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Title
Authors
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Structural Analysis of Film Characters
Boyko M.E.
On The Matter of Market in Cinema
Zhabskiy M.I.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.V.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.V.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice
Burov A.M.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
1 - 17 of 17 Items

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