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Title

Authors

Vol 13, No 2(48), 2021

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 1, 2021

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 10, No 3, 2018

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 1, 2021

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.A.

(Rus)

Vol 13, No 3(49), 2021

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 3(49), 2021

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 7, No 1, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 7, No 2, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3, 2018

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 12, No 2, 2020

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 10, No 4, 2018

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 13, No 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 3, 2018

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 13, No 1, 2021

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 12, No 2, 2020

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 10, No 3, 2018

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.E.

(Rus)

Vol 10, No 3, 2018

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 12, No 3, 2020

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 11, No 1, 2019

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 10, No 2, 2018

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 1, 2019

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 5, No 4, 2013

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 10, No 4, 2018

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 12, No 2, 2020

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 8, No 2, 2016

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 9, No 2, 2017

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 12, No 4, 2020

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

Vol 11, No 2, 2019

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 6, No 3, 2014

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.I.

(Rus)

Vol 7, No 2, 2015

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 12, No 3, 2020

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 11, No 3, 2019

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 3, No 2, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 9, No 4, 2017

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 1, 2019

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 10, No 1, 2018

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 13, No 2(48), 2021

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 3, No 3, 2011

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 3, 2017

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 12, No 3, 2020

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

Vol 5, No 2, 2013

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 4, 2014

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 10, No 1, 2018

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 10, No 4, 2018

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.V.

(Rus)

Vol 12, No 2, 2020

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 6, No 2, 2014

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 9, No 1, 2017

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 10, No 1, 2018

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 4, 2018

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 10, No 4, 2018

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 12, No 4, 2020

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 11, No 3, 2019

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 3, No 1, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 1, 2012

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 6, No 3, 2014

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 12, No 4, 2020

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

Vol 11, No 3, 2019

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 11, No 2, 2019

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.V.

(Rus)

Vol 2, No 3, 2010

Dramatic Peculiarities of Ecological film

Trusevich Y.S.

(Rus)

Vol 2, No 4, 2010

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :.A., Zakrevskaya A.A.

(Rus)

Vol 3, No 3, 2011

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.N.

(Rus)

Vol 3, No 4, 2011

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.A.

(Rus)

Vol 4, No 4, 2012

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.V.

(Rus)

Vol 6, No 1, 2014

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.A.

(Rus)

Vol 6, No 3, 2014

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.Y.

(Rus)

Vol 7, No 2, 2015

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 7, No 1, 2015

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 8, No 1, 2016

American Biopic in Contemporary Cinema

Morozova I.V.

(Rus)

Vol 9, No 2, 2017

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.A.

(Rus)

Vol 9, No 4, 2017

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2, 2018

“New Drama” in the Context of the Historical Film

Kuzmina L.V.

(Rus)

Vol 10, No 2, 2018

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 12, No 1, 2020

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 11, No 3, 2019

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 2, No 2, 2010

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4, 2010

"The Karamazov Brothers" as intellectualgames

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2, 2011

Mythology and Conventions of American Pre-War Cinema

Fomina V.A.

(Rus)

Vol 3, No 4, 2011

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.A.

(Rus)

Vol 5, No 2, 2013

Algeria: Birth of Cinema

Shakhov A.S.

(Rus)

Vol 6, No 1, 2014

Soviet cinema as a state budget’s contributor. Distribution in the 1930s

Kosinova M.I.

(Rus)

Vol 8, No 1, 2016

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 8, No 2, 2016

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1, 2017

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 9, No 4, 2017

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.F.

(Rus)

Vol 9, No 4, 2017

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.N.

(Rus)

Vol 11, No 4, 2019

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Vol 11, No 2, 2019

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 2, No 2, 2010

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4, 2010

A Film Director in Search of the Genre

Maslennikov I.F., Maslennikov I.F.

(Rus)

Vol 4, No 2-3, 2012

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

Vol 5, No 1, 2013

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 3, 2014

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2, 2015

Screen Communications As a Form of Socialization and Individualization

Urazova S.L.

(Rus)

Vol 7, No 4, 2015

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.L.

(Rus)

Vol 7, No 1, 2015

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 4, 2015

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3, 2016

Documentaries, 21st Century: Time to Sum Up

Poznin V.F.

(Rus)

Vol 9, No 1, 2017

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3, 2017

India and England in the Mirror of Screen

Zvegintseva I.A.

(Rus)

Vol 10, No 2, 2018

Financing Cinema Production as a High-Risk Activity

Molchanova N.P.

(Rus)

1 - 100 of 168 Items 1 2 > >>

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