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Issue
Title
Authors
From a Screen Document to a Poetic Image. Making Sense
Prozhiko G.
Way of Genre in Cinema Documentary
Prozhiko G.S.
«Pulsating Organizations» in Culture
Gordin V.E., Elkanova E.M.
Compensatory Happy Ending as a Typological Group of a Film Finale
Shevtsov V.A.
The Analysis of Artistic Time in the Theory of Film Dramaturgy
Marievskaya N.Y.
Collage Methods in Russian Animation Under Market Conditions
Trapeznikova Y.V.
TV Dramaturgy: Format Approach
Kemarskaya I.N.
Countercommunicative Mechanisms in the Artistic Practice of Cinema
Klyueva L.B.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)
Gordin V.E., Elkanova E.M.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Cliplike Montage and Illusory World
Utilova N.I.
The Role of the Information Space in the Culture of the Young Generation
Malyshev A.V.
Representation and Reconstruction of the Time in Non-Fiction Films
Razgon L.N.
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze
Marievskaya N.Y.
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films
Kljueva L.B.
Color and Sound in Balzac's Novels
Anosova N.A., Anosovа N.A.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
1 - 18 of 18 Items

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