“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Russian Сinema: Modest Charm of a Hollow Character?
Maryevskaya N.E.
Historical time and the image of the house in A. Sokurov’s work
Klimenko N.V.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
Techniques for compositional filling the space of a television frame
Shabalin V.V.
The Media Image as a Motivator for the Humanization of Society
Vazhenina O.A.
Visual Picture of the World in the Reflection of Modern Media
Utilova N.I.
Visual picture of the world in the reflection of modern media
Utilova N.I.
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film
Marievskaya N.
Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy
Kozlova S.S.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
Collage Methods in Russian Animation Under Market Conditions
Trapeznikova Y.V.
Stylistic Features Of Russian Arthouse
Poznin V.F.
The Moral Law of Love Conservation
Barabash N.A.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
The Search for Visual
Yeliseyeva Y.A.
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound
Mikheeva Y.V.
Space in Art and Cinema
Sedlovskiy A.A.
Film as Text. Some Aspects of Text Analysis
Kluyeva L.B.
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.A.
Hoffmann’s Dual World in “Hoffmaniada”
Trapeznikova Y.V.
A Competitive Model of Commercial TV Broadcasting
Urazova S.L.
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound
Mikheeva Y.V.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
The Image of Home in Cinema
Reizen O.K.
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting
Fomina V.A.
The Unknown Cinema of the War and Victory
Grashchenkova I.N., Grashchenkova I.N.
Magic Realism of André Delvaux
Zakrevskaya A.A.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Peculiarities of flash Animation
Trapeznikova Y.V.
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
Artistic Space as a Modern Aesthetical Category
Nikitina I.P.
Modern Visual Culture: Psychological Space and Time in the Movies
Kosenkova N.G., Kosenkova N.
The Problem Field of Modern Information Space
Malyshev A.V.
1 - 38 of 38 Items

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