Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema
Gulyaeva Y.V.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
Artistic Space as a Modern Aesthetical Category
Nikitina I.P.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
1 - 18 of 18 Items

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