Issue
Title
Authors
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters
Anisimov A.V.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
Stylistic Features Of Russian Arthouse
Poznin V.F.
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art
Stroeva O.V.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
Composition as a Method of Communication in the Teaching of Fine Arts
Sveshnikov A.V.
Way of Genre in Cinema Documentary
Prozhiko G.S.
Impact of Technology on Screen Aesthetics
Poznin V.F.
On The Matter of Market in Cinema
Zhabskiy M.I.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.V.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.V.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Sveshnikov A.V.
L.S. Vygotsky On Psychological Properties of Art Form Organization
Sveshnikov A.V.
Structural Analysis of Film Characters
Boyko M.E.
Art and politics
Nikitina I.P.
Animated Poster: Its Origins, Specificity and Peculiarity
Krivulya N.G.
Innovations in the Financial Regulation of Culture and Art Institutions
Molchanov I.N.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Sveshnikov A.V.
Creative Thinking as a Prelude to Creativity in Producing a Screen Product
Urazova S.L.
Video Art: Significant Absence of Editing as an Artistic Tool
Staruseva-Persheyeva A.D.
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Arysheva A.S.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
Functional Duality of Cinema
Ushkarev A.A.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Artistic Thinking as a Characteristic Property of Creative Intellect
Andreyev A.L.
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems
Molchanov I.N.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.G.
Development of the Financial Relations in the Cultural Sphere
Molchanov I.N.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.V.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
History of the Portrait
Trankvillitskiy Y.N., Trankvillitsky Y.
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)
Klopotovskaya Y.A.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
Early Antique Imagery
Burov A.M.
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice
Burov A.M.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
Still Life in the Space of the Film
Gvozdeva Y.V.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
1 - 56 of 56 Items

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