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Title
Authors
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
The Way of Genre in Cinema Documentary
Prozhiko G.S.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Art and politics
Nikitina I.P.
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.G.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art
Stroeva O.V.
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film
Marievskaya N.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
Composition as a Method of Communication in the Teaching of Fine Arts
Sveshnikov A.V.
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters
Anisimov A.V.
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems
Molchanov I.N.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Sveshnikov A.V.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.V.
Development of the Financial Relations in the Cultural Sphere
Molchanov I.N.
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Arysheva A.S.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice
Burov A.M.
L.S. Vygotsky On Psychological Properties of Art Form Organization
Sveshnikov A.V.
On The Matter of Market in Cinema
Zhabskiy M.I.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
Still Life in the Space of the Film
Gvozdeva Y.V.
Creative Thinking as a Prelude to Creativity in Producing a Screen Product
Urazova S.L.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.V.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Sveshnikov A.V.
History of the Portrait
Trankvillitskiy Y.N., Trankvillitsky Y.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.V.
Artistic Thinking as a Characteristic Property of Creative Intellect
Andreyev A.L.
Structural Analysis of Film Characters
Boyko M.E.
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)
Klopotovskaya Y.A.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Video Art: Significant Absence of Editing as an Artistic Tool
Staruseva-Persheyeva A.D.
Animated Poster: Its Origins, Specificity and Peculiarity
Krivulya N.G.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Early Antique Imagery
Burov A.M.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Functional Duality of Cinema
Ushkarev A.A.
Innovations in the Financial Regulation of Culture and Art Institutions
Molchanov I.N.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
1 - 60 of 60 Items

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