Issue Title
Vol 10, No 3 (2018) Stunt trickery as an effective spectacle means of artistic expressiveness
Abstract PDF
(Rus)
Danilov D.I.
Vol 11, No 3 (2019) Methodological aspects of studying the history of Soviet cinema in the 1930s
Abstract PDF
(Rus)
Usuvaliev S.I.
Vol 11, No 1 (2019) The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Abstract PDF
(Rus)
PDF
(Eng)
Rusinova E.A.
Vol 11, No 3 (2019) Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Abstract PDF
(Rus)
Rusinova E.A.
Vol 10, No 1 (2018) The Birth of Cinema in the Russian Empire and Film Censorship
Abstract PDF
(Rus)
Drubek N.
Vol 11, No 3 (2019) Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Abstract PDF
(Rus)
Mikheeva J.V.
Vol 10, No 1 (2018) Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Abstract PDF
(Rus)
Parfentyeva E.N.
Vol 11, No 3 (2019) The film star — the phenomenon of a parasocial relation
Abstract PDF
(Rus)
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
Vol 10, No 3 (2018) Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?
Abstract PDF
(Rus)
Pronin A.A.
Vol 10, No 2 (2018) The Product of Film Industry - a Cultural Good in Commodity Form
Abstract PDF
(Rus)
Zhabsky M.I.
Vol 10, No 1 (2018) Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Abstract PDF
(Rus)
Melekhova X.A.
Vol 10, No 4 (2018) The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Abstract PDF
(Rus)
PDF
(Eng)
PDF
(简体中)
Malyshev V.S.
Vol 11, No 2 (2019) The sound world of the alienated film character
Abstract PDF
(Rus)
Rusinova E.A.
Vol 10, No 3 (2018) Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Abstract PDF
(Rus)
Sergeeva T.S.
Vol 11, No 1 (2019) Cinematic media in digital culture
Abstract PDF
(Rus)
Bakulev G.P.
Vol 11, No 3 (2019) Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Abstract PDF
(Rus)
Kuznetsova M.O.
Vol 6, No 3 (2014) Co-production in Current International Film Industry. Major Trends
Abstract PDF
(Rus)
Chudakova A.V.
Vol 9, No 4 (2017) The Birth of Cinema in the Russian Empire and Film Censorship
Abstract PDF
(Rus)
Drubek N.
Vol 9, No 1 (2017) Cinema and Globalization
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 10, No 1 (2018) The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Abstract PDF
(Rus)
Rusinova E.A., Habchuk E.M.
Vol 9, No 3 (2017) The Aspects of Body in American Film Noir (1941-1955)
Abstract PDF
(Rus)
Orozbaev K.N.
Vol 10, No 2 (2018) Film Art Against Avant-Garde? On the Onthology of Artistic Means
Abstract PDF
(Rus)
Yakimovich A.K.
Vol 7, No 1 (2015) Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Abstract PDF
(Rus)
Mikheyeva Y.V.
Vol 10, No 4 (2018) The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Abstract PDF
(Rus)
Bezenkova M.V.
Vol 10, No 2 (2018) Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia
Abstract PDF
(Rus)
Sidorenko V.I.
Vol 10, No 2 (2018) The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Abstract PDF
(Rus)
Rusinova E.A., Khabchuk E.M.
Vol 4, No 2-3 (2012) Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Abstract PDF
(Rus)
Malyshev V.S.
Vol 8, No 3 (2016) A Criminal as the Main Movie Character, or Old Themes and New Solutions
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 7, No 3 (2015) Branding as a Factor of Competitiveness of the “Lenfilm” Studio
Abstract PDF
(Rus)
Pankratova M.I.
Vol 10, No 2 (2018) Financing Cinema Production as a High-Risk Activity
Abstract PDF
(Rus)
Molchanova N.P.
Vol 4, No 2-3 (2012) Sociocultural Functions of Film Libraries and Archives
Abstract PDF
(Rus)
Malyshev V.S.
Vol 9, No 1 (2017) Music as a Part of the Theatrical Game of the Movie
Abstract PDF
(Rus)
Mikheeva Y.V.
Vol 8, No 2 (2016) Primary Cinema Sources of American Noir
Abstract PDF
(Rus)
Orozbaev K.N.
