Dynamics of Opera Screen Forms: Theoretical Aspects

Abstract

The article investigates the development of screen opera, touching upon the incompleteness of the evolution of opera screen forms, the convergence of screen culture and classical opera as well as the growing influence of screen art-forms on the opera which cannot exist without video technologies today.

About the authors

Alexandra Vadimovna Masyandjinova

VGIK

Author for correspondence.
Email: alme8030@gmail.com

PhD in Cultural Studies

References

  1. Citron M. J. Opera on screen. - Yale University Press, New Haven and London, 2000.
  2. Citron M. J. When opera meets film. - Cambridge University Press, 2010.
  3. Jampol J. Living opera. - Oxford University Press, 2010.
  4. Jeal E. Movies go to the opera // Opera, november. - 2005. - Volume 56. - No 11. - P 1308-1313.
  5. Манович Л. Новые медиа от Борхеса до HTML (пер. с англ. Т. Федоровой) // Экранная культура. Теоретические проблемы: сб. статей/ отв. ред. К.Э. Разлогов - СПб., 2012. - 752 с.
  6. Мариевская Н.Е. Историческое время в структуре фильма // Вестник ВГИК, ноябрь. - 2009. - № 1. - С. 10-25.

Statistics

Views

Abstract: 94

PDF (Russian): 74

Dimensions

Article Metrics

Metrics Loading ...

PlumX

Refbacks

  • There are currently no refbacks.

Copyright (c) 2014 Masyandjinova A.V.



This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies