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Title
Authors
Dynamics of Opera Screen Forms: Theoretical Aspects
Masyandjinova A.V.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.V.
A Competitive Model of Commercial TV Broadcasting
Urazova S.L.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.N.
System of audiovisual content distribution with application of digital technologies
Levanskaya E.S.
Television Civilization and Image of Reality
Utilova N.I.
Screen Communications As a Form of Socialization and Individualization
Urazova S.L.
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.N.
The Convergent and Integration Aspects of Mass Media Evolution in the Information Age
Urazova S.L.
Cable and Satellite: “Non-Fiction” Content
Belenkiy Y.M.
Screen reality in the context media milieu modernization
Urazova S.L., Urazova S.L.
Visualization Techniques on Business TV
Dolgova Y.I.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
On Creating a Virtual Character (analysis of«Mouchette.org» site)
Yugai I.I.
Media Concentration as the Structuring Process of Screen Communications
Urazova S.L.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
TV Moves into Virtual Reality as a Projection of Development
Urazova S.L.
Humanitarian Practices in Modern Audiovisual Technologies
Urazova S.L.
On media conflict and new forms of screen product
Urazova S.L.
Russia's Contribution to Digital TV Broadcasting
Urazova S.L.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Computer Graphics Efficiency Criteria
Soshnikova I.V.
Desktop Films. To Read or to Watch?
Novikov V.N.
1 - 25 of 25 Items

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