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Issue
Title
Authors
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Co-production in Current International Film Industry. Major Trends
Chudakova A.V.
Cooperation between the Russian Animation Industry and Asian Partners
Krivulya N.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
Character’s Imagery in Russian Animation of 1990s
Prikhod’ko V.V.
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»
Bezenkova M.V.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.M.
Artistic Merit as a Russian Film Competitiveness Factor
Ziborova O.P.
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»
Bezenkova M.V.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
1 - 19 of 19 Items

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