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Title
Authors
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia
Sidorenko V.I.
Branding as a Factor of Competitiveness of the “Lenfilm” Studio
Pankratova M.I.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
On The Matter of Market in Cinema
Zhabskiy M.I.
The Iranian Cinema of the 20th Century (1900-1980)
Mirakhorli A.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Remakes. The Artistic and Aesthetic Principles
Primakova N.V., Primakova N.V.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
The Search for Visual
Yeliseyeva Y.A.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
Choice of profession: the bases of producer's workmanship
Chigevskaya O.A.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years
Sputnitskaya N.Y.
1 - 17 of 17 Items

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