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Title
Authors
The Way of Genre in Cinema Documentary
Prozhiko G.S.
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
From a Screen Document to a Poetic Image. Making Sense
Prozhiko G.
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture
Krivulya N.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Russian Documentary at the Turn of the 21st Century
Prozhiko G.S.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
The Evolution of the Concept of the Victory in Russian Documentary Cinema
Prozhiko G.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
Stopover? Non-fiction movies in the first decade after the millennium
Prozhiko G.S.
Media Image of the Screen as Representation of Sociocultural Reality
Volkov S.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Reconstruction as the Character Depiction Method in Documentary
Troukhina A.V.
Cinematic media in digital culture
Bakulev G.P.
The Paradoxes of the Thaw Period
Zaitseva L.A.
Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering
Pronin A.A.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
State backing of non-fiction film
Malkova L.Y.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Aesthetic Features of the Modern TV-documentary
Shergova K.A., Shergova K.
Newsreel: Is Its Revival Possible?
Malkova L.Y.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Reconstruction As a Show In Contemporary Historical TV-research
Ekimova A.V.
Kinoteatr.doc in Search of the «Real» Movies
Kuzmina L.V.
Modern Social Problems in the Works of Novice Documentary Filmmakers
Shtandke A.A.
Nature of Television as a Source ofDocumentary Genres Features
Shergova K.A.
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis
Ivannikova K.O.
Information Requirements of Society and Expressivity of Audiovisual Media
Malkova L.Y.
Naomi Kawase: the Eternal and the Transitory
Terakopyan M.L.
Ethnographic Cinema: the Image of the Other
Prozhiko G.S.
1 - 36 of 36 Items

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