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Title

Authors

Vol 11, No 1 (2019)

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 12, No 2 (2020)

Modern Art History As a Human Science in a Situation of Cultural Turn

KHrenov N.

(Rus)

Vol 10, No 1 (2018)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 11, No 3 (2019)

Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category

Nikitina I.P.

(Rus)

Vol 10, No 4 (2018)

The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines

Nikitina I.P.

(Rus)

Vol 12, No 1 (2020)

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 12, No 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 11, No 4 (2019)

Modern Art History As a Human Science in a Situation of Cultural Turn

Khrenov N.

(Rus)

Vol 11, No 2 (2019)

The environment of the cinematic spectacle. The architecture of the early Russian movie theaters

Anisimov A.V.

(Rus)

Vol 10, No 1 (2018)

Maurice Maeterlinck’s Philosophy of Art

Mankovskaya N.B.

(Rus)

Vol 10, No 4 (2018)

Composition as a Method of Communication in the Teaching of Fine Arts

Sveshnikov A.V.

(Rus)

Vol 10, No 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

Vol 11, No 1 (2019)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.S.

(Rus)

Vol 11, No 2 (2019)

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 11, No 3 (2019)

The story of one crime: in life, in literature and in cinema

Zvegintseva I.A.

(Rus)

Vol 12, No 4 (2020)

A Character in the Space of Leisure. An Essay on Dramatic Composition of Film

Marievskaya N.

(Rus)

Vol 12, No 3 (2020)

Is Aesthetics a Metatheory in Relation to Art Criticism?

Nikitina I.

(Rus)

Vol 6, No 4 (2014)

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.D.

(Rus)

Vol 7, No 2 (2015)

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 7, No 1 (2015)

The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art

Stroeva O.V.

(Rus)

Vol 7, No 3 (2015)

Video Aesthetics in Cinema and Video Art

Smolev D.D.

(Rus)

Vol 10, No 3 (2018)

Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 6, No 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 8, No 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 8, No 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Nikitina I.P.

(Rus)

Vol 6, No 4 (2014)

The Art of Opera: Variability of Artistic Languages of Screen Forms

Mesyanzhinova A.V.

(Rus)

Vol 8, No 3 (2016)

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

Vol 7, No 2 (2015)

L.S. Vygotsky On Psychological Properties of Art Form Organization

Sveshnikov A.V.

(Rus)

Vol 8, No 2 (2016)

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 5, No 1 (2013)

Art and politics

Nikitina I.P.

(Rus)

Vol 8, No 2 (2016)

Animated Poster: Its Origins, Specificity and Peculiarity

Krivulya N.G.

(Rus)

Vol 9, No 1 (2017)

Innovations in the Financial Regulation of Culture and Art Institutions

Molchanov I.N.

(Rus)

Vol 2, No 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 8, No 4 (2016)

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

Vol 6, No 3 (2014)

Creative Thinking as a Prelude to Creativity in Producing a Screen Product

Urazova S.L.

(Rus)

Vol 7, No 3 (2015)

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.D.

(Rus)

Vol 9, No 1 (2017)

The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema

Arysheva A.S.

(Rus)

Vol 6, No 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 3 (2015)

Functional Duality of Cinema

Ushkarev A.A.

(Rus)

Vol 9, No 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 6, No 3 (2014)

Artistic Thinking as a Characteristic Property of Creative Intellect

Andreyev A.L.

(Rus)

Vol 8, No 1 (2016)

Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems

Molchanov I.N.

(Rus)

Vol 1, No 1 (2009)

The creative work of Sergey Paradzhanov as an event of Postmodernism

Lukashova A.G.

(Rus)

Vol 8, No 2 (2016)

Development of the Financial Relations in the Cultural Sphere

Molchanov I.N.

(Rus)

Vol 4, No 2-3 (2012)

Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»

(Rus)

Vol 1, No 1 (2009)

Postmodernism as Myths Generating Practice

Mankovskaya N.B.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E.A., Klopotovskaya Y.A.

(Rus)

Vol 4, No 2-3 (2012)

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 2, No 1 (2010)

History of the Portrait

Trankvillitskiy Y.N., Trankvillitsky Y.

(Rus)

Vol 2, No 3 (2010)

Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)

Klopotovskaya Y.A.

(Rus)

Vol 5, No 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 2, No 3 (2010)

Early Antique Imagery

Burov A.M.

(Rus)

Vol 5, No 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 2, No 4 (2010)

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S.L., Urazova S.L.

(Rus)

Vol 3, No 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 3, No 2 (2011)

Still Life in the Space of the Film

Gvozdeva Y.V.

(Rus)

1 - 60 of 60 Items

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