To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Cinematic media in digital culture
Bakulev G.P.
A screen version of the story of Salinger translated into Farsi
Grigoreva N.G.
The film star — the phenomenon of a parasocial relation
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
From Theory to Methodology of Cinema
Schtein S.Y.
From Theory to Methodology of Cinema
Schtein S.Y.
Existential problematics in the films of Pedro Costa
Sandu V.O.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
The sound world of the alienated film character
Rusinova E.A.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.V.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Kuznetsova M.O.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
Psychological Insight in Asgar Farhadi’s Early Films
Grigorieva N.G.
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
Contemporary Russian cinema and its world contexts
Reisen O.K.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
Cinema Policy of Simple Solutions
Zhabsky M.I.
VR Cinema. Virtual Spectacle as a Dream
Novikov V.N.
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam
Milydon V.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.I.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Phenomenon of Political Biopic in the English-Language Cinema
Morozova I.V.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
Screen Image and the System of expressive Means in American Documentary of the 1960s
Kazyutchits M.F.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Primary Cinema Sources of American Noir
Orozbaev K.N.
“New Drama” in the Context of the Historical Film
Kuzmina L.V.
The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century
Smagina S.A.
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Kosinova M.I.
“Moscow text” in Russian cinema in the 1920s-1940s
Boyarshinova N.A.
Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Kosinova M.I.
Both Screenwriter and Director
Zvegintseva I.A.
Screenplay as a Dynamic Process Model
Marievskaya N.Y.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
Way of Genre in Cinema Documentary
Prozhiko G.S.
Cinema and Globalization
Zhabskiy M.I.
Structural Analysis of Film Characters
Boyko M.E.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation
Zhdanova V.A.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Screen Communications As a Form of Socialization and Individualization
Urazova S.L.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films
Lyubovich M.V.
The Problem of Adaptation of Utopias in Russian Cinema
Shesteric O.V.
American Biopic in Contemporary Cinema
Morozova I.V.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
“Provincial” Cinema on Global Orbits
Kirillova N.B.
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.Y.
Censorship Machine in the Soviet Cinema of the 1920s
Nasrtdinova A.R.
Emotional Influence on the Viewer in Contemporary American Cinema
Vital F.Y.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
Cinema in the Phase of Private Interest
Zakharov D.V.
James Mangold is “a jewel of a man” in American Cinema
Zvegintseva I.A.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
Movie Distribution Categories in Russia: Sample of Statistical Analysis
Ivanov O.V., Astakhova N.V., Ivanov D.O.
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.I.
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema
Rostotskaya M.A.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
The Birth of Identity in the Finnish Cinema
Ivannikova C.O.
Time and Essence. Study of Cinema Product Temporal Analysis
Marievskaya N.Y.
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Kazyuchits M.F.
Superhero Cinema Comics: Gender Transposition
Tsyrkun N.A.
Love in the Soviet Qnema as the Stereotype of Gender Relations
Fanina M.A.
Film Studies As a Normative Academic Discipline
Nikitina I.P., Ivin A.A.
Cinema of Arabic East: the Problem of Radical Islam
Shakhov A.S.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
India and England in the Mirror of Screen
Zvegintseva I.A.
On The Matter of Market in Cinema
Zhabskiy M.I.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Individualism as a Cultural Syndrome in Recent American Cinema
Tsyrkun N.A.
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