Issue
Title
Authors
Stunt trickery as an effective spectacle means of artistic expressiveness
Danilov D.I.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
The film star — the phenomenon of a parasocial relation
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
The Product of Film Industry - a Cultural Good in Commodity Form
Zhabsky M.I.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?
Pronin A.A.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
The sound world of the alienated film character
Rusinova E.A.
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Kuznetsova M.O.
Cinematic media in digital culture
Bakulev G.P.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
The Aspects of Body in American Film Noir (1941-1955)
Orozbaev K.N.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
Co-production in Current International Film Industry. Major Trends
Chudakova A.V.
Stopover? Non-fiction movies in the first decade after the millennium
Prozhiko G.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Cinema and Globalization
Zhabskiy M.I.
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.S.
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia
Sidorenko V.I.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
Structural Analysis of Film Characters
Boyko M.E.
1992-2012. Attempts at Privatization of Film Studios
Ziborova O.P.
Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering
Pronin A.A.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
Style “Noir” in Classical and Contemporary Art History
Orozbaev K.N.
Censorship Machine in the Soviet Cinema of the 1920s
Nasrtdinova A.R.
Lost in Translation: Songs in Foreign Films
Parfentyeva Y.N.
On The Matter of Market in Cinema
Zhabskiy M.I.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
A Criminal as the Main Movie Character, or Old Themes and New Solutions
Zvegintseva I.A.
Branding as a Factor of Competitiveness of the “Lenfilm” Studio
Pankratova M.I.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
Sociocultural Functions of Film Libraries and Archives
Malyshev V.S.
Modern social problems in the works of novice documentary filmmakers
Shtandke A.A.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Primary Cinema Sources of American Noir
Orozbaev K.N.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
Movie Distribution Categories in Russia: Sample of Statistical Analysis
Ivanov O.V., Astakhova N.V., Ivanov D.O.
Cinema of Bulgaria at the turn of century
Utilov V.A.
Cinema Policy of Simple Solutions
Zhabsky M.I.
Second World War Film Chronicle
Prozhiko G.S., Prozhiko G.S.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
The Silent Era in Australian Cinema
Zvegintseva I.A.
On prerequisites for developing artistic time theory
Marievskaja N.E.
The Influence of Frank Wedekind’s Work on the German Cinema of the Early XX Century
Smagina S.A.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
The Analysis of Artistic Time in the Theory of Film Dramaturgy
Marievskaya N.Y.
Russian documentary at the turn of the 21st century
Prozhiko G.S.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.I.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)
Gordin V.E., Elkanova E.M.
European Film Avant-Garde: Poetics of Objectiveness
Lyubovich M.V.
Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)
Kosinova M.I.
The Birth of Identity in the Finnish Cinema
Ivannikova C.O.
Character’s Imagery in Russian Animation of 1990s
Prikhod’ko V.V.
Remakes. The Artistic and Aesthetic Principles
Primakova N.V., Primakova N.V.
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood
Pishita Y.M.
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Kosinova M.I.
Historical time in a film structure
Marievskaya N.E.
Strategies of Audiovisual Translation
Bakulev G.P.
«Pulsating Organizations» in Culture
Gordin V.E., Elkanova E.M.
Historical time in a film structure(end, beginning in № 1)
Marievskaya N.E., Marievskaya N.
From Theory to Methodology of Cinema
Schtein S.Y.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV
Malkova L.Y.
Two Peoples, Two Worlds
Zvegintseva I.A.
Visualization Techniques on Business TV
Dolgova Y.I.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
The factors of competitive ability of national film industries
Zhabskiy M.I.
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis
Ivannikova K.O.
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Kropova D.S.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
Indian Cinema: Past and Present
Nefedova D.N.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»
Bezenkova M.V.
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect
Pronin A.A.
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Sputnitskaya N.Y.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.M.
Crime Teenpic as a Subgenre of American Cinema
Zharikova V.V.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
From Theory to Methodology of Cinema
Schtein S.Y.
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years
Sputnitskaya N.Y.
Representation of Youth in Soviet Cinema of the 1950s
Zharikova V.V.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
1 - 100 of 151 Items 1 2 > >> 

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