Vol 10, No 4 (2018) The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Abstract PDF
(Rus)
Mikheeva Y.V.
Vol 5, No 1 (2013) Can “Native” Cinema Be Marketable
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 10, No 2 (2018) Screen Metamorphoses of Ivan Pyryev
Abstract PDF
(Rus)
Kirillova N.B.
Vol 7, No 1 (2015) Movie Distribution Categories in Russia: Sample of Statistical Analysis
Abstract PDF
(Rus)
Ivanov O.V., Astakhova N.V., Ivanov D.O.
Vol 8, No 2 (2016) Structural Analysis of Film Characters
Abstract PDF
(Rus)
Boyko M.E.
Vol 7, No 1 (2015) 1992-2012. Attempts at Privatization of Film Studios
Abstract PDF
(Rus)
Ziborova O.P.
Vol 8, No 2 (2016) Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering
Abstract PDF
(Rus)
Pronin A.A.
Vol 9, No 2 (2017) Music in the Metadigetic Space of the Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
Vol 9, No 1 (2017) Style “Noir” in Classical and Contemporary Art History
Abstract PDF
(Rus)
Orozbaev K.N.
Vol 9, No 2 (2017) Censorship Machine in the Soviet Cinema of the 1920s
Abstract PDF
(Rus)
Nasrtdinova A.R.
Vol 8, No 1 (2016) Lost in Translation: Songs in Foreign Films
Abstract PDF
(Rus)
Parfentyeva Y.N.
Vol 8, No 3 (2016) On The Matter of Market in Cinema
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 4, No 4 (2012) Can “Native” Cinema Be Marketable
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 6, No 1 (2014) On prerequisites for developing artistic time theory
Abstract PDF
(Rus)
Marievskaja N.E.
Vol 10, No 4 (2018) The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century
Abstract PDF
(Rus)
Smagina S.A.
Vol 10, No 3 (2018) Sound as a Sign and Artistic Symbol in Film
Abstract PDF
(Rus)
Rusinova E.A.
Vol 5, No 3 (2013) The Analysis of Artistic Time in the Theory of Film Dramaturgy
Abstract PDF
(Rus)
Marievskaya N.Y.
Vol 11, No 2 (2019) Russian documentary at the turn of the 21st century
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 6, No 2 (2014) Impact of Technology on Screen Aesthetics
Abstract PDF
(Rus)
Poznin V.F.
Vol 1, No 1 (2009) Cinema of Bulgaria at the turn of century
Abstract PDF
(Rus)
Utilov V.A.
Vol 6, No 2 (2014) Cinema Policy of Simple Solutions
Abstract PDF
(Rus)
Zhabsky M.I.
Vol 2, No 2 (2010) Second World War Film Chronicle
Abstract PDF
(Rus)
Prozhiko G.S., Prozhiko G.S.
Vol 5, No 2 (2013) Can “Native” Cinema Be Marketable
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 3, No 1 (2011) Artistic Ambitions of Screen Document at the Turn of the Century
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 3, No 2 (2011) Artistic Ambitions of Screen Document at the Turn of the Century
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 10, No 3 (2018) The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Abstract PDF
(Rus)
Smagina S.A.
Vol 6, No 1 (2014) The Silent Era in Australian Cinema
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 7, No 3 (2015) Visualization Techniques on Business TV
Abstract PDF
(Rus)
Dolgova Y.I.
Vol 9, No 3 (2017) Screen Imagery as Reflected through Mythologems
Abstract PDF
(Rus)
Marusenkov V.V.
Vol 3, No 4 (2011) The factors of competitive ability of national film industries
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 7, No 2 (2015) Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis
Abstract PDF
(Rus)
Ivannikova K.O.
Vol 8, No 4 (2016) Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Abstract PDF
(Rus)
Kropova D.S.
Vol 9, No 3 (2017) Voice in the Metadiegetic Space of the Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
Vol 8, No 3 (2016) Indian Cinema: Past and Present
Abstract PDF
(Rus)
Nefedova D.N.
Vol 7, No 2 (2015) The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Abstract PDF
(Rus)
Kiselev A.O.
Vol 8, No 4 (2016) Destiny of Indian Cinema in Russia
Abstract PDF
(Rus)
Nefedova D.N.
