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Title
Authors
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
Contemporary Russian cinema and its world contexts
Reisen O.K.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
Russian Documentary at the Turn of the 21st Century
Prozhiko G.S.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Mediatext Language Practices as a Factor in Representation of Reality
Kirillova N.B.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.V.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Historical Potential of Newsreel and Its Interpretation
Belyakov V.K.
The Peculiarities of Modern Television Speech
Gegelova N.S.
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema
Klyueva L.B., Kljueva L.B.
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema
Kljueva L.B.
Language, Speech and Image in Analysing Artistic Forms
Mikheyeva Y.V.
Contemporary Russian Cinema and Its World Contexts
Reisen O.K.
Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema
Reizen O.K.
The Reflection of Ethno-Cultural Stereotypes in Film Art
Monakhova M.O.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.V.
1 - 24 of 24 Items

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