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Issue
Title
Authors
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Techniques for compositional filling the space of a television frame
Shabalin V.V.
To the problem of correlation between a screen adaptation and its literary source
Simonova S.A.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.V.
Visual Picture of the World in the Reflection of Modern Media
Utilova N.I.
A screen version of the story of Salinger translated into Farsi
Grigoreva N.G.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
Dynamics of Opera Screen Forms: Theoretical Aspects
Masyandjinova A.V.
From a Screen Document to a Poetic Image. Making Sense
Prozhiko G.
The image of prince Myshkin in Russian cinema
Ryabokon’ A.V.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
Screen image. Aftereffect
Poznin V.F.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Sputnitskaya N.Y.
Cinema Magic: Mask and Myth
Kirillova N.
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy
Khrenov N.A.
Screen Communications As a Form of Socialization and Individualization
Urazova S.L.
Media Concentration as the Structuring Process of Screen Communications
Urazova S.L.
Multivariance of Reality in the Digital Paradigm
Urazova S.L.
Screen reality in the context media milieu modernization
Urazova S.L., Urazova S.L.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
TV- Show: From the Audience Habits To Principles of Dramaturgy
Kemarskaya I.N.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.N.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy
Klyueva L.B., Kluyeva L.B.
«The White Guard» on TV: fascinated by masscult mythology
Ilchenko S.N.
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.A.
The Existential World of Kira Muratova
Kirillova N.
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V.N., Turitsyn V.N.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov
Khrenov N.A.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.N.
Folklore Traditions of the Sverdlovsk Animation School
Tomilov Y.
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road»
Sibirtseva Y.I.
Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization
Yermilova N.B.
TV Dramaturgy: Format Approach
Kemarskaya I.N.
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream
Sputnitskaya N.Y.
Media Image of the Screen as Representation of Sociocultural Reality
Volkov S.
Visual picture of the world in the reflection of modern media
Utilova N.I.
Real Television as a Factor of Socio- Cultural Globalization
Urazova S.L.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.Y.
Desktop Films. To Read or to Watch?
Novikov V.N.
Way of Genre in Cinema Documentary
Prozhiko G.S.
Screenlife vs. Classic Cinema
Shimokhin B.
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.V.
Maupassant's "Boule de Suif" in Soviet Translation
Rostotskaya M.A.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
Split Screen as a Method of Film Editing
Shabalin V.V.
Mediatext Language Practices as a Factor in Representation of Reality
Kirillova N.B.
1 - 58 of 58 Items

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