Vol 5, No 2 (2013) Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»
Abstract PDF
(Rus)
Bezenkova M.V.
Vol 7, No 3 (2015) Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect
Abstract PDF
(Rus)
Pronin A.A.
Vol 9, No 3 (2017) Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Abstract PDF
(Rus)
Sputnitskaya N.Y.
Vol 3, No 4 (2011) Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Abstract PDF
(Rus)
Pishita Y.M.
Vol 6, No 3 (2014) Crime Teenpic as a Subgenre of American Cinema
Abstract PDF
(Rus)
Zharikova V.V.
Vol 8, No 3 (2016) Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Abstract PDF
(Rus)
Kazyutchits M.F.
Vol 7, No 2 (2015) From Theory to Methodology of Cinema
Abstract PDF
(Rus)
Schtein S.Y.
Vol 8, No 4 (2016) The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years
Abstract PDF
(Rus)
Sputnitskaya N.Y.
Vol 7, No 3 (2015) Representation of Youth in Soviet Cinema of the 1950s
Abstract PDF
(Rus)
Zharikova V.V.
Vol 9, No 4 (2017) Metaphor in Cinema: Specifics of its Creation and Perception
Abstract PDF
(Rus)
Poznin V.F.
Vol 4, No 2-3 (2012) Cinema and Advertising: Enemies or Allies?
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 6, No 3 (2014) Silence of the Author: Semantics of Muting in Cinema
Abstract PDF
(Rus)
Mikheyeva Y.V.
Vol 8, No 3 (2016) The Influence of the Painting Tradition on Derek Jarman’s Films
Abstract PDF
(Rus)
Denisova I.V.
Vol 7, No 4 (2015) The Theme of Apocalypse in Australian Cinema
Abstract PDF
(Rus)
Zvegintseva I.A.
Vol 5, No 4 (2013) The Images of China on Russian Screen. A Glance from the Audience
Abstract PDF
(Rus)
Andreyev A.L., Andreyev I.A.
Vol 7, No 3 (2015) Evolution of Dramaturgy of Fiction Popular Science Films
Abstract PDF
(Rus)
Kolodinskiy M.N.
Vol 9, No 4 (2017) Film Reconstruction of the Past as a Method of Understanding Reality
Abstract PDF
(Rus)
Marusenkov V.V.
Vol 4, No 1 (2012) The factors of competitive ability of national film industries
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 6, No 3 (2014) Cinematic Nature of English Pre-Raphaelites’ Painting
Abstract PDF
(Rus)
Bernatonite A.V.
Vol 7, No 4 (2015) Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema
Abstract PDF
(Rus)
Ziborova O.P.
Vol 9, No 1 (2017) The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Abstract PDF
(Rus)
Rusinova E.A.
Vol 3, No 2 (2011) The Iranian Cinema of the 20th Century (1900-1980)
Abstract PDF
(Rus)
Mirakhorli A.
Vol 5, No 4 (2013) On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze
Abstract PDF
(Rus)
Marievskaya N.Y.
Vol 8, No 1 (2016) Emotional Influence on the Viewer in Contemporary American Cinema
Abstract PDF
(Rus)
Vital F.Y.
Vol 8, No 2 (2016) Violence in Films: Three Preconditions for the Mimetic Effect
Abstract PDF
(Rus)
Tarasov K.A.
Vol 5, No 1 (2013) State backing of non-fiction film
Abstract PDF
(Rus)
Malkova L.Y.
Vol 11, No 4 (2019) Cooperation between the Russian Animation Industry and Asian Partners
Abstract PDF
(Rus)
Krivulya N.
Vol 7, No 4 (2015) Toward the Sociological Rationalization of State Film Policy
Abstract PDF
(Rus)
Zhabskiy M.I.
Vol 6, No 3 (2014) Theatre and Document: Opposition or Integration?
Abstract PDF
(Rus)
Prozhiko G.S.
Vol 9, No 1 (2017) “Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)
Abstract PDF
(Rus)
Gordin V.E., Elkanova E.M.
Vol 7, No 1 (2015) European Film Avant-Garde: Poetics of Objectiveness
Abstract PDF
(Rus)
Lyubovich M.V.
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