Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
The Price of Going out to the Movies — the History and the Contemporaneousness
Zhabskiy M., Tarasov K.A.
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
From Theory to Methodology of Cinema
Schtein S.Y.
From Theory to Methodology of Cinema
Schtein S.Y.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
The Way of Genre in Cinema Documentary
Prozhiko G.S.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Kosinova M.I.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
Primary Cinema Sources of American Noir
Orozbaev K.N.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema
Chirkina M.
The sound world of the alienated film character
Rusinova E.A.
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.I.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Cinematic media in digital culture
Bakulev G.P.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema
Makarova M.
Cinema in the Phase of Private Interest
Zakharov D.V.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
Techniques for Representing the Author in Alexander Sokurov’s films
Klimenko N.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
Phenomenon of Political Biopic in the English-Language Cinema
Morozova I.V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
Cinema Policy of Simple Solutions
Zhabsky M.I.
Screen Image and the System of expressive Means in American Documentary of the 1960s
Kazyutchits M.F.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
Sound Space of M.Garrone’s Films: from Fiction to Reality
Sorokina J.
The film star — the phenomenon of a parasocial relation
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.V.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.N.
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.A.
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”
Mikheeva Y.V.
“Moscow text” in Russian cinema in the 1920s-1940s
Boyarshinova N.A.
Points of Disequilibrium in Narrative Dynamics and Their Structure
Marievskaya N.Y.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
American Biopic in Contemporary Cinema
Morozova I.V.
Individualism as a Cultural Syndrome in Recent American Cinema
Tsyrkun N.A.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
“New Drama” in the Context of the Historical Film
Kuzmina L.V.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
"The Karamazov Brothers" as intellectualgames
Il'chenko S.N., Ilchenko S.N.
Mythology and Conventions of American Pre-War Cinema
Fomina V.A.
Moral Aspects of Russian PreRevolutionary Cinema
Rostotskaya M.A.
Algeria: Birth of Cinema
Shakhov A.S.
Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Kosinova M.I.
Emotional Influence on the Viewer in Contemporary American Cinema
Vital F.Y.
Structural Analysis of Film Characters
Boyko M.E.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Kazyuchits M.F.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam
Milydon V.
VR Cinema. Virtual Spectacle as a Dream
Novikov V.N.
Russian Cinema for Children and Adolescents. Unsolved Problems
Sidorenko V.I., Sidornko V.I.
A Film Director in Search of the Genre
Maslennikov I.F., Maslennikov I.F.
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»
The Great Kamchatka Expedition
Golovnyov I.A.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
Screen Communications As a Form of Socialization and Individualization
Urazova S.L.
Naomi Kawase: the Eternal and the Transitory
Terakopyan M.L.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.I.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
India and England in the Mirror of Screen
Zvegintseva I.A.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
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