| Issue |
Title |
| Vol 11, No 1 (2019) |
Modern art history as a human science in a situation of cultural turn |
|
|
Khrenov N.A. |
| Vol 11, No 3 (2019) |
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category |
|
|
Nikitina I.P. |
| Vol 10, No 1 (2018) |
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century |
|
|
Melekhova X.A. |
| Vol 10, No 4 (2018) |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
|
|
Nikitina I.P. |
| Vol 11, No 4 (2019) |
Modern Art History As a Human Science in a Situation of Cultural Turn |
|
|
Khrenov N. |
| Vol 11, No 2 (2019) |
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters |
|
|
Anisimov A.V. |
| Vol 10, No 1 (2018) |
Maurice Maeterlinck’s Philosophy of Art |
|
|
Mankovskaya N.B. |
| Vol 10, No 2 (2018) |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
|
|
Yakimovich A.K. |
| Vol 11, No 1 (2019) |
Mass scenes as a way of manipulating the consciousness of the viewer |
|
|
Arysheva A.S. |
| Vol 11, No 2 (2019) |
Modern art history as a human science in a situation of cultural turn |
|
|
Khrenov N.A. |
| Vol 11, No 3 (2019) |
The story of one crime: in life, in literature and in cinema |
|
|
Zvegintseva I.A. |
| Vol 6, No 4 (2014) |
Video Art: “A White Cube” or “A Black Box”? |
|
|
Staruseva-Persheeva A.D. |
| Vol 7, No 2 (2015) |
Stylistic Features Of Russian Arthouse |
|
|
Poznin V.F. |
| Vol 7, No 1 (2015) |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
|
|
Stroeva O.V. |
| Vol 7, No 3 (2015) |
Video Aesthetics in Cinema and Video Art |
|
|
Smolev D.D. |
| Vol 10, No 4 (2018) |
Composition as a Method of Communication in the Teaching of Fine Arts |
|
|
Sveshnikov A.V. |
| Vol 10, No 3 (2018) |
Way of Genre in Cinema Documentary |
|
|
Prozhiko G.S. |
| Vol 6, No 2 (2014) |
Impact of Technology on Screen Aesthetics |
|
|
Poznin V.F. |
| Vol 8, No 3 (2016) |
On The Matter of Market in Cinema |
|
|
Zhabskiy M.I. |
| Vol 2, No 2 (2010) |
Some Aspects of Mythological Reality |
|
|
Chizhevskaya O.A., Chizhevskaya O.A. |
| Vol 8, No 3 (2016) |
The Influence of the Painting Tradition on Derek Jarman’s Films |
|
|
Denisova I.V. |
| Vol 4, No 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
|
|
Nikitina I.P. |
| Vol 6, No 4 (2014) |
The Art of Opera: Variability of Artistic Languages of Screen Forms |
|
|
Mesyanzhinova A.V. |
| Vol 8, No 3 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
|
|
Sveshnikov A.V. |
| Vol 7, No 2 (2015) |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
|
|
Sveshnikov A.V. |
| Vol 8, No 2 (2016) |
Structural Analysis of Film Characters |
|
|
Boyko M.E. |
| Vol 5, No 1 (2013) |
Art and politics |
|
|
Nikitina I.P. |
| Vol 8, No 2 (2016) |
Animated Poster: Its Origins, Specificity and Peculiarity |
|
|
Krivulya N.G. |
| Vol 9, No 1 (2017) |
Innovations in the Financial Regulation of Culture and Art Institutions |
|
|
Molchanov I.N. |
| Vol 2, No 4 (2010) |
The Mirror Shield: the Camera as anInstrument of Civil Defence |
|
|
Naveskin R.A., Naveskin R.A. |
| Vol 8, No 4 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
|
|
Sveshnikov A.V. |
| Vol 6, No 3 (2014) |
Creative Thinking as a Prelude to Creativity in Producing a Screen Product |
|
|
Urazova S.L. |
| Vol 7, No 3 (2015) |
Video Art: Significant Absence of Editing as an Artistic Tool |
|
|
Staruseva-Persheyeva A.D. |
| Vol 9, No 1 (2017) |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
|
|
Arysheva A.S. |
| Vol 6, No 3 (2014) |
Silence of the Author: Semantics of Muting in Cinema |
|
|
Mikheyeva Y.V. |
| Vol 7, No 3 (2015) |
Functional Duality of Cinema |
|
|
Ushkarev A.A. |
| Vol 9, No 3 (2017) |
Screen Imagery as Reflected through Mythologems |
|
|
Marusenkov V.V. |
| Vol 6, No 3 (2014) |
Artistic Thinking as a Characteristic Property of Creative Intellect |
|
|
Andreyev A.L. |
| Vol 8, No 1 (2016) |
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems |
|
|
Molchanov I.N. |
| Vol 1, No 1 (2009) |
The creative work of Sergey Paradzhanov as an event of Postmodernism |
|
|
Lukashova A.G. |
| Vol 8, No 2 (2016) |
Development of the Financial Relations in the Cultural Sphere |
|
|
Molchanov I.N. |
| Vol 6, No 3 (2014) |
Theatre and Document: Opposition or Integration? |
|
|
Prozhiko G.S. |
| Vol 1, No 1 (2009) |
Postmodernism as Myths Generating Practice |
|
|
Mankovskaya N.B. |
| Vol 4, No 2-3 (2012) |
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) |
|
|
Bychkov V.V. |
| Vol 2, No 2 (2010) |
Some Aspects of Film Color Semantics and Cultural Tradition |
|
|
Klopotovskaya E.A., Klopotovskaya Y.A. |
| Vol 4, No 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
|
|
Poznin V.F. |
| Vol 2, No 1 (2010) |
History of the Portrait |
|
|
Trankvillitskiy Y.N., Trankvillitsky Y. |
| Vol 2, No 3 (2010) |
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4) |
|
|
Klopotovskaya Y.A. |
| Vol 5, No 1 (2013) |
Does cinema remain the driving force of screen culture? |
|
|
Kirillova N.B. |
| Vol 2, No 3 (2010) |
Early Antique Imagery |
|
|
Burov A.M. |
| Vol 5, No 3 (2013) |
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice |
|
|
Burov A.M. |
| Vol 2, No 4 (2010) |
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life" |
|
|
Urazovoy S.L., Urazova S.L. |
| Vol 3, No 1 (2011) |
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme |
|
|
Perelshtein R.M. |
| Vol 3, No 2 (2011) |
Still Life in the Space of the Film |
|
|
Gvozdeva Y.V. |
| Vol 4, No 2-3 (2012) |
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture» |
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