Vol 2, No 1 (2010)

ХРОНИКА В ДЕТАЛЯХ | ВЫСОКИЕ ТЕХНОЛОГИИ
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Abstract
The rapidly developing interactive digital technologies in the field of sharper TV pictures and modern displays are actively invading the socio-cultural space, opening a new era of information visualization, as well as affecting the model of the society functioning. They also increase the economic effect. The article is devoted to the development of «outside» television and «outside» day cinema, digital technologies that form a special kind of screen culture due to video information system screens that are fixed both in open space of cities and settlements and in the interiors of the crowded buildings
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):4-10
views
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
Historical time in a film structure(end, beginning in № 1)
Marievskaya N.E., Marievskaya N.
Abstract
Time is the main expressive means of cinema. Any film is a dynamic spiritual form of time. No film is free from historical time. The article investigates the different forms that historical time takes in a work of film art as an artistic whole and analyses the relationship between historical time with the lyrical time of the character and the mythological time of the film. The problem of "period film" and historical stylization is also analysed
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):12-26
views
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V.N., Turitsyn V.N.
Abstract
Since the French "nouvelle vague" of the late 1950s the world cinema has experienced a succession of "waves" which first rolled around some European countries and by blowing up cinematic traditions to this or that extent, led to the birth of the so-called "new cinema" (e.g. in Czechoslovakia or in Germany in the 1960s - 1970s). In Finland the similar process in its local variant occurred in the 1980s. For the most part it was connected with the Kaurismaki brothers' films, primarily with the works of the younger brother, Aki. By the early 1990s he became one of the renowned masters of not only Finnish but the "new European cinema". This article doesn't aspire to give a full detailed analysis of Aki Kaurismaki's film career. Instead, by concentrating on two "polar" films made by this original director, it presents an attempt to line out the range of his creative work and some characteristics of his poetics
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):27-40
views
FILM LANGUAGE AND TIME | IMAGE GENESIS
Remakes. The Artistic and Aesthetic Principles
Primakova N.V., Primakova N.V.
Abstract
In the article the author defines the concept "remake" using such films as «Once Again about Love», «The Sky. The Plane. The Girl», etc. as examples. The purpose of the work is to give a comparative analysis (both formal and sociological) of the films, to underline the autonomy of the new productions connected with the present cultural situation and to reveal the possibilities of the remake.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):42-56
views
Aesthetic Features of the Modern TV-documentary
Shergova K.A., Shergova K.
Abstract
The author of the article investigates the aesthetic lines of the generalized image of modern TV documentaries, such as commercialized "kitsch" and "trash", and finds the preconditions for them in the mode of production adopted in modern Russia's television.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):57-64
views
ORIGINAL SOURCE | DRAMATURGY OF GENRE
Color and Sound in Balzac's Novels
Anosova N.A., Anosovа N.A.
Abstract
This paper analyzes the dramatic color of Honore de Balzac's novels "Shagreen" (1831) and "Father Goriot" (1834). Using symbolic colors, different color details and motives, color and light accents, decoloration Balzac creates dramatic contrasts, transforms the time, reveals the inner state of the characters. The writer's works are the result of the brilliant application of the reflex theory to literature suggested by Eugene Delacroix, a painter and Balzac's contemporary. Artistic intensity and the diversity of color elements in Balzac's novels are one of the vivid steps on the way to the chromatic and not just color cinema as Eisenstein wrote. The correlation of prose and film was one of the main subjects of Nina Anosova's research. A talented literary and film scholar and teacher, a Moscow Institute of Philosophy, Literature and Histroy Institute (IFLI) graduate, she spent over 55 years teaching at VGIK. Such prominent filmmakers as Marlene Khutsiev, Andrei Tarkovsky, Vasily Shukshin, Gennady Shpalikov, Yuri Arabov, Karen Shakhnazarov, Vadim Abdrashitov, Sergey Loznitsa, etc. were among her pupils. The students and graduates of the Institute of Cinematography constantly turn to her works, learning real (deep) analysis and understanding of literature and art.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):66-83
views
READING-ROOM | BOOK SHELF
ChITAL'NYY ZAL/ KNIZhNAYa POLKA
- -.
Abstract
Фонд учебной библиотеки постоянно пополняется. Наибольшим спросом пользуются книги, способствующие интенсивному образовательному процессу. В 2009 году университетом были выпущены издания, посвященные как 90-летней истории ВГИКа, так и различным аспектам совершенствования профессионального мастерства в различных сферах кинопроизводства.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):84-84
views
PERFORMANCE | ART OF PRESENTATION
When the Time Stops
Chizhevskaya O.A., Chigevskaja O.
Abstract

