Stopover? Non-fiction movies in the first decade after the millennium
Prozhiko G.S.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Modern social problems in the works of novice documentary filmmakers
Shtandke A.A.
Russian documentary at the turn of the 21st century
Prozhiko G.S.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Cinematic media in digital culture
Bakulev G.P.
Way of Genre in Cinema Documentary
Prozhiko G.S.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Information Requirements of Society and Expressivity of Audiovisual Media
Malkova L.Y.
Ethnographic Cinema: the Image of the Other
Prozhiko G.S.
Reconstruction As a Show In Contemporary Historical TV-research
Ekimova A.V.
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis
Ivannikova K.O.
Naomi Kawase: the Eternal and the Transitory
Terakopyan M.L.
Reconstruction as the Character Depiction Method in Documentary
Troukhina A.V.
Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering
Pronin A.A.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Newsreel: Is Its Revival Possible?
Malkova L.Y.
Kinoteatr.doc in Search of the «Real» Movies
Kuzmina L.V.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
Aesthetic Features of the Modern TV-documentary
Shergova K.A., Shergova K.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Nature of Television as a Source ofDocumentary Genres Features
Shergova K.A.
The Paradoxes of the Thaw Period
Zaitseva L.A.
State backing of non-fiction film
Malkova L.Y.
1 - 28 of 28 Items

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