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Title
Authors
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
The sound world of the alienated film character
Rusinova E.A.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
Impact of Technology on Screen Aesthetics
Poznin V.F.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
About dubbing foreign ilms
ROUSSINOVA E.A.
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.A.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.V.
1 - 18 of 18 Items

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