This publication contains fragments of the interview with Oleg Negin, a screenwriter, the co-author of "The Banishment" directed by Andrey Zvyagintsev. The full text will be published in the collected articles «Andrey Zvyagintsev's Cinema». The interview with Oleg explores the main stages of a creative process: the emerging of the idea (a mysterious and intimate period in the life of an artist), its realization in the script "The Banishment", the collaboration with the director A. Zvyagintsev, the production of the film. Special attention is paid to the evaluation of the result and the acquired experience

Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):86-92
views
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY
Films about filmmaking. Reality and game
Perel'shteyn R.M., Perelshtein R.M.
Abstract
«For acting trade talking of reality and game as living strategies is essential. While the former implies the idea of "face", the latter gives us the notion of "mask". In various films about filmmaking, such as F. Fellini's "8 1/2", "Everything For Sale" by A. Wajda, "American Night" by F. Truffaud, "The Voice" by I. Averbach, the collision between reality and game becomes crucial. When an actor put on his mask, he needs a mirror that isn't false, which means indifferent, but is true, revealing the face behind the mask affectionately. And a spectator becomes such a mirror».
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):94-103
views
ЧИТАЛЬНЫЙ ЗАЛ | КНИЖНАЯ ПОЛКА
ChITAL'NYY ZAL/ KNIZhNAYa POLKA
- -.
Abstract
Фонд учебной библиотеки постоянно пополняется. Наибольшим спросом пользуются книги, способствующие интенсивному образовательному процессу. В 2009 году университетом были выпущены издания, посвященные как 90-летней истории ВГИКа, так и различным аспектам совершенствования профессионального мастерства в различных сферах кинопроизводства.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):104-104
views
WORLD CINEMA | ANALYSIS
Swedish Cinematograph at the beginning of the XXI century. The problem of national style
Koblenkova D.V., Koblenkova D.V.
Abstract
This article explores the major tendencies of Swedish Cinematography at the beginning of the XXI century. It focuses on analyzing the peculiarities in the Swedish film genre, which was formed during the silent cinema era, however remained dominant until recently. The peculiarities in contemporary Swedish drama are considered to be an original synthesis of two contradictory tendencies of the 1950s and '60s: these are represented by the psycho-philosophical films by I. Bergman and the Socialogical films by B.Viderberg. The article gives a list of key topics in modern films and outlines the peculiarities of their given genres
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):106-118
views
FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS
The mediabrend is urgency of the development in new economicalconditions
Yakusheva V.V., Yakusheva V.
Abstract
The article analyzes the main trends of the development of Russia's television during the financial crisis. The structure of broadcasting is shown in terms of branding and a unique method of developing a television brand is suggested. The author considers this technology as one of the strategic measures, maintaining a stable position on the media market. The article analyses the television brand "What? Were? When?», because this program is very famous in the cognitive-game content. The practical application of the technology of forming a television brand is illustrated on the stage of creative development.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):120-129
views
SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH
Digital Technologies in Cinema
Artemov V.V., Artemov V.
Abstract
The article is devoted to certain tendencies of digital cinema development. It contains the comparison of tape and modern devices based on Panasonic cameras digital technology. Features of different digital recording formats and AVC-Intra codec application are being described.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):132-138
views
WORKSHOP | LESSONS OF EXCELLENCE
History of the Portrait
Trankvillitskiy Y.N., Trankvillitsky Y.
Abstract
This article is a fragment of the book "The Symphony of Light and Shadows. The Way to Higher Photographic Skills", which is being prepared for publication. It analyzes one of the most difficult aspects of fine art-work on the portrait of a man
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):140-153
views
RECOMMENDATIONS AUTHORS
REKOMENDATsII AVTORAM
- -.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2010;2(1):158-160
views

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies