Issue Title
Vol 11, No 1 (2019) The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Abstract PDF
(Rus)
PDF
(Eng)
Rusinova E.A.
Vol 11, No 1 (2019) Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Abstract PDF
(Rus)
Karavaev D.L.
Vol 10, No 1 (2018) The Birth of Cinema in the Russian Empire and Film Censorship
Abstract PDF
(Rus)
Drubek N.
Vol 10, No 4 (2018) The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Abstract PDF
(Rus)
PDF
(Eng)
PDF
(简体中)
Malyshev V.S.
Vol 10, No 2 (2018) The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Abstract PDF
(Rus)
Rusinova E.A., Khabchuk E.M.
Vol 11, No 1 (2019) Cinematic media in digital culture
Abstract PDF
(Rus)
Bakulev G.P.
Vol 11, No 3 (2019) The film star — the phenomenon of a parasocial relation
Abstract PDF
(Rus)
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
Vol 7, No 1 (2015) From Theory to Methodology of Cinema
Abstract PDF
(Rus)
Schtein S.Y.
Vol 7, No 2 (2015) From Theory to Methodology of Cinema
Abstract PDF
(Rus)
Schtein S.Y.
Vol 11, No 2 (2019) Existential problematics in the films of Pedro Costa
Abstract PDF
(Rus)
Sandu V.O.
Vol 11, No 3 (2019) Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Abstract PDF
(Rus)
Rusinova E.A.
Vol 11, No 2 (2019) The sound world of the alienated film character
Abstract PDF
(Rus)
Rusinova E.A.
Vol 10, No 1 (2018) Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Abstract PDF
(Rus)
Parfentyeva E.N.
Vol 11, No 2 (2019) The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Abstract PDF
(Rus)
Stroeva O.V.
Vol 11, No 3 (2019) The canons of capturing reality in the documentary cinema of the 1960s
Abstract PDF
(Rus)
Bezenkova M.V.
Vol 11, No 3 (2019) Methodological aspects of studying the history of Soviet cinema in the 1930s
Abstract PDF
(Rus)
Usuvaliev S.I.
Vol 11, No 3 (2019) Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Abstract PDF
(Rus)
Kuznetsova M.O.
Vol 10, No 2 (2018) Psychological Insight in Asgar Farhadi’s Early Films
Abstract PDF
(Rus)
Grigorieva N.G.
Vol 11, No 1 (2019) Mass scenes as a way of manipulating the consciousness of the viewer
Abstract PDF
(Rus)
Arysheva A.S.
Vol 9, No 4 (2017) The Birth of Cinema in the Russian Empire and Film Censorship
Abstract PDF
(Rus)
Drubek N.
Vol 10, No 1 (2018) The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Abstract PDF
(Rus)
Rusinova E.A., Habchuk E.M.
Vol 11, No 1 (2019) Contemporary Russian cinema and its world contexts
Abstract PDF
(Rus)
Reisen O.K.
Vol 11, No 3 (2019) Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Abstract PDF
(Rus)
Mikheeva J.V.
Vol 6, No 2 (2014) Cinema Policy of Simple Solutions
Abstract PDF
(Rus)
Zhabsky M.I.
Vol 10, No 3 (2018) Sound as a Sign and Artistic Symbol in Film
Abstract PDF
(Rus)
Rusinova E.A.
Vol 11, No 4 (2019) The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam
Abstract PDF
(Rus)
Milydon V.
Vol 10, No 1 (2018) Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Abstract PDF
(Rus)
Melekhova X.A.
Vol 11, No 3 (2019) The story of one crime: in life, in literature and in cinema
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 6, No 4 (2014) Phenomenon of Political Biopic in the English-Language Cinema
Abstract PDF
(Rus)
Morozova I.V.
Vol 9, No 2 (2017) Gender Analysis of the Film “The Poet and the Fallen Soul”
Abstract PDF
(Rus)
Smagina S.A.
Vol 9, No 1 (2017) Screen Image and the System of expressive Means in American Documentary of the 1960s
Abstract PDF
(Rus)
Kazyutchits M.F.
Vol 10, No 4 (2018) The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Abstract PDF
(Rus)
Mikheeva Y.V.
Vol 10, No 2 (2018) Screen Metamorphoses of Ivan Pyryev
Abstract PDF
(Rus)
Kirillova N.B.
Vol 7, No 2 (2015) The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Abstract PDF
(Rus)
Kiselev A.O.
Vol 9, No 3 (2017) Voice in the Metadiegetic Space of the Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
Vol 6, No 3 (2014) Theatre and Document: Opposition or Integration?
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 11, No 2 (2019) VR cinema. Virtual spectacle as a dream
Abstract PDF
(Rus)
Novikov V.N.
Vol 10, No 3 (2018) Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Abstract PDF
(Rus)
Sergeeva T.S.
Vol 8, No 2 (2016) Primary Cinema Sources of American Noir
Abstract PDF
(Rus)
Orozbaev K.N.
Vol 10, No 2 (2018) “New Drama” in the Context of the Historical Film
Abstract PDF
(Rus)
Kuzmina L.V.
Vol 6, No 3 (2014) State Guardianship of Cinema: The Issue of Goal-Setting
Abstract PDF
(Rus)
Zhabsky M.I.
Vol 10, No 2 (2018) Financing Cinema Production as a High-Risk Activity
Abstract PDF
(Rus)
Molchanova N.P.
Vol 6, No 1 (2014) Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Abstract PDF
(Rus)
Kosinova M.I.
Vol 10, No 4 (2018) Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Abstract PDF
(Rus)
Vinogradov V.V.
Vol 6, No 2 (2014) Both Screenwriter and Director
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 6, No 2 (2014) Screenplay as a Dynamic Process Model
Abstract PDF
(Rus)
Marievskaya N.Y.
Vol 10, No 3 (2018) Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Abstract PDF
(Rus)
Khokhlova D.E.
Vol 10, No 3 (2018) The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Abstract PDF
(Rus)
Smagina S.A.
Vol 10, No 4 (2018) The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Abstract PDF
(Rus)
Bezenkova M.V.
Vol 9, No 1 (2017) Cinema and Globalization
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 10, No 3 (2018) Way of Genre in Cinema Documentary
Abstract PDF
(Rus)
PDF
(简体中)
Prozhiko G.S.
Vol 10, No 4 (2018) The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century
Abstract PDF
(Rus)
Smagina S.A.
Vol 5, No 4 (2013) Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Abstract PDF
(Rus)
Kosinova M.I.
Vol 6, No 1 (2014) “Moscow text” in Russian cinema in the 1920s-1940s
Abstract PDF
(Rus)
Boyarshinova N.A.
Vol 6, No 4 (2014) Video Art: “A White Cube” or “A Black Box”?
Abstract PDF
(Rus)
Staruseva-Persheeva A.D.
Vol 8, No 4 (2016) “Provincial” Cinema on Global Orbits
Abstract PDF
(Rus)
Kirillova N.B.
Vol 7, No 4 (2015) Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Abstract PDF
(Rus)
Sputnitskaya N.Y.
Vol 9, No 2 (2017) Censorship Machine in the Soviet Cinema of the 1920s
Abstract PDF
(Rus)
Nasrtdinova A.R.
Vol 8, No 1 (2016) Emotional Influence on the Viewer in Contemporary American Cinema
Abstract PDF
(Rus)
Vital F.Y.
Vol 9, No 4 (2017) The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Abstract PDF
(Rus)
Ilchenko S.N.
Vol 3, No 3 (2011) Cinema in the Phase of Private Interest
Abstract PDF
(Rus)
Zakharov D.V.
Vol 6, No 4 (2014) James Mangold is “a jewel of a man” in American Cinema
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 8, No 4 (2016) Destiny of Indian Cinema in Russia
Abstract PDF
(Rus)
Nefedova D.N.
Vol 4, No 1 (2012) Essential Peculiarities of Time Representation in the post-perestroika cinema
Abstract PDF
(Rus)
Bezenkova M.V.
Vol 7, No 1 (2015) Movie Distribution Categories in Russia: Sample of Statistical Analysis
Abstract PDF
(Rus)
Ivanov O.V., Astakhova N.V., Ivanov D.O.
Vol 9, No 2 (2017) “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Abstract PDF
(Rus)
Mylnikov D.Y.
Vol 6, No 3 (2014) Silence of the Author: Semantics of Muting in Cinema
Abstract PDF
(Rus)
Mikheyeva Y.V.
Vol 7, No 4 (2015) Toward the Sociological Rationalization of State Film Policy
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 8, No 4 (2016) Patterns of Behavior in the Great Patriotic War’s Soviet Cinema
Abstract PDF
(Rus)
Rostotskaya M.A.
Vol 7, No 1 (2015) Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Abstract PDF
(Rus)
Mikheyeva Y.V.
Vol 8, No 1 (2016) The Birth of Identity in the Finnish Cinema
Abstract PDF
(Rus)
Ivannikova C.O.
Vol 6, No 4 (2014) Time and Essence. Study of Cinema Product Temporal Analysis
Abstract PDF
(Rus)
Marievskaya N.Y.
Vol 9, No 4 (2017) Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Abstract PDF
(Rus)
Kazyuchits M.F.
Vol 6, No 2 (2014) Superhero Cinema Comics: Gender Transposition
Abstract PDF
(Rus)
Tsyrkun N.A.
Vol 8, No 1 (2016) Love in the Soviet Qnema as the Stereotype of Gender Relations
Abstract PDF
(Rus)
Fanina M.A.
Vol 6, No 4 (2014) Film Studies As a Normative Academic Discipline
Abstract PDF
(Rus)
Nikitina I.P., Ivin A.A.
Vol 9, No 2 (2017) Cinema of Arabic East: the Problem of Radical Islam
Abstract PDF
(Rus)
Shakhov A.S.
Vol 7, No 1 (2015) S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Abstract PDF
(Rus)
Khrenov N.A.
Vol 9, No 3 (2017) India and England in the Mirror of Screen
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 8, No 3 (2016) On The Matter of Market in Cinema
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 7, No 2 (2015) Stylistic Features Of Russian Arthouse
Abstract PDF
(Rus)
Poznin V.F.
Vol 9, No 2 (2017) Individualism as a Cultural Syndrome in Recent American Cinema
Abstract PDF
(Rus)
Tsyrkun N.A.
Vol 7, No 3 (2015) Iran in Contemporary Russian Cinema (Film’s Visual Formula)
Abstract PDF
(Rus)
Akhmad Mir Akhorli -.
Vol 9, No 3 (2017) Screen Imagery as Reflected through Mythologems
Abstract PDF
(Rus)
Marusenkov V.V.
Vol 8, No 3 (2016) Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Abstract PDF
(Rus)
Kazyutchits M.F.
Vol 9, No 1 (2017) Music as a Part of the Theatrical Game of the Movie
Abstract PDF
(Rus)
Mikheeva Y.V.
Vol 7, No 3 (2015) Video Art: Significant Absence of Editing as an Artistic Tool
Abstract PDF
(Rus)
Staruseva-Persheyeva A.D.
Vol 3, No 1 (2011) Artistic Ambitions of Screen Document at the Turn of the Century
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 8, No 3 (2016) A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism
Abstract PDF
(Rus)
Vinogradov V.V.
Vol 7, No 4 (2015) Naomi Kawase: the Eternal and the Transitory
Abstract PDF
(Rus)
Terakopyan M.L.
Vol 9, No 1 (2017) The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
Vol 5, No 2 (2013) American cinema of the Great Depression. The «Social Restlessness Phase»
Abstract PDF
(Rus)
Zakharov D.V.
Vol 7, No 3 (2015) Evolution of Dramaturgy of Fiction Popular Science Films
Abstract PDF
(Rus)
Kolodinskiy M.N.
Vol 9, No 3 (2017) Ethnographic Cinema: the Image of the Other
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 6, No 3 (2014) Points of Disequilibrium in Narrative Dynamics and Their Structure
Abstract PDF
(Rus)
Marievskaya N.Y.
Vol 7, No 3 (2015) Functional Duality of Cinema
Abstract PDF
(Rus)
Ushkarev A.A.
Vol 9, No 4 (2017) Criteria of Composition of Documentaries about Nature
Abstract PDF
(Rus)
Berkova N.N.
Vol 8, No 2 (2016) Structural Analysis of Film Characters
Abstract PDF
(Rus)
Boyko M.E.
Vol 7, No 2 (2015) Eisenstein’s Aesthetics in Semiotic Perspective
Abstract PDF
(Rus)
Khrenov N.A.
Vol 9, No 2 (2017) Music in the Metadigetic Space of the Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
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