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Title

Authors

Vol 10, No 4, 2018

The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines

Nikitina I.P.

(Rus)

Vol 13, No 3(49), 2021

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 13, No 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 11, No 1, 2019

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 12, No 3, 2020

Is Aesthetics a Metatheory in Relation to Art Criticism?

Nikitina I.

(Rus)

Vol 12, No 2, 2020

Modern Art History As a Human Science in a Situation of Cultural Turn

KHrenov N.

(Rus)

Vol 10, No 3, 2018

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 11, No 3, 2019

Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category

Nikitina I.P.

(Rus)

Vol 10, No 1, 2018

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

Vol 11, No 4, 2019

Modern Art History As a Human Science in a Situation of Cultural Turn

Khrenov N.

(Rus)

Vol 2, No 2, 2010

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 7, No 2, 2015

Stylistic Features Of Russian Arthouse

Poznin V.F.

(Rus)

Vol 10, No 1, 2018

Maurice Maeterlinck’s Philosophy of Art

Mankovskaya N.B.

(Rus)

Vol 7, No 1, 2015

The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art

Stroeva O.V.

(Rus)

Vol 12, No 4, 2020

A Character in the Space of Leisure. An Essay on Dramatic Composition of Film

Marievskaya N.

(Rus)

Vol 7, No 3, 2015

Video Aesthetics in Cinema and Video Art

Smolev D.D.

(Rus)

Vol 4, No 2-3, 2012

The Role of Memory in the Perception of the Screen Image

Nikitina I.P.

(Rus)

Vol 10, No 4, 2018

Composition as a Method of Communication in the Teaching of Fine Arts

Sveshnikov A.V.

(Rus)

Vol 12, No 1, 2020

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 2, No 4, 2010

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 5, No 1, 2013

Art and politics

Nikitina I.P.

(Rus)

Vol 6, No 4, 2014

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.D.

(Rus)

Vol 12, No 2, 2020

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 1, No 1, 2009

The creative work of Sergey Paradzhanov as an event of Postmodernism

Lukashova A.G.

(Rus)

Vol 1, No 1, 2009

Postmodernism as Myths Generating Practice

Mankovskaya N.B.

(Rus)

Vol 3, No 1, 2011

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 5, No 3, 2013

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 7, No 2, 2015

L.S. Vygotsky On Psychological Properties of Art Form Organization

Sveshnikov A.V.

(Rus)

Vol 8, No 3, 2016

On The Matter of Market in Cinema

Zhabskiy M.I.

(Rus)

Vol 9, No 3, 2017

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 11, No 3, 2019

The story of one crime: in life, in literature and in cinema

Zvegintseva I.A.

(Rus)

Vol 3, No 2, 2011

Still Life in the Space of the Film

Gvozdeva Y.V.

(Rus)

Vol 6, No 3, 2014

Creative Thinking as a Prelude to Creativity in Producing a Screen Product

Urazova S.L.

(Rus)

Vol 8, No 3, 2016

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 2, No 2, 2010

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E.A., Klopotovskaya Y.A.

(Rus)

Vol 4, No 2-3, 2012

Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»

(Rus)

Vol 6, No 3, 2014

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 8, No 3, 2016

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

Vol 2, No 1, 2010

History of the Portrait

Trankvillitskiy Y.N., Trankvillitsky Y.

(Rus)

Vol 4, No 2-3, 2012

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 6, No 3, 2014

Artistic Thinking as a Characteristic Property of Creative Intellect

Andreyev A.L.

(Rus)

Vol 8, No 2, 2016

Structural Analysis of Film Characters

Boyko M.E.

(Rus)

Vol 11, No 1, 2019

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.S.

(Rus)

Vol 2, No 3, 2010

Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)

Klopotovskaya Y.A.

(Rus)

Vol 6, No 2, 2014

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 7, No 3, 2015

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.D.

(Rus)

Vol 8, No 2, 2016

Animated Poster: Its Origins, Specificity and Peculiarity

Krivulya N.G.

(Rus)

Vol 11, No 2, 2019

Modern art history as a human science in a situation of cultural turn

Khrenov N.A.

(Rus)

Vol 2, No 3, 2010

Early Antique Imagery

Burov A.M.

(Rus)

Vol 4, No 2-3, 2012

The Role of Memory in the Perception of the Screen Image

Poznin V.F.

(Rus)

Vol 6, No 3, 2014

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 3, 2015

Functional Duality of Cinema

Ushkarev A.A.

(Rus)

Vol 9, No 1, 2017

Innovations in the Financial Regulation of Culture and Art Institutions

Molchanov I.N.

(Rus)

Vol 10, No 2, 2018

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

Vol 11, No 2, 2019

The environment of the cinematic spectacle. The architecture of the early Russian movie theaters

Anisimov A.V.

(Rus)

Vol 8, No 1, 2016

Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems

Molchanov I.N.

(Rus)

Vol 8, No 4, 2016

The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy

Sveshnikov A.V.

(Rus)

Vol 2, No 4, 2010

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S.L., Urazova S.L.

(Rus)

Vol 5, No 1, 2013

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 6, No 4, 2014

The Art of Opera: Variability of Artistic Languages of Screen Forms

Mesyanzhinova A.V.

(Rus)

Vol 8, No 2, 2016

Development of the Financial Relations in the Cultural Sphere

Molchanov I.N.

(Rus)

Vol 9, No 1, 2017

The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema

Arysheva A.S.

(Rus)

1 - 62 of 62 Items

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