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Issue

Title

Authors

Vol 10, No 3, 2018

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 10, No 3, 2018

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.A.

(Rus)

Vol 13, No 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 4, 2018

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 10, No 3, 2018

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Danilov D.I.

(Rus)

Vol 4, No 2-3, 2012

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.S.

(Rus)

Vol 13, No 1, 2021

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 10, No 3, 2018

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 3(49), 2021

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 11, No 3, 2019

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.I.

(Rus)

Vol 5, No 1, 2013

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 10, No 4, 2018

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 13, No 2(48), 2021

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Kasmynin A.

(Rus)

Vol 4, No 4, 2012

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 12, No 2, 2020

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 4, No 2-3, 2012

Sociocultural Functions of Film Libraries and Archives

Malyshev V.S.

(Rus)

Vol 1, No 1, 2009

Cinema of Bulgaria at the turn of century

Utilov V.A.

(Rus)

Vol 5, No 3, 2013

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.Y.

(Rus)

Vol 10, No 3, 2018

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 12, No 3, 2020

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 2, No 2, 2010

Second World War Film Chronicle

Prozhiko G.S., Prozhiko G.S.

(Rus)

Vol 5, No 2, 2013

Can “Native” Cinema Be Marketable

Zhabskiy M.I.

(Rus)

Vol 6, No 3, 2014

Co-production in Current International Film Industry. Major Trends

Chudakova A.V.

(Rus)

Vol 9, No 3, 2017

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.N.

(Rus)

Vol 7, No 1, 2015

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 3, No 1, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 13, No 3(49), 2021

The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries

Koneva M.

(Rus)

Vol 3, No 2, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 10, No 1, 2018

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 12, No 4, 2020

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

Vol 12, No 3, 2020

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

Vol 3, No 3, 2011

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 5, No 4, 2013

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 7, No 3, 2015

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Pankratova M.I.

(Rus)

Vol 8, No 1, 2016

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.N.

(Rus)

Vol 8, No 2, 2016

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 9, No 1, 2017

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.V.

(Rus)

Vol 10, No 1, 2018

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 2, 2018

The Product of Film Industry - a Cultural Good in Commodity Form

Zhabsky M.I.

(Rus)

Vol 12, No 4, 2020

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 3, 2020

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 11, No 3, 2019

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.A.

(Rus)

Vol 5, No 2, 2013

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.V.

(Rus)

Vol 8, No 3, 2016

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 13, No 2(48), 2021

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Danilov D.

(Rus)

Vol 12, No 3, 2020

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

Vol 11, No 1, 2019

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 3, No 4, 2011

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 1, 2013

State backing of non-fiction film

Malkova L.Y.

(Rus)

Vol 7, No 1, 2015

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O.V., Astakhova N.V., Ivanov D.O.

(Rus)

Vol 8, No 3, 2016

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.A.

(Rus)

Vol 9, No 1, 2017

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.N.

(Rus)

Vol 9, No 1, 2017

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 13, No 2(48), 2021

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

Vol 11, No 4, 2019

Cooperation between the Russian Animation Industry and Asian Partners

Krivulya N.

(Rus)

Vol 11, No 2, 2019

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 1, No 1, 2009

Historical time in a film structure

Marievskaya N.E.

(Rus)

Vol 5, No 4, 2013

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A.L., Andreyev I.A.

(Rus)

Vol 7, No 1, 2015

1992-2012. Attempts at Privatization of Film Studios

Ziborova O.P.

(Rus)

Vol 3, No 2, 2011

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 4, 2011

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.M.

(Rus)

Vol 5, No 4, 2013

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.Y.

(Rus)

Vol 9, No 2, 2017

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 4, 2017

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 3, 2019

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.V.

(Rus)

Vol 2, No 1, 2010

Remakes. The Artistic and Aesthetic Principles

Primakova N.V., Primakova N.V.

(Rus)

Vol 4, No 2-3, 2012

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.A.

(Rus)

Vol 9, No 2, 2017

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.R.

(Rus)

Vol 10, No 1, 2018

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 13, No 1, 2021

Folklore Traditions of the Sverdlovsk Animation School

Tomilov Y.

(Rus)

Vol 2, No 1, 2010

Historical time in a film structure(end, beginning in № 1)

Marievskaya N.E., Marievskaya N.

(Rus)

Vol 4, No 1, 2012

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 8, No 2, 2016

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Pronin A.A.

(Rus)

Vol 8, No 2, 2016

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 10, No 1, 2018

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 10, No 4, 2018

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 13, No 2(48), 2021

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

Vol 13, No 1, 2021

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 11, No 3, 2019

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 5, No 3, 2013

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.I.

(Rus)

Vol 2, No 2, 2010

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4, 2010

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 4, No 2-3, 2012

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1, 2013

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.V.

(Rus)

Vol 6, No 2, 2014

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4, 2015

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 3, 2017

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 2, No 2, 2010

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2, 2010

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4, 2010

The Pattern of Box-Office Receits

Pigorev D.P., Pigorev D.P.

(Rus)

Vol 3, No 4, 2011

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.P.

(Rus)

Vol 6, No 1, 2014

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3, 2014

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4, 2015

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 7, No 3, 2015

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.A.

(Rus)

Vol 9, No 1, 2017

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 1, 2017

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3, 2017

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.Y.

(Rus)

Vol 10, No 2, 2018

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

Vol 12, No 1, 2020

Modern Social Problems in the Works of Novice Documentary Filmmakers

Shtandke A.A.

(Rus)

1 - 100 of 169 Items 1 2 > >>

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