF
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Vol 12, No 2 (2020) TELEVISION | DIGITAL ENVIRONMENT Visual Discourses of Social Policy in TV Practice PDF
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Vol 12, No 1 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Stopover? Non-fiction movies in the first decade after the millennium PDF
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Vol 12, No 1 (2020) PERFORMANCE | ART OF PRESENTATION Dramaturgy of the character of the tempter devil in the movie PDF
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Vol 12, No 1 (2020) PERFORMANCE | ART OF PRESENTATION The emergence of a holistic artistic image PDF
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Vol 12, No 1 (2020) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern art history as a human science in a situation of cultural turn PDF
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Vol 12, No 1 (2020) TELEVISION | DIGITAL ENVIRONMENT Transmedia Storytelling: A Feature of the Digital Media World PDF
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Vol 12, No 1 (2020) TELEVISION | DIGITAL ENVIRONMENT Techniques for compositional filling the space of a television frame PDF
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Vol 12, No 2 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Image and Sound of War in the Films “The Ascent” and “Come and See” PDF
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Vol 12, No 1 (2020) SUMMARY | PRESENTATION OF AUTHORS Editorial' article PDF
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Vol 12, No 1 (2020) READING-ROOM | BOOK SHELF L PDF
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Vol 12, No 1 (2020) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА L PDF
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Vol 12, No 1 (2020) RECOMMENDATIONS AUTHORS Recommendations to authors PDF
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Vol 12, No 1 (2020) CHRONICLE IN DETAIL | CURRENT EVENTS Cinema of the XXI century: youth forum PDF
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Vol 12, No 2 (2020) TELEVISION | DIGITAL ENVIRONMENT Mediatization as a Mode of Being in the Light of Self-Isolation PDF
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Vol 12, No 3 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Cinema Magic: Mask and Myth PDF
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Vol 12, No 2 (2020) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Modern Art History As a Human Science in a Situation of Cultural Turn PDF
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Vol 12, No 2 (2020) WORLD CINEMA | ANALYSIS Palestine in Foreign Cinema PDF
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Vol 11, No 3 (2019) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА VGIK LIBRARY PDF
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Vol 11, No 3 (2019) READING-ROOM | BOOK SHELF Библиотека ВГИК PDF
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Vol 11, No 3 (2019) RECOMMENDATIONS AUTHORS Рекомендации авторам PDF
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Vol 11, No 4 (2019) RECOMMENDATIONS AUTHORS Рекомендации авторам PDF
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Vol 11, No 2 (2019) RECOMMENDATIONS AUTHORS Рекомендации авторам PDF
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Vol 11, No 1 (2019) RECOMMENDATIONS AUTHORS Рекомендации авторам PDF
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Vol 10, No 4 (2018) READING-ROOM | BOOK SHELF Library VGIK PDF
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Vol 10, No 4 (2018) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА Library VGIK PDF
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Vol 10, No 4 (2018) SUMMARY | PRESENTATION OF AUTHORS Summary PDF
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Vol 10, No 4 (2018) RECOMMENDATIONS AUTHORS Recommendations to authors PDF
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Vol 10, No 4 (2018) ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА Library VGIK PDF
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Vol 12, No 3 (2020) PERFORMANCE | ART OF PRESENTATION Techniques for Representing the Author in Alexander Sokurov’s films PDF
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Vol 12, No 2 (2020) ХРОНИКА В ДЕТАЛЯХ | 75-ЛЕТИЕ ПОБЕДЫ No one is forgotten, nothing is forgotten… PDF
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Vol 12, No 2 (2020) READING-ROOM | BOOK SHELF Библиотека ВГИК PDF
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Vol 12, No 2 (2020) SUMMARY | PRESENTATION OF AUTHORS Summary PDF
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Vol 12, No 2 (2020) RECOMMENDATIONS AUTHORS Рекомендации авторам PDF
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Vol 12, No 2 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema PDF
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Vol 12, No 3 (2020) PERFORMANCE | ART OF PRESENTATION Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War PDF
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Vol 12, No 3 (2020) TELEVISION | DIGITAL ENVIRONMENT Modern Forms of Capturing Reality in the Format of Video Hosting PDF
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Vol 12, No 3 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” PDF
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Vol 12, No 3 (2020) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Is Aesthetics a Metatheory in Relation to Art Criticism? PDF
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Vol 12, No 3 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS S.Eisenstein. Aggression of Discourse: Theoretical Justification PDF
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Vol 13, No 1 (2021) TELEVISION | DIGITAL ENVIRONMENT Convergent Audience: Research Approaches PDF
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Vol 12, No 4 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS The Image of War in the Cinema of the 60s. Knights without Past and Future PDF
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Vol 12, No 3 (2020) PERFORMANCE | ART OF PRESENTATION Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture PDF
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Vol 12, No 4 (2020) PERFORMANCE | ART OF PRESENTATION B.M.Nemensky’s “Berlin Sketches” and the Traditions of Russian Fine Art PDF
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Vol 12, No 4 (2020) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS From a Screen Document to a Poetic Image. Making Sense PDF
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Vol 12, No 3 (2020) READING-ROOM | BOOK SHELF Library VGIK PDF
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Vol 12, No 3 (2020) SUMMARY | PRESENTATION OF AUTHORS Summary PDF
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Vol 12, No 3 (2020) RECOMMENDATIONS AUTHORS Recommendations for authors PDF
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Vol 12, No 3 (2020) XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ 40th International Student Festival of VGIK PDF
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Vol 12, No 3 (2020) CHRONICLE IN DETAIL | CURRENT EVENTS VGIK festival: virtual recognition PDF
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Vol 12, No 4 (2020) PERFORMANCE | ART OF PRESENTATION The Expressive Function of Color in Modern Non-Fiction Films PDF
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Vol 13, No 2(48) (2021) PERFORMANCE | ART OF PRESENTATION The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions PDF
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Vol 12, No 4 (2020) WORLD CINEMA | ANALYSIS The Concept of Latent Dramaturgy in Contemporary Iranian Cinema PDF
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Vol 12, No 4 (2020) FILM LANGUAGE AND TIME | IMAGE GENESIS Initiation by Fear as a Model of Soviet Film Tales of the 1960s PDF
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Vol 12, No 4 (2020) PERFORMANCE | ART OF PRESENTATION Composition of a Series of Artist's Works as an Emergent System PDF
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Vol 12, No 4 (2020) TELEVISION | DIGITAL ENVIRONMENT TV Speech: the Polycode Nature of Verbal Inclusions PDF
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Vol 12, No 4 (2020) WORLD CINEMA | ANALYSIS Sound Space of M.Garrone’s Films: from Fiction to Reality PDF
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Vol 12, No 4 (2020) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY A Character in the Space of Leisure. An Essay on Dramatic Composition of Film PDF
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Vol 13, No 1 (2021) FILM LANGUAGE AND TIME | IMAGE GENESIS Screenlife vs. Classic Cinema PDF
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Vol 13, No 1 (2021) FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS The Price of Going out to the Movies — the History and the Contemporaneousness PDF
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Vol 12, No 4 (2020) CHRONICLE IN DETAIL | CURRENT EVENTS On the eve of the New Year holidays PDF
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Vol 12, No 4 (2020) SUMMARY | PRESENTATION OF AUTHORS Summary PDF
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Vol 12, No 4 (2020) RECOMMENDATIONS AUTHORS Recommendations for the authors PDF
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Vol 12, No 4 (2020) READING-ROOM | BOOK SHELF The Library VGIK PDF
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Vol 12, No 4 (2020) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА The Library VGIK PDF
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Vol 12, No 4 (2020) ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА The Library VGIK PDF
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Vol 12, No 4 (2020) КНИЖНАЯ ПОЛКА | ЧИТАЛЬНЫЙ ЗАЛ The Library VGIK PDF
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Vol 12, No 4 (2020) ХРОНИКА В ДЕТАЛЯХ | ПРАКТИКУМ ДЛЯ СТУДЕНТОВ Exhibition of coursework of 3rd year students of the Faculty of Art, VGIK PDF
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Vol 13, No 1 (2021) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS The Evolution of the Concept of the Victory in Russian Documentary Cinema PDF
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Vol 13, No 1 (2021) PERFORMANCE | ART OF PRESENTATION VR-technologies in Animation PDF
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Vol 13, No 1 (2021) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Media Image of the Screen as Representation of Sociocultural Reality PDF
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Vol 13, No 1 (2021) PERFORMANCE | ART OF PRESENTATION Folklore Traditions of the Sverdlovsk Animation School PDF
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Vol 13, No 1 (2021) ПРАВОВЫЕ АСПЕКТЫ | НАУЧНОЕ ЦИТИРОВАНИЕ Free Citation: Limits and Opportunities PDF
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Vol 13, No 2(48) (2021) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema PDF
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Vol 13, No 1 (2021) FILM LANGUAGE AND TIME | IMAGE GENESIS Drama Features оf Documentary: Movie, TV Film, Streaming Platform PDF
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Vol 13, No 2(48) (2021) THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama PDF
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Vol 13, No 2(48) (2021) TELEVISION | DIGITAL ENVIRONMENT Contemporary TV Series: Narrative and Genre Metamorphoses PDF
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Vol 13, No 2(48) (2021) FILM LANGUAGE AND TIME | IMAGE GENESIS Historical Trauma as a Source of Grotesque in Cinema PDF
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Vol 13, No 2(48) (2021) WORLD CINEMA | ANALYSIS Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema PDF
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Vol 13, No 2(48) (2021) PERFORMANCE | ART OF PRESENTATION The Perception of a Contemporary in Non-fiction Films PDF
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Vol 13, No 1 (2021) CHRONICLE IN DETAIL | CURRENT EVENTS The Year of Science and Technology PDF
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Vol 13, No 1 (2021) SUMMARY | PRESENTATION OF AUTHORS Presentation of the authors PDF
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Vol 13, No 1 (2021) RECOMMENDATIONS AUTHORS Recommendations to authors PDF
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Vol 13, No 2(48) (2021) SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? PDF
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Vol 13, No 2(48) (2021) PERFORMANCE | ART OF PRESENTATION Compositional Objectives of Academic Drawing PDF
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Vol 13, No 2(48) (2021) FILM LANGUAGE AND TIME | IMAGE GENESIS A Stunt as a Plastic Metaphor in Epic Series “Liberation” PDF
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Vol 13, No 2(48) (2021) SUMMARY | PRESENTATION OF AUTHORS Summary PDF
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Vol 13, No 2(48) (2021) RECOMMENDATIONS AUTHORS Recommendations to authors PDF
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Vol 13, No 2(48) (2021) READING-ROOM | BOOK SHELF Библиотека ВГИК PDF
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Vol 13, No 2(48) (2021) ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА Библиотека ВГИК PDF
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Vol 13, No 2(48) (2021) ЧИTAЛЬHЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА Библиотека ВГИК PDF
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Vol 13, No 2(48) (2021) XPOHИКА В ДЕТАЛЯХ | АКТУАЛЬНОЕ СОБЫТИЕ From the First of September, VGIK! PDF
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Vol 13, No 2(48) (2021) CHRONICLE IN DETAIL | CURRENT EVENTS Master class by B.V.Vengerovsky, Honored Artist of Russia. A visit to Peredelkino. Boris Pasternak House Museum. Production faculty: master class by Anatoly Sivushov. At the opening of the monument "Shoulder to Shoulder" PDF
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