Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Cinema Magic: Mask and Myth
Kirillova N.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Riddle as a Structural Element of the Quest Genre
Yankovskiy A.N.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
From Greek Tragedy To Opera-Film
Kropova D.S.
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Kropova D.S.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Camp Aesthetics and Movie Mix
Tsyrkun N.A.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.G.
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s
Apostolov A.I., Apostolov A.I.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
The Significance of Myth in the Work of Andrey Zvyagintsev
Kljueva L.B.
1 - 16 of 16 Items

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