| Issue |
Title |
| Vol 10, No 1 (2018) |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
|
|
Parfentyeva E.N. |
| Vol 11, No 3 (2019) |
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint |
|
|
Rusinova E.A. |
| Vol 11, No 3 (2019) |
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics |
|
|
Mikheeva J.V. |
| Vol 10, No 3 (2018) |
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries |
|
|
Sergeeva T.S. |
| Vol 11, No 2 (2019) |
The sound world of the alienated film character |
|
|
Rusinova E.A. |
| Vol 10, No 1 (2018) |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
|
|
Rusinova E.A., Habchuk E.M. |
| Vol 7, No 1 (2015) |
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work |
|
|
Mikheyeva Y.V. |
| Vol 9, No 1 (2017) |
Music as a Part of the Theatrical Game of the Movie |
|
|
Mikheeva Y.V. |
| Vol 9, No 2 (2017) |
Music in the Metadigetic Space of the Motion Picture |
|
|
Rusinova E.A. |
| Vol 8, No 1 (2016) |
Lost in Translation: Songs in Foreign Films |
|
|
Parfentyeva Y.N. |
| Vol 6, No 3 (2014) |
Silence of the Author: Semantics of Muting in Cinema |
|
|
Mikheyeva Y.V. |
| Vol 9, No 1 (2017) |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
|
|
Rusinova E.A. |
| Vol 3, No 4 (2011) |
Alfred Schnittke and the End of Russian Classic Music |
|
|
Mikheyeva Y.V. |
| Vol 5, No 4 (2013) |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
|
|
Fyodorova A.A. |
| 1 - 14 of 14 Items